ScreenFish

where faith and film are intertwined

Groot

GIVEAWAY: Infinity War Lego Set!

by 2 Comments

Now, you can assemble the Avengers yourself!

In Avengers: Infinity War, Iron Man, Thor, the Hulk and the rest of the team unite to battle their most powerful enemy yet — the evil Thanos. On a mission to collect all six Infinity Stones, Thanos plans to use the artifacts to inflict his twisted will on reality. The fate of the planet and existence itself has never been more uncertain as everything the Avengers have fought for has led up to this moment.

In honour of the biggest action epic of all time, we’re giving away the brand new official Lego set, “Thor’s Weapon Quest”, featuring Thor, Rocket and Groot!

(Incidentally, click the links to check out our interviews with actors Sean Gunn (who plays Rocket) and Terry Notary (who plays Groot.)

To enter, simply like or share this post on Facebook and tell us in the comments section which Avenger you think is the most like you and why?

For a bonus entry, like or retweet this post on Twitter or Instagram.

All entries must be completed by 11:59pm on Thursday, May 3rd, 2018.

 

Avengers: Infinity War will be unleashed in theatres on April 27th, 2018

He Is Groot: 1on1 with Terry Notary

by Leave a Comment

Avengers: Infinity War offers the (penultimate) event of the Avenger universe. When evil overlord, Thanos, threatens to destroy the galaxy in the midst of his hunt for the Infinity Stones, the Avengers must assemble one more time to attempt to save humanity from his violent clutches. Billed as the ‘biggest cross-over event in history’, Infinity War features Iron Man, Black Panther, The Guardians of the Galaxy, Dr. Strange and more as they share the screen for the first time. However, given the film’s emphasis on special effects and CGI work, there are many people essential to the film that you many not immediately recognize onscreen.

One such actor is performance capture artist, Terry Notary, who plays both Teenage Groot and child of Thanos, Cull Obsidian, in the film. A veteran movement coach, Notary affirms that taking on roles such as these are an incredibly emotional experience that cause the actor to explore the deepest parts of themselves.

“I was in Cirque du Soleil for five years but I was a gymnast at UCLA before that,” he recalls. “I learned this technique of gymnastics, but it wasn’t until I joined the Cirque that I learned how to perform… and what I try to do is take a lot of the same principles that we used at Cirque creating characters and build upon those with techniques that I’ve learned. There’s a sort of balance between the technical aspects of things versus the emotional and everyone has their own emotional blueprint. Everyone is different. Basically, your life is a blueprint of your body is a blueprint of your life. It is a reflection of everything that you’ve been through: all your past traumas, your experiences, your successes, your identity, your sense of self, or who are you, When you have an experience, it marries itself into you. Basically, the work that I do is not movement it but really it’s about life and learning about who you are.”

“What I do, if we start sitting in a chair, is a lot of the sort of Alexander work and I can sort of get a sense of the blocks, tensions, habits that are sort of innate the person. Then, we can start to work through those and identify with what they are, the emotions behind those things so that we become a blank slate.”

With this in mind, Notary recognizes that one of the chief obstacles to an actor’s performance consists of one’s own fear. Still, he also believes that, once we embrace it, fear can also be a powerful motivator.

“People think [they] shouldn’t feel afraid at all, but that’s was quite the opposite,” he explains. “[Whether] you’re an actor, acrobat or athlete, it’s all the same. You have to embrace the fear and, when you embrace it, then you extinguish its power and you can use it as a fuel to propel you into action. You can use fear to widen your peripheral, sharpen your senses, listen, hear, feel and become more alive. Basically, when you fight fear, you empower it and, and it’s the worst enemy of an actor, acrobat or just a normal business person, it doesn’t matter. So, when people think I shouldn’t feel afraid, that’s wrong. Fear is great to have. Fear is energy. Fear is anticipation and the ultimate fuel. When you learn how to stop trying to hide from fear or your real issues, it creates a presence that you have in yourself that is open, aware, vulnerable, and soft with integrity. So, it’s like finding a balance [between] the mind and body.”

