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The Rock

Jungle Cruise: Watch Your Step

July 30, 2021 by J. Alan Sharrer Leave a Comment

“Over there are the remains of my last crew. You can tell they had a good time–look; they are still smiling!  Those smiles are just plastered right on their faces.”

One of the more unique rides at Disney World and Disneyland involves a boat cruise. No, I’m not talking about the Liberty Belle that circles Tom Sawyer Island. Instead, the Jungle Cruise is a fast-paced tour of a tropical river, complete with waterfalls, headhunters, hippos, and a wise-cracking tour guide with a penchant for perfectly horrible puns. The ride is fun, but is the newest film from Disney (of the same name) just as enjoyable?

Jungle Cruise certainly has its moments but leaves too much of the ride’s fun out at the expense of a journey that feels forced in the second half of the film. Nevertheless, there are some good reminders of heroism, trust, and sacrifice we all would be better off talking a look at.

Since I’ve already provided most of the film’s plot, it might be wise to introduce the main cadre of characters. MacGregor and Lily Houghton (Jack Whitehall and Emily Blunt) are a brother/sister pair who live in England during WWI and are trying to seek funding for an expedition to the Amazon. Their goal is to find the Tree of the Moon and recover some petals from it for healing. (Seriously, haven’t we seen and heard this plot device before?) He shares the proposal; she uses her expert cunning to acquire an arrowhead meant for Prince Joachim (Jesse Plemons) that may prove to be useful. She also knows how to pick locks, and it opens a lot of doors for her.

Upon their arrival at Porto Velho in Brazil, they meet Frank (Dwayne Johnson), a wisecracking tour guide who, well, cracks constant jokes and seems to have the entire jungle working to make his rapid-fire puns work to the delight (and disdain) of tourists. He needs funds to keep his boat going or Nilo (Paul Giamatti) will take it.

Enter Lily and MacGregor. She’s an adverturer; he’s like Princess Vespa in Spaceballs, complete with tons of luggage. Frank soon learns he’s met his match in Lily (other than the fact that she’s deathly afraid of water). The journey leads to numerous confrontations with said headhunters and Prince Joachim, who makes the journey to the Amazon in a submarine (too bad it went under).

Once Frank and crew nearly go over a waterfall, the story switches from fun-loving and joking to high-stakes adventure. To accomplish this Herculean task, Frank reveals some unique aspects about himself. Lily has to get over her fear of water (and receives a few kisses from Frank in an odd manner). The tree appears, but not before Prince Joachim shows up (along with various forms of Aguirre [Edgar Ramirez]–some of which are rather creepy). The tree blooms. You can probably guess what happens next.

Does the embellishment of a 20-minute ride into a 2-hour film work? I think that if the jokes were kept at a steady stream and the adventure was more unique, it would be quite good. Jungle Cruise is not a bad film, but certain things caused my mind to wander from the plot. For example, the Disney opening has a Metallica song playing underneath it. There’s a reason for it, but I’m not sure “Nothing Else Matters” quite fits. In addition, there’s a strange mishmash of films ranging from the Indiana Jones series, The Mummy, the Lord of the Rings trilogy, and even Beauty and the Beast (note the color of the tree petals and how the conflict is resolved in the end). It’s wacky and unrealistic, but there’s some fun—enough to justify the film’s run time of two hours.

Director Jaume Collet-Serra found two fantastic leads in Johnson and Blunt, and their chemistry is evident from the moment they lay eyes on each other. Whitehall is on the screen a good amount as well but comes off as wooden and uninspired. Prince Joachim is laughable for the wrong reasons. Outside of that, the main character of the film is the CGI. The river sequences are absolutely gorges in some places, a bit wonky in others (the waterfall sequence), and creepy when Aguirre shows up (hope you like snakes—they have a bit of a hissy fit).

I think it’s important to note that there are a number of specific themes that can be detected in Jungle Cruise—heroism, trust, and sacrifice being three of them. Another, more subtle, aspect to the film comes in the form of standing alongside those one cares about and loves. Although MacGregor and Lily are brother/sister, there’s a telling line about halfway through the movie. When Frank asks MacGregor why he is so close to Lily, he replies that she “stood by me, and for that, I would’ve followed her into a volcano.” It does have a Samwise Gamgee/Frodo feel to it, but that’s one aspect of true friendship.

