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Michael B. Jordan

1on1 with Dana Canedy (A Journal for Jordan)

March 8, 2022 by Darrel Manson Leave a Comment

I recently had the chance to speak via Zoom with Dana Canedy, who wrote the book A Journal for Jordan about her fiancé 1st Sergeant Charles Monroe King who wrote a journal for their yet unborn child prior to being killed in Iraq. The film version of the book is directed by Denzel Washington and stars Michael B. Jordan and Chanté Adams. Ms. Canedy is a Pulitzer prize-winning journalist who is now Senior Vice President of Simon and Schuster. She has written for the New York Times

I’m sensitive to the fact that even though it’s been a number of years since the events in the film, the writing of the book, the making of the movie, and now all these interviews you’re doing can stir up many emotions for you and for your son. So how are you feeling about it all at this point?

Thank you for appreciating that. I have a mix of emotions. I’m mostly really humbled and grateful. The fact that people all across the country care about the story and are sending me hugs and sending me emails is very healing for me. There are some days I’m really overjoyed and other days are difficult. When we were shooting the scene in Arlington Cemetery was one of the worst days of my life. One the whole I think it’s a beautiful story. I’m grateful for this experience and hopefully there are some words of encouragement in the movie that will resonate with people with their own struggles, to help them get through. So if I can serve in any way, my story and my loss, and how to deal with tragedies and serve to inspire someone else and help them through, then it’s okay. I’m happy to go through it.

In the production notes you’re quoted as saying you were willing to trust Denzel Washington with this project because “In this order, I knew Denzel was a Christian man and a good family man. And then I knew he was the best at what he does.” Can you speak a bit about the importance of who Denzel Washington is as a person as it relates to this project?

I think who he is as a person as it relates to this project is as important as who he is in Hollywood, in the sense that he made this personal. He started many of the shoots in prayer with the cast. He got to know me and my son over time. We’ve been thinking about and talking of doing this for thirteen years. So Jordan’s sixteen and I have pictures of him holding Jordan on the set of one his other movies when Jordan was three years old. He made this very personal. In fact, at one point several years ago, he was reading through the script and he was pretty emotional about it and called me about it. I told him “We’re no longer characters on a page to you; we’re people.” And so, I think part of the beauty of the movie is that everyone involved made it personal, and you can see that with the performances.

You also mention that part of what your fiancé wrote about was his love of God? How did you see that form him as a man?

He was a deeply Christian man who grew up in the church and read his bible every day. I used to watch him read and pray and he wrote in a prayer book. He’s the only man I ever dated who I felt comfortable praying with. God was at the center of his life. He really was. In fact, his pastor at his childhood church asked him, “You’re such a Christian man, how can you be in the military?” He said, “The military needs Christians, too.” Faith was at the heart of everything he did. I grew up in a very nontraditional religious household, and he helped me, actually, grow in my faith. That is one of the blessings of having known him and spend so much time with him, to watch a man of faith practice his faith.

Also in the production notes, you talk about the two different ways your fiancé was known: The warrior that the soldiers knew as “Top” and the man you describe as the gentlest man you ever met. What was it like to discover new dimensions to this man?

Incredible. It was absolutely incredible. Incredible for the soldiers and incredible for me. When I described the man I knew to the soldiers, they said “Ma’am, we never met that guy.” He was so different at his home. He had all these little flecks of gray in his mustache, and he used to let me take my mascara wand and color it in. That’s who he was at home. Of course, that’s not who he was as a military leader. He really had these two different parts of his personality that he balanced very well. To this day it makes me smile and laugh that this fierce warrior could also be so gentle. Though I shouldn’t be surprised because he was an artist who specialized in pointillism—creating beautiful three-dimensional drawings with dots of paint. He would draw children and old people and soldiers and landscapes

As I mentioned I haven’t seen the film yet, but how do you feel Michael B. Jordan did in capturing that complexity?