For Notary, much of the process of bringing authenticity to his performance comes through one’s ability to relax and open space for creativity instead of pressuring themselves.

“It’s like undoing habitual muscle that’s constantly grabbing [you]. It’s undoing this sort of idea that it needs to be hardworking. We’re trained as human beings that hard work is rewarded. You grimace your face, you tense up where we kind of discouraged [ourselves] from daydreaming and going off into these super creative soft places that are actually more creative and more rewarding. So, it’s kind of like undoing the idea of hard work and embracing the sort of trust that things will unfold in this body in your new state of being that will actually make you more interesting. The mind becomes a guide rather than a boss. You’re actually watching yourself do this and you’re continuing to allow it to happen. That’s the sort of the final step is continuing to allow it to happen and unfold.”

Further, Notary also argues that, part of the process in creating a realistic character stems from one’s ability to recognize the value of mistakes as well.

“I say that we should make tons of mistakes so that we know what it’s not,” he claims. “In the mistakes, you find little gems and go, ‘Whoa, that’s amazing. What did I just do?’ Then, you start discovering these things that are screaming out to come out subconsciously and, all of a sudden, you can start to create beautiful moments with those subconscious things that are trying to speak through you.”

In Avengers: Infinity War, Notary has the unique challenge of playing two wildly different characters on screen. As both Groot and Cull Obsidian, he found himself discovering, not how to play the roles of both hero and villain, but also creating different mannerisms as well. In the end, however, Notary enjoyed the challenge, seeking to learn something about himself as well.

“I love working with that… I don’t see it as strange to play these two very different characters. It’s kind of fun,” he says. “When I put the nametag on for Groot, it’s totally different than when I put the name tag on for Cull Obsidian. They’re totally different creatures. With every character that I play, I try to find something out about myself. I try to always learn about who I am by making the mistakes of the character and trying to figure out who or what it is.”

“Then, I just go on walks on the beach and I’ll just start really tapping into who it is or what it is. For me, Cull had this a voice and intelligence. He had an inner dialogue that was going on. You kind of get a sense that this is not a hulking, brutish crusher without any feeling. He’s actually got a lot of feeling going on, which I think is really fun with that character. Once I found that voice inside, then I had this internal dialogue and I could just be in my own world and play the world, as I thought, through his eyes.”

Given the advancements in both technology and ability in motion capture technology, there has been much discussion in recent years about whether or not these actors should be recognized come awards season. In light of this, Notary feels that, ultimately, the technology does not interfere with the authenticity of the actor’s performance.

“What I tell people when they ask me that question is [that] you should watch the performance without the Ape.,” he contends. “I had scenes with Andy [Serkis] where I said, ‘Holy mama! What was that? Where did that come from?!’ then, you know, I don’t even think they can translate some of that goodness yet within these characters. The grading system—or however they decide—should be viewed on the performance, the actual actors with the camera on. Then, they can watch that performance and ‘OK, I see it. It’s all on camera. It’s all in the shots. It’s all there. We thought it would be great to just watch the movie with just us in our performance capture suits, because I’m sure it’s really interesting. So, my answer to that is absolutely yes. I think that once people feel that someone’s performance is being tweaked or modified, that it’s not a true performance. But I think when you see the performance in its original state, you would change your mind on that.”

Over the years, Notary has been involved with a number of high profile projects, such as Avatar, The Hobbit, and Planet of the Apes reboot trilogy. When asked if there has been anyone who particularly mentored him in his process as an actor, he speaks highly of many of the directors with whom he’s had the privilege to work.

“When [James] Cameron called me up and said he wanted me to come down and read this script called Avatar, I was honored…,” Notary remembers. “He’s a great director because he’s really good at pushing people to become the best that they can be. He expects that. He hired me on the spot when we had our conversation after I read the script. [Avatar] was his baby of 10 years that had all this incredible technology and groundbreaking, cutting edge stuff that was going to happen and he trusted me. I went home and I just started doing research, studying tribes and this and that. I just poured myself into it because of his belief in me. He sort of instilled this sort of belief in myself that I could do it and I owe him a lot for that by actually trusting me.”