The writer John Donne noted in Meditation 17 that “No man is an island, entire of itself.” (You can also translate that as “toucan do better than one can.”) It has been difficult for many people during the worldwide pandemic when physical distancing has been the norm. To that end, many have resorted to life in front of a computer, using programs like Zoom, Google Meet, or Microsoft Teams to create virtual community. Over time, however, the sense of unity has drifted further and further away from view, bringing some to a breaking point. My prayer is that we would take the time to communicate intentionally to those we love (even bringing back what worked a generation ago—a simple phone call) and growing those relationships. At some point in the near future, we will be able to stand by those people in real time, reminding them that friends are there in times of need (see Proverbs 18:24).

Until then, we can agree that puns are good things, the Rock and Emily Blunt need to be in more films together, and it’s okay to be there for those dear to us. If it takes Jungle Cruise to remind us, that’s perfectly fine.

Also remember that, if you feel your feet getting wet as you leave the boat, you’ve probably gone out the wrong side.

Jungle Cruise can be streamed on Disney+ or viewed at your local theater (depending on area).

Filed Under: Disney+, Disney+, Featured, Film, Reviews Tagged With: Dwayne Johnson, Emily Blunt, Jungle Cruise, Paul Giamatti, The Rock

Remi Adeleke Wants to Be a Hero

August 14, 2017 by Jacob Sahms Leave a Comment

When I first talked to Remi Adeleke, he was just days away from his first box office action film, Transformers: Last Knight. Having survived the Bronx as a young man, and the Navy Seals as a young adult, monstrous CGI robots were hardly enough to intimidate him. But to understand who Adeleke was, and to marvel at how far he’s come, consider his story as told through I am Second.

Catching up with Adeleke a month removed from his Transformers debut, the veteran and actor seems more at ease. He admits that the Michael Bay (whose film The Rock inspired his Navy Seals career) film has opened up doors that he never imagined, with two major film projects in development over the next year and a deal with CBS for some appearances. Even his first endorsement, Jockey, found that they received more than they bargained for as the ad has exceeded all expectations.

But Adeleke is quick to point out that this isn’t about him; it’s about the way God is using his story.

“God has developed my story, so the burden for who I become doesn’t fall on me. God allowed me to go through the things I did, like losing my father at a young age, to dealing drugs, to the Seals, to not knowing how we’d make ends meet, to use it all to bring glory to His name.”

While he now shares screen time with names like Mark Wahlberg and Anthony Hopkins, the Seal-turned-actor remembers when he was just a background filler – even in the first days of shooting on Last Knight. Watching his part gradually grow lends itself to his belief in always being prepared, and focusing on the basics, like “shoot, move, and communicate,” a lesson from his Seals days that applies to filming the story.

What stands out is Adeleke’s childhood memories of sitting in Michael Bay’s first film, Bad Boys, of realizing that Will Smith and Martin Lawrence were the first black actors he’d seen on the screen playing the good guys, not thugs or villains. And the desire to be like them some day. Now he can, even as he says that the tide is turning, as a focus on diversity in casting, or “reflecting the people of the world” grows in movies, from Black Panther to A Wrinkle in Time.

But the person Adeleke is exceeds one thing – he is Navy Seal veteran, model, actor, husband, father, Master’s graduate. And Christian. It’s that thing which comes up frequently, and flows seamlessly in his understanding of himself.

“You can tell people you’re a Christian all you want. But the first way you preach is in the way you live your life. You don’t have to preach, but your fruits show the kind of person you are.”

The young man from the Bronx is all grown up from those days wishing there’d be more African American leads, and wondering how things were going to work out. Now, he’s setting the standard, of culture, of acting, and of faith, one role, one step, one action at a time.

Filed Under: Current Events, Featured, Film, Interviews Tagged With: Bad Boys, Black Panther, Faith, God, I am Second, Michael Bay, Navy Seals, Remi Adeleke, The Rock, Wrinkle in Time

Adventures in Sand and Snow: An Interview with Amin Joseph (Baywatch, Snowfall)

May 25, 2017 by Steve Norton Leave a Comment

Amin Joseph likes a challenge.

Whether it’s going toe-to-toe with a former WWE Champion in Baywatch or delving into a character drama like Snowfall, Joseph seems to thoroughly enjoy being pushed in ways that further him as an actor.

Says Joseph, “[They’re both] completely different.  I still bring my sensibilities to things so it always feels like a continuation of my craft and whatever I bring to each project.”

