Reviews
LatestMusk: Gibney finds the madness behind Musk’s method
Gibney's MUSK is four hours long. And it’s still worth the price of admission.
Reviews
LatestWhalefall: Survival thriller both sinks and swims
Whalefall is somewhat of a mixed bag.
When the credits have rolled and the tears have dried, Heart of the Beast asks us whether what we’re fighting for matters, and deeper still, who we’re fighting for.
Our 1On1 Interviews offer candid, in-depth conversations with voices from the film and TV industry, exploring creative choices, cultural themes, and the messages that matter.
In this ScreenFish 1on1 Interview, director and subject Gabriel Badejo discusses THE SICKLING and why he felt compelled to tell his story through film.
In this ScreenFish 1on1 Interview, director Nick Davis and legendary musician Paul Shaffer discuss YOU HAD TO BE THERE, the documentary exploring the remarkable success of Toronto’s production of Godspell.
In this ScreenFish 1on1 Interview, Rex Hayes and Aisling Sharkey, who play twins Siobhan and Niamh in TED LASSO Season 4, discuss joining the beloved series and whether they had any football experience before stepping onto the pitch.
In this ScreenFish 1on1 Interview, director and subject Gabriel Badejo discusses THE SICKLING and why he felt compelled to tell his story through film.
In this ScreenFish 1on1 Interview, director Nick Davis and legendary musician Paul Shaffer discuss YOU HAD TO BE THERE, the documentary exploring the remarkable success of Toronto’s production of Godspell.
In this ScreenFish 1on1 Interview, Rex Hayes and Aisling Sharkey, who play twins Siobhan and Niamh in TED LASSO Season 4, discuss joining the beloved series and whether they had any football experience before stepping onto the pitch.
We celebrate the good in every story, spotlighting the heart, hope, and meaning behind every screen moment.
Gibney’s MUSK is four hours long. And it’s still worth the price of admission.
Whalefall is somewhat of a mixed bag.
Although it’s bound to be divisive, there’s little doubt that this is remarkable filmmaking.
Discover intimate, in-depth interviews that reveal the personal stories, creative journeys, and passions of the artists behind the projects.
When the credits have rolled and the tears have dried, Heart of the Beast asks us whether what we’re fighting for matters, and deeper still, who we’re fighting for.
“I wanted to escape from this eternal dialectic between the colonized people and those who have colonized us.”
At long last, Olivia Cooke is coming home.