Here’s a quick look at a pair of US narrative films from Sundance 2026. Take Me Home, directed by Liz Sargent, is a very personal project, but that doesn’t mean it’s not of wider value. Anna (Anna Sagent, the director’s sister) is a 38-year-old Korean-American with...
My wife and I picked well when we chose our films from the offering of international dramatic offerings at Sundance. All three of them got an award of some sort. The Incomer, directed by Louis Paxton, was a very entertaining story with a hit of the Eden story, but...
I don’t cover Sundance Film Festival as a journalist, but my wife and I do buy an online package each year that gives us access to ten films. Among our choices this year were three documentaries from the US. Jane Elliott Against the World, directed by Judd Ehrlich,...
For at least twenty years I’ve been putting forth Darrel’s Dozen with my top films of the year. Rarely (if ever) has a dozen been defined as twelve. Yet, I’ve always had a numbered list—being very inexact about which is my very favorite or which may make the top...
“You don’t want to waste a second, and I was wasting lots of seconds prior.” Dying is something we rarely want to think about. We may think we’re too busy living to spend our time considering death. But, in Come See Me in the Good Light from director Ryan White, we...
“We’ll just be here when they need us.” A Little Prayer, directed by Angus MacLachlan, is a story of decisions and consequences. It plays out within a family that seems to be happy and caring. And, for the most part it is. Yet, there is a constant undercurrent of pain...
“We must create a record.” Creating a record of events is a primary foundation of journalism. It is also the function of documentary filmmaking. My Undesirable Friends: Part I - Last Air in Moscow, directed by Julia Loktev, is a record of those who create important...
Is there any room for mercy in justice? Is there any justice in mercy? What if we substitute “vengeance” for “mercy”? Jafar Panahi brings these issues to the fore in It Was Just an Accident. While the film, as with all Panahi’s films, is firmly footed in Iranian...
A popular poster in dorm rooms when I was in college read, “War is not healthy for children and other living things.” It seems so obvious. Yet each generation gets a new chance to realize the truth of that statement. Case in point: The Voice of Hind Rajab, from...