When offered the role of the villainous Frankie in the reboot of the Baywatch franchise, Joseph jumped at the prospect. When asked what attracted him to the project, Joseph quickly asserts that, ultimately, it all came down to the quality of the script.

“What initially drew me to the script was that this was a different take on the original installment,” he begins.  “It skews towards comedy and action, [and] has the sexy [element, too]. It doesn’t take itself as seriously as the original. So, that was the first thing. We’re taking the franchise in a different way and everyone was kinda enthusiastic about that…  It’s not just going to be about abs and the perfect swimming form on the beach. Then, when I found out about The Rock and just how much physicality was going to be involved, I really took a liking to it.”

Playing henchman to the villainous Victoria Leeds (Priyanka Chopra), Joseph also appreciated the fact that the script broke several stereotypes in the genre as well.

“It was kinda cool working with Priyanka Chopra and [she] wasn’t the stereotypical villain.  She’s the kinda upscale villain [and I’m] not your quintessential henchmen but it is more like the Bond thing, where they’re kind of well-dressed. It’s only because of the circumstances that makes them villains at all.  To see a woman play the main villain is quite interesting too.”

Of course, one of the more unique opportunities in a film like Baywatch was the chance to square off in a fight scene with co-star Dwayne ‘The Rock’ Johnson.

“We worked on the choreography… for quite a while,” he remembers.  “It just makes sense some time to do your own stunts because you don’t have to cut away.  So, I did a lot of those stunts.  I also had a stunt performer.  I think it’s great to rely on your stunt performer to do certain things and also be a physical actor…  You don’t have to take every fall.”

Furthermore, Joseph argues that the process of developing such a scene is incredibly complex, involving everyone from screenwriters, to stunt performers and the film’s stars.  However, he also believes that the best action sequences feel natural to the script and enhance the overall story itself.

“I believe that every fight has their own choreography and tells their own story within the larger story of the film.  That’s what the writer is trying to convey,” he argues. “Then, the stunt unit comes in and tries to bring whatever that writer put on paper into the real world.  In there, there’s a lot of interpretations of how that should be seen.  Then you have the star of the film that’s probably done a hundred or more… Let’s just think about how many fight sequences Dwayne has done in his career… and I’ve done several… It’s all of these different variables.  How big is the space?  Is this a scene where we’re kicking?… All of those things together… it’s sort of like watching something organically happen even though it might seem like it would be paint by numbers.”

Of course, despite the rigorous physical challenges of his role at times, Joseph maintains that the atmosphere on set was a lighthearted and fun experience.

“It was easy.  I mean, it can’t get too hard when you’re working with beautiful people on a beach.  Who am I to complain?  (laughs) Everyone had a warm disposition and you’re working with some of the most charismatic people in the business.”

“I think they did a great job of the casting because there’s a lot of newcomers…,” he continues. “The zingers that Rock and Zac share is just a lot of funny stuff.  Even my character had some moments of levity, some comical moments.  The fact that you have that already written there and that you give us an opportunity to play in between things, it makes it all the more fun and laid-back type of experience.”

Moving on from the beaches of Baywatch, however, Joseph opted to choose a wildly different experience for his next role by joining John Singleton’s upcoming FX series, Snowfall.  Taking place in 1983, Snowfall tells the story of the rise of the crack epidemic in Los Angeles. A fictitious story in a historical setting, Joseph believes that having the option to create new narratives allows them the opportunity to explore some deeper themes.

“This story of Franklin Saint is an original story in a historical period where a lot of things ring true.  But I think it gives the story a little bit more life being able to show things that didn’t happen in one particular person’s story but to be able to expand and show how this drug [was] coming in and this drug trade sponsoring wars. To be able to embellish a bit.”

Nevertheless, Joseph also notes that the real heart of Snowfall lies within the journeys of the young families within the story, as opposed to the larger scope of the drug trade itself.

“It’s one thing to say all drug dealers are bad… but how does that look when you’re dealing with a family?… It’s just interesting to see those stories in a very small way as part of a larger story.  I think Snowfall does a remarkable job of that and I’m pretty proud of that obviously.  When I first read the pilot, I wasn’t able to see that.  It seemed like everything was compartmentalized and you see all these different sects: Israeli mobsters, CIA, etc… and to see that all come together and paint a story that feels like nobody is being demonized.  Even with the CIA, you realize the humanity of people just working their jobs and just trying to better their lives.  It’s just really interesting.”

Of course, one of the great challenges in a role like this can be inhabiting a character that you cannot always relate to their backstory or history.