“It’s the same with Peter Jackson,” he continues. “I worked with him for two years on the Hobbit trilogy every day and he became a good friend and a mentor. We jumped on the film and we just liked fixing things together. He became like a mentor to me as well and he’s inspired me to direct my first film. There’s been quite a few. Matt Reeves is another. He’s just been really cool friend and you know, I think it’s about like, like if you’re a musician and you hit the gym with good musicians, you become better.”

Avengers: Infinity War is in theatres now.

For full audio of our amazing conversation with Terry, click here.

Meet The Rocket Man: 1on1 with Sean Gunn (AVENGERS: INFINITY WAR)

by 2 Comments

While he is perhaps best known from his time playing the affable Kirk Gleason in Gilmore Girls, Gunn has stepped into the forefront recently for his role as Kraglin in the Guardians of the Galaxyfilms. However, he has also found himself in the unique position of serving as physical stand-in for CGI fan-favourite Rocket the Raccoon as well. As Gunn prepares for the return of Rocket in Avengers: Infinity War, he credits his brother, Guardiansdirector James Gunn, for bringing him into the Marvel Cinematic Universe.

“Really, it was when my brother got involved,” he starts. “I know that my brother, James, was at a point in his career where he was a little down on directing movies because it was such a hard job to get it on one of these big tent-pole movies. Then, when he ended up being up for Guardians, getting that job, I was totally ecstatic for him.”

“I play both Kraglin on-screen and I also play Rocket [the Raccoon] on-set. That kind of came about during the first movie. [James] and I had worked together so much on various things in our career and he knew that he wanted an actor that he knew, trusted and had worked with to be able to play Rocket on set so that he’d have a real actor there to do it and not just a tennis ball on a stick or a PA holding up script in their hands or something like that. So, he asked me to do it and we ended up kind of figuring out on the go what the method was for that to work. Then, it turned out that it was basically me just getting down on my hands and knees and playing Rocket just as though he was there and it was really helpful to the other actors and the visual effects team. They weren’t able to use me for reference them when they started to animate the character and then I think it was a matter of ‘if it ain’t broke, don’t fix it’. So, then you know, it worked so well for the first movie that I ended up doing it again for Guardians Vol. 2and then for both Infinity Warmovies as well.”

Though most people associate Rocket the Raccoon with Bradley Cooper who supplies his voice, it’s Gunn’s work that lays the groundwork for the performance. By providing much of the physical acting for the character, Gunn appreciates the hard work of the animators who can take his movements and bring Rocket to life.

“I play Rocket the entire time on-set…,” he recalls. “Then, the visual effects team then goes in and they start to put together a draft based on what I did–our movements, hand movements, and particularly my face, some facial expressions, things like where Rocket’s looking… For just little things like that, the animators will use what I’m doing as a reference. Then, later Bradley Cooper comes in and he does the voice of the character and they can change things then. He’ll flesh the character out and sort of put his thing on it and then if they want to make some changes based on either what he’s doing or some combination thereof, they can make those changes at that point as needed.”

Of course, playing two different characters within the same film brings its own set of challenges as well. During scenes where Rocket and Kraglin shared screen time, Gunn claims that he had work twice as hard in order to be prepared.

“There are four different scenes where [Rocket and Kraglin] are not only together [in Vol. 2], but they both have dialog. We really would just kind of shoot around each character and plug me in as much as we could. I always think that the preparation and focus are the most important components to go to acting on set and I had to sort of double my preparation and double my focus on those days. It wasn’t easy because I can’t really squat down as Rocket in Kraglin’s wardrobe. So, I was also having to do these costume changes where I would get and jumpsuit, which is a little stiff and hard to maneuver, and into my Rocket sweats, which is basically a track suit that I’m wearing. So yeah, we’d just have to go back and forth. We’d really have to just take a little longer to shoot and I would be doing the scene twice from the point of view of each character.”