First of all I was struck by how much they looked alike, so that was incredible. He, again, put in a lot of time researching the role. The first day I went to the set, I took a small duffle bag that had the actual journal in it and Charles’s dog tags, and his Purple Heart. Michael wore the dog tags on set that day, and was very emotional about it. So I think he really understood that there was a boy at the heart of the story, whose name was Jordan, who’s a real person, and he had this unbelievable measure of respect for Charles. So he put in the time to talk to me a lot, to read through my book and the journal to understood us as people. And he brought all that to bear on the performance. He captured him perfectly.

NEW YORK, NEW YORK – DECEMBER 09: Dana Canedy and Jordan Canedy attend the World Premiere of “A Journal For Jordan” at AMC Lincoln Square Theater on December 09, 2021 in New York City. (Photo by Theo Wargo/Getty Images for Sony Pictures)

 Is there a kind of weirdness to watching yourself being portrayed on screen?

Oh, no. I mean, I’m so grateful. This is such an awesome, amazing experience, by the grace of God, to be able to tell my story—our story—to share that. I don’t think of it that way at all.

This is a story about fatherhood, but in a very different way than most films. How would you describe the concept of being a father that this film creates?

I think what it does is it doesn’t create an example of fatherhood. It gives an example of the epitome of fatherhood. You know, a man who found a way to be present for his family and his son after he was gone. I tell Jordan all the time “You’re having an ongoing conversation with your father that many people don’t have with fathers who are living.” The fact that he tried so hard and worked so hard at anticipating what he’d want to say to Jordan over the years is unbelievable. There are entries in the journal that mean a lot to Jordan at sixteen years old, but, as you can imagine, there are other things that are going to be even meaningful for him on his wedding day or when he becomes a father. Charles was able to anticipate all of that while writing this from a war zone. I can’t think of a better example of a father who is loyal and thoughtful and caring and loving. It’s why I chose him.

A Journal for Jordan is now available on Blu-ray and On Demand.

Filed Under: Featured, Film, Interviews Tagged With: Chante Adams, Dana Canedy, Journal for Jordan, Michael B. Jordan

Films in Full Colour #2: JUST MERCY

June 13, 2020 by Steve Norton Leave a Comment

We, at ScreenFish, believe that we are all created in God’s image and want to show our support where we can to those in the Black Community who continue to battle against systemic racism. While our team strives for diversity, we can always do better ourselves in giving voice to those who need the chance to speak out and be heard. 

In our new series, ‘Films in Full Colour’, we will be examining films that explore issues specifically within the black community. For each episode, my co-host will be Jordan Thoms, pastor of Warden Underground Church in Toronto and our hope is that, through the lens of film, we might be able to shine light on the issues faced every day by African Americans. This week, Jordan and I welcome film analyst Chris Utley to the show to talk about justice and its relationship to hopelessness, and what it means to tell a new story through Destin Daniel Cretton’s Just Mercy.

You can also stream the episode above on podomatic, Alexa (via Stitcher), Spotify or Soundcloud! Or, you can download the ep on Apple Podcasts or Google Play!

Want to continue the conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

Films in Full Colour 2: Just MercyDownload

Filed Under: Featured, Film, Podcast Tagged With: Black Lives Matter, Jamie Foxx, Just Mercy, Michael B. Jordan, racial justice, racism

Comfort Films #2 – HURRICANE [CREED]

April 10, 2020 by Steve Norton Leave a Comment

When times are tough, what stories do you turn to? Our new series, Comfort Films, is designed to look at the films that are important to us and why they help bring us up with everything feels down. This week, In the Seats’ Dave Voigt and That Shelf’s Victor Stiff stop by to chat about the fist-pumping beauty of Ryan Coogler’s Creed and the wanton (and joyous) chaos of Rob Cohen’s Hurricane Heist.

You can also stream the episode above on podomatic, Alexa (via Stitcher), Spotify or Soundcloud! Or, you can download the ep on Apple Podcasts or Google Play!