“With this particular piece, the difficulty [lay] in that I was not from Los Angeles,” he reflects.  “And, being a period piece, because the audience has seen films like Boyz N The Hood, we’ve kind of seen what that stereotypical guy from South Central Los Angeles looks like and acts like—whether or not he actually acts like that or not. To start from the ground up with a character, we got to think of the history of this character.  Where did they migrate from?… What can you kind of infect into these people that gives them an authenticity, bring some things that we haven’t seen before.  Bring some specificity.”

Of course, it is also in these moments where series producer Singleton could most demonstrate his value to his crew.  Having grown up in South Central Los Angeles, Singleton’s years of experience helped him mentor his young team in ways that would help bring some authenticity to the world they were creating.

“John is a stickler. As an EP, he was always in our ear, giving us advice,” Joseph muses gratefully. “He grew up in South Central.  This is his place. I remember on my first day of shooting, John walked up to me and said, ‘Hey man, I know you’re from New York but some of my guys around here are gonna be mad if you don’t get this right.’ I was like, ‘Thank you, John.’ (laughs)… He was always around giving little details… To me, it’s almost like a treasure chest of information. You know, to have someone that really rolls around in those times.”

For Amin, despite the fact that two experiences may have been wildly diverse, both have helped him continue in his development as an actor.  In any case, both Baywatch and Snowfall have allowed Joseph to enjoy his moment in the sun.

To hear the full audio of our interview with Amin, click the link below.

http://screenfish.net/wp-content/uploads/2017/05/1on1-with-Amin-Joseph.mp3

Baywatch is in theaters now.

Snowfall will air on FX starting June 5th, 2017.

Filed Under: Film, Interviews, Podcast Tagged With: Alexandra Daddario, Amin Joseph, Baywatch, David Hasselhoff, Dwayne Johnson, FX, Ilfenesh Hadera, John Singleton, Kelly Rohrbach, Pamela Anderson, Priyanka Chopra, Snowfall, The Rock, Zac Efron

3.17 Fighting the FATE OF THE FURIOUS

April 23, 2017 by Steve Norton Leave a Comment

http://screenfish.net/wp-content/uploads/2017/04/6.17-Fate-of-the-Furious.mp3

Breaking box office records, FATE OF THE FURIOUS filled theatres because of it’s (many) big booms and stunts… but is there more to the film?  What keeps us coming back to this franchise, despite the fact that they get more outlandish with each entry.  In a relaxed episode, Steve welcomes back Greg Banik and ScreenFish newbie Julie Levac to explore the world of the FURIOUS franchise.

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

3.17 Fate of the Furious

Thanks Greg and Julie for coming on the show!

Filed Under: Film, Podcast Tagged With: action films, box office records, Charlize Theron, Dwayne Johnson, F. Gary Gray, Fast and the Furious, Fate of the Furious, Helen Mirren, Jason Statham, Kurt Russell, Ludacris, Michelle Rodriguez, Scott Eastwood, The Rock, Tyrese Gibson, Vin Diesel

The Best Animated Film of 2016

January 3, 2017 by Jacob Sahms 1 Comment

Last week, the staff of ScreenFish had a lively debate about animated flicks in 2016. We couldn’t agree on which one was best – but given that I’d seen more of them than not, I felt compelled to argue. That left me with this list of films from 2016 – and the reasons behind them. Counting up from the bottom, I present you with the least (and most) worthwhile animated flicks of 2016.

ratchet

In the “Don’t Waste Your Time Department”…

#12 Ratchet & Clank. I’m not sure what just happened.

ice-age-collision-course

#11 Ice Age: Collision Course. Seriously, does everyone still love Raymond (Romano)?

norm

#10 Norm of the North. I bet 97% of you have never heard of this one.

angry

We Were Compelled But We Shouldn’t Have Been…

#9 Angry Birds the Movie. I get it, he gets angry. But did we just make that a positive character trait?

panda

#8 Kung Fu Panda 3. Were we actually worried about where Po’s dad was? He’s not a crane?

slop5

You Know You Want To, But Then The Trailer Said It All…

#7 Secret Life of Pets. Seriously, the cat slayed eating out of the fridge. But there wasn’t any additional laughs, and the story didn’t have an emotional payoff.

FINDING DORY

#6 Finding Dory. Ellen DeGeneres is regularly solid; the idea of all of these animals overcoming disability was truly a solid message. It just wasn’t funny.

sing

In Any Other Year, They Would