Of course, the Guardians franchise signaled a shift in tone for the Marvel Cinematic Universe upon its release. While offering more humour and brighter colour schemes than other franchises (and not to mention the best soundtracks in the MCU), the most interesting thing about the Guardiansfranchise has been its ability to help audiences fall in love with the anti-hero. When asked about whether he feels this franchise looks for the good in the ‘bad guys’, Gunn argues that the backstories of characters like Rocket gives them the chance to explore what it means to be a hero.

“Well, I certainly don’t view them as bad guys,” he explains, “but they’re not motivated by altruistic qualities the way that the Avengers are certainly… But, I agree with your premise that over the course of the movies, I think the arc of those characters are still learning to identify the goodness that’s already inside of them. I think they’d had lives that have encouraged them to squash the goodness, like Quill living with the Ravagers or Rocket having been where he’s been, sort of lonely most of his whole life. They’ve been encouraged to not think about the good inside of them so I think part of the movies is them finding that.”

Having worked with an ensemble cast on Guardians, his experience on Avengers: Infinity Warmoves to another level entirely. Billed as the ‘largest cross-over event in history’, the film features most (if not all) of the major characters that Marvel has introduced to audiences over the last decade. Nevertheless, Gunn believes that the film honours each character and hopes that the fans agree.

“There are a lot of characters and I think that that’s handled particularly well over the course of the two movies–which, if I can’t talk about the first one, imagine how little I can say it about the second one,” he muses. “We filmed them back to back. There’s still some additional photography to do for the second movie as is always the case and but I think the way that that issue of all these different characters participating in one story is really interesting and I think it works really well. We’ll have to wait and see what people think about. It certainly is a lot of balls in the air to juggle.”

Providing the motivation for the Avengers to assemble this time is the impending threat of alien overlord, Thanos. Hell-bent on destroying the universe, Thanos’ quest for the Infinity Stones is rumoured to give the film a darker tone than other entries into the MCU. Despite its intensity, Gunn also feels that Infinity Waralso balances it with Marvel’s trademark humour.

“I haven’t seen the movie yet so I’ve got to start with that,” he begins, “but I do think that it has a heaviness to it that I think is super cool. I think it’s warranted, personally. I mean you can’t have all these disparate franchises that you’re tying together under one massive banner and be sort of glib about it. I think that these movies are going to be serious. There’s certainly plenty of comedy though. I mean, you know, we have the Guardians in there. We’ve got the crew from Ragnarok in there. I think there’s a lot of laughs, but I think the overall tone of piece is not super light. I think fans will like that because it’s pretty serious. Thanos is serious business.”

Furthermore, one of the highlights for Gunn of working on Infinity War was the opportunity to combine the Guardians crew with a more diverse cast, allowing new interactions and conflicts.

Says Gunn, “I think every actor in one way or another helps define who the character you’re playing is, particularly from Rocket’s point of view. Rocket has been in space his whole life. He knows very little about Earth or the people who live there other than what he knows through his friendship with [Peter] Quill. So, his whole relationship to the earth is based on what Quill has told him and when he comes across any of these people from the Avengers universe, he has a very different perspective of them than any of us would have of them from down here. If anything, I think they’re not quite so impressive to Rocket.”

With his success in the Marvel Universe and Gilmore Girls, one might wonder what Gunn hopes to do next. Still, rather than get preoccupied with what is to come, he prefers to simply focus on looking for great stories to help bring to life.

“I try not to prognosticate or wish too much about where my career is going to go because then you’re only setting yourself up for disappointment. I’ve been very, very lucky to work with incredibly talented people with my brother in Guardians, with the Russos and everyone else they’re working with on Avengers and the list goes on and on, but also with Amy Sherman-Palladino and her husband, Dan, on Gilmore Girls. They’re such great writers and I’ve been so lucky and I really just try to chase the words. I think story is king still. Good stories and good content still rule the day and I just want to keep doing stuff like that. I’d love to revisit Kirk on Gilmore girls if we ever make more, which I don’t think would happen anytime soon. I’d take a look at the character again at some point down the line. I’d love it.”

To hear full audio of our conversation with Sean, click here.

Avengers: Infinity War opens April 27th, 2018.