Filed Under: Featured, Film, Podcast Tagged With: Hurricane Heist, Michael B. Jordan, Rob Cohen, Toronto

Just Mercy: Never Too Late for Justice

March 24, 2020 by Julie Levac Leave a Comment

Image result for just mercy movie

Based on true events, Just Mercy tells the story of Walter “Johnny D” McMillian (Jamie Foxx), a man who was wrongfully convicted of the murder of Ronda Morrison and sentenced to death in Alabama. Adapted from the book by Johnny D’s attorney, Bryan Stevenson (Michael B. Jordan), Just Mercy is a hard-hitting look at racism in Alabama in recent decades, and the reality of a corrupt justice system.

Set in Monroeville, Alabama, the birthplace of author Harper Lee, the film makes multiple references to Lee’s To Kill A Mockingbird, a fictional yet soberingly accurate comparison to some of the events that took place in Just Mercy. If you’ve seen To Kill a Mockingbird, the scene in Just Mercy where all people of colour are standing at the back of the courtroom will give you a chilling flashback.

Bryan Stevenson moved to Alabama to begin the Equal Justice Initiative, a non-profit organization providing legal services to prisoners who could not afford a proper representative, who were not granted a fair trial, or who were likely wrongly convicted.

Image result for just mercy movie

The case against Johnny D was based on very little evidence, including a fabricated testimony of a fellow inmate. It was clear that he was targeted based on race and class. Johnny D had also been unfaithful to his wife with a Caucasian woman, and this news had travelled around town.

When Bryan first met with Johnny D to reopen his case, it was clear that Johnny D was broken and had lost hope. He didn’t want to feel the pain or put his family through it again. With every turn, it seemed as though there were more road blocks that they had to face. People were intentionally trying to sabotage the appeal despite knowing that there was no real case against Johnny D.

Just Mercy is yet another look into how the justice system does not always provide justice, and how people who serve time in prison often come out worse then when they went in. Johnny D developed dementia later in his life which was thought to be the result of his time in prison and the trauma of what he went through. In addition, the film also brings up the moral debate about the death penalty. On a human level it was very difficult to watch the emotional trauma these men experienced as they sat and waited to be killed.

Image result for just mercy movie

This film is real and powerful. 

Special features on the Blu-ray include “Making Mercy,” “The Equal Justice Initiative,” “This Moment Deserves,” and deleted scenes. The film is now available for digital purchase and download from Warner Bros.

Filed Under: Reviews, TIFF Tagged With: Alabama, Brie Larson, Bryan Stevenson, Equal Justice Initiative, Harper Lee, Jammie Foxx, Johnny D, Just Mercy, Michael B. Jordan, racism, Rob Morgan, Tim Blake Nelson, To Kill A Mockingbird, Walter McMillian

TIFF ’19: Just Mercy

September 11, 2019 by Julie Levac Leave a Comment

Image result for just mercy movie

Based on true events, Just Mercy tells the story of Walter “Johnny D” McMillian (Jamie Foxx), a man who was wrongfully convicted of the murder of Ronda Morrison and sentenced to death in Alabama. Adapted from the book by Johnny D’s attorney, Bryan Stevenson (Michael B. Jordan), Just Mercy is a hard-hitting look at racism in Alabama in recent decades, and the reality of a corrupt justice system.

Bryan Stevenson moved to Alabama to begin the Equal Justice Initiative, a non-profit organization providing legal services to prisoners who could not afford a proper representative, who were not granted a fair trial, or who were likely wrongly convicted. When Bryan first met with Johnny D to reopen his case, it was clear that Johnny D was broken and had lost hope. He didn’t want to feel the pain or put his family through it again. With every turn, it seemed as though there were more road blocks that they had to face. People were intentionally trying to sabotage the appeal despite knowing that there was no real case against Johnny D.

I have never heard so many sniffles or deep breathes in a theatre as I did during Just Mercy.  This film is real and powerful.  What’s more, knockout performances by stars Jamie Foxx, Michael B. Jordan, Brie Larson, Rob Morgan, and Tim Blake Nelson, do not be surprised if you hear some–if not all–of these names as award season approaches.

Just Mercy recently premiered at the Toronto International Film Festival and will begin its wide release on December 25th, 2019.

Filed Under: Film, Film Festivals, Premieres, TIFF Tagged With: Brie Larson, Jamie Foxx, Just Mercy, Michael B. Jordan, TIFF17, TIFF19

5.06 Fighting our Fathers in CREED II

December 16, 2018 by Steve Norton Leave a Comment

http://screenfish.net/wp-content/uploads/2018/12/5.06-CREED-II.mp3

When Adonis Creed returns to the ring in CREED II, he has all he’s ever fought for: a new wife, stable family and, of course, the heavyweight championship on his shoulders. However, when the shadows of his past resurface to confront him, Creed must ask himself what he’s fighting for and what he’s prepared to do to achieve it. This week, Steve welcomes Colin McCartney (Connect Ministries) and Jordan Thoms to the show in order to talk about fighting for (and against) our fathers, owning our identity and the stigma of dealing with mental health issues.

You can also stream the episode above on podomatic or on Spotify! Or, you can download the ep on Apple Podcasts, Google Play or more!

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

5.06 Creed II

Thanks Colin and Jordan for joining us!

Filed Under: Film, Podcast Tagged With: boxing, Creed II, Michael B. Jordan, Sylvester Stallone

Creed II – Still in Rocky’s Shadow

November 20, 2018 by Darrel Manson Leave a Comment

The Rocky saga continues with Creed II. It would be nice for the Creed films to have their own identity. It’s not just that they still have Rocky Balboa (Sylvester Stallone) in a key role; they both rely heavily on plot from the earlier Rocky films rather than looking for their own paths.

In Creed, Adonis Creed (Michael B. Jordan), illegitimate son of Rocky’s foe/friend Apollo Creed, embarks on a boxing career under the Balboa’s tutelage. That film was in part a search by Adonis for a connection to the father he never knew. In the present film, Adonis becomes champion, but soon he is publicly challenged by Victor Drago (Florian “Big Nasty” Munteanu), son if Ivan Drago (Dolph Lundgren), the fighter who (in the 1985 Rocky IV) killed Apollo in the ring, and was later beaten and disgraced by Rocky. Rocky still carries guilt about not stopping the fight before Apollo was killed. The elder Drago still carries a grudge against Rocky.

Sylvester Stallone stars as Rocky Balboa and Michael B. Jordan as Adonis Creed and in CREED II, a Metro Goldwyn Mayer Pictures and Warner Bros. Pictures film. Credit: Barry Wetcher / Metro Goldwyn Mayer Pictures / Warner Bros. Pictures
© 2018 Metro-Goldwyn-Mayer Pictures Inc. and Warner Bros. Entertainment Inc. All Rights Reserved.

Rocky refuses to train Adonis for the fight, but Adonis goes on with Tony Burke, son of Apollo’s trainer.  After taking a terrible beating, Adonis retains his title on a disqualification. But his life is facing many changes. Not least of which is that his fiancée Bianca (Tessa Thompson) is having a baby. Is Adonis willing to risk everything in a rematch with so many new responsibilities? (Well, it’s a Rocky movie, isn’t it? Of course there will be a rematch.) In terms of plot, this story develops very like Rocky IV, except than rather that getting killed, Adonis is only almost killed.

Michael B. Jordan stars as Adonis Creed and Tessa Thompson as Bianca in CREED II, a Metro Goldwyn Mayer Pictures film.Credit: Barry Wetcher / Metro Goldwyn Mayer Pictures

The film seems to want to talk about family, and especially fatherhood. It seems fitting that after the search for a father-figure in Creed, the sequel might want to look at what it will mean to Adonis to become a father. The film certainly offers that opportunity. A subplot deals with Rocky wanting to call his estranged son, but not having the courage to seek a reconciliation. The ingredients for Adonis and Rocky to struggle with what it means to be a father are there, but that theme gets overwhelmed by the boxing. Adonis seems pretty cavalier about the possibility of leaving his child fatherless as his father left him.

This film brings all the familiar emotions of the other Rocky Saga films. I suppose that’s why people like sequels—getting to see the same story again. Like the other films in the series, it relies on many brutal fight scenes. These are more brutal than real boxing, which is brutal in itself. What makes the difference (at least in my mind) between a good and lesser boxing film is if the fighting adds something to the human story being lived out by the characters or if the story is just the mechanism to get to the next fight scene. Creed II gives priority to the boxing. When we walk out of the film, what we remember is the bone-crushing body blows, not the soul-rending doubts that Rocky, Adonis, and Bianca all face. (And because of the father/son relationship of Ivan and Victor, there is a whole other perspective that could have been considered.)

(Right) Florian Munteanu stars as Viktor Drago in CREED II, a Metro Goldwyn Mayer Pictures and Warner Bros. Pictures film. Credit: Barry Wetcher / Metro Goldwyn Mayer Pictures / Warner Bros. Pictures
© 2018 Metro-Goldwyn-Mayer Pictures Inc. and Warner Bros. Entertainment Inc. All Rights Reserved.

This is why I think the Creed films need to find a new direction out of the Rocky paradigm. They could offer us some depth to justify making us watch the bloody gladiatorial spectacles of overdone boxing.

Filed Under: Film, Reviews Tagged With: boxing, Dolph Lundgren, Florian Munteanu, Michael B. Jordan, Rocky, Sylvester Stallone

GIVEAWAY: Black Panther 4K/Blu-Ray Combo!

May 14, 2018 by Steve Norton 13 Comments

Before the Infinity War was the battle for Wakanda!

After the death of his father, T’Challa returns home to the African nation of Wakanda to take his rightful place as king. When a powerful enemy suddenly reappears, T’Challa’s mettle as king — and as Black Panther — gets tested when he’s drawn into a conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people.

                       

The winner will receive a copy of the Black Panther 4K Ultra HD/Blu-ray Combo.

To enter, simply like or share our post on Facebook and answer the following question in the comment section: What was the name of T’Challa’s father, who was killed during the events of Captain America: Civil War?

For a bonus entry, like or share the post on Twitter and Instagram.

All entries must be completed by 11:59pm on Friday, May 18th, 2018.

 

Black Panther will be unleashed on Blu-Ray on Tuesday, May 15th, 2018

Filed Under: Reviews Tagged With: Avengers, Avengers: Infinity War, Black Panther, Chadwick Boseman, Kilmonger, M'Baku, Michael B. Jordan, T'Challa, Wakanda, Wakanda Forever

4.12 The Power of the BLACK PANTHER

February 27, 2018 by Steve Norton 8 Comments

http://screenfish.net/wp-content/uploads/2018/02/4.12-Black-Panther.mp3

 

As Marvel unleashed BLACK PANTHER, even they could not have foreseen the incredible impact that the film has had on both the box office and the culture at large! With its lush visuals and healthy portrayal of African-Americans, PANTHER has sparked positive conversations about race and depictions of culture on the big screen. This week, Steve welcomes back Chris Utley and Arnaldo Reyes to talk about the film’s impact and the power telling one’s own story.

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

4.12 Black Panther

Thanks Chris and Arnaldo for joining us!

For those of you in Canada who are interested, you can donate to ScreenFish by clicking the link below and simply selecting ‘ScreenFish’ from the ‘Apply Your Donation…’ area. 

https://www.canadahelps.org/en/charities/connect-city/

Filed Under: Film, Podcast Tagged With: Angela Bassett, Black Panther, Chadwick Boseman, Forrest Whitaker, Marvel, Marvel Cinematic Universe, Marvel Studios, MCU, Michael B. Jordan, T'Challa, Wakanda, Wakanda Forever

Black Panther: I STAY WOKE!

February 20, 2018 by Chris Utley 6 Comments

SPOILERS FROM THE FILM WILL BE DISCUSSED AND DISSECTED.  DO NOT READ UNLESS YOU HAVE SEEN THE FILM

My former Grambling State University Theatre Department classmate turned prolific R&B artist Erykah Badu has a song on one of her albums called “Master Teacher.”  The hook goes, “What if there were no N*****s, only Master Teachers?  I STAY WOKE.”   If you substitute the phrase Master Teachers for the word WAKANDANS, then you’ll get the vibe of where I’m going in light of this cinematic event that has been given to us this Presidents Day Weekend 2018.

I will leave the MCU fanboying to the experts here at THE FISH to ponder BLACK PANTHER’s place in the pantheon of Marvel films, analyze its connection towards the road leading to Avengers: Infinity War, etc.  I’ve got bigger fish to fry.  As does this movie.

Instead, I will build off of my thesis statement from my classmate – paraphrased and reappropriated for this movie.  Of course I know that Wakanda is not an actual place.  It’s birthed from the imagination of Stan Lee and Jack Kirby.  But, in my own mind, I see Wakanda as what might have been for my ancestors and I.  What would my motherland of Africa and my kinsmen be if the natural minerals and resources had not been fleeced and its people oppressed by apartheid and their ancestral offspring not led away in slaveships to the Carribean, South and North America to endure 400 years of violent, dignity robbing, identity snatching hardship by real life “colonizers?”  I look at those 5 tribes which form the fictional Wakanda and I see the true essence and spirit of who God has graced the African man and woman to be – regardless of whether the designation American appears afterwards.

I see honor and dignity. I see fierce devotion to ideals.  I see great technological and scientific advances.

I see PRIDE.

I desperately wanted my 12-year-old son and 8-year-old daughter to see and feel the same thing as I did when I watched the movie.  Their response was definitely more muted than mine.  I get it.  Because in our home – with God’s help – we have continually taught them to see honor and dignity in themselves; to have a fierce devotion to the biggest ideal of all: JESUS CHRIST IS LORD; and that technology, science, and all areas of greatness are available to them via education.

As I thank God for my kids, I also have to think about the other kids out there; the real life Erik Killmongers of the world.  The ones whose hearts have grown numb to the images of Strange Fruits in trees hung, maimed and slaughtered by more evil “colonizers.”  The ones who have attempted to take the derogatory ‘N-word’ label and soften it up by slicing 2 letters and adding an A on the end.  The ones who wish to continue the work of the real life Black Panthers.  I don’t think director Ryan Coogler set this film in Oakland by accident…especially when you consider that:

  1. The Panthers were born in Oakland
  2. Erik Killmonger’s plan of action – inherited to him by his father Wakandan Prince N’Jobu – is straight out of their playbook.

Call the real life Black Panthers a hate group if you want.  You’re missing the point.  These were a group of men and women who got tired of seeing the unjust oppression of their kinsmen by the ruling class and were ready to defend them even if it meant overthrowing the current systems of power.  Disagree with them and Killmonger all you wish. But before you judge, look at their point of view in the light of those dead Black men and women of the past…and present.

Killmonger, rightful heir to the Wakandan throne, wants to take the resources from his homeland and equip warlords across the world to free his kinsmen.  But T’Challa – our hero – knows there is a better way.  A way, as spoken in Post Credits Sequence #1, that does not involve creating division and using his homeland’s resource to foster oppression. T’Challa wants to use his kingdom to be a LIGHT to the world.  There was a time when Wakanda hid itself in fear of what MIGHT happen should their greatness got into the wrong hands.  But T’Challa recognizes that it’s time to come out of the darkness and into the light.

But that light only shines when we, as humanity, come TOGETHER.

That’s the one area in the real world where all of mankind needs to stay woke.  It’s not about White Supremacy or Black Pride reigning on the throne of society.  There is only one Throne and only one Kingdom in which every knee will bow to. And that King will be glorified when He sees all of His creation – all races, creeds and colors – united together to shine His light on our broken world.

Black Panther gets 2 fists up from me! ✊🏿✊🏿 May its record breaking success cause studio execs to GET WOKE about the abilities of Black filmmakers handling big budget blockbuster material.  I’ll say it loud!  BLACK PANTHER MADE ME PROUD!

 

 

 

Filed Under: Editorial, Film, Reviews Tagged With: Black Panther, Chadwick Boseman, Killmonger, Marvel, Marvel Cinematic Universe, MCU, Michael B. Jordan, T'Challa, Wakanda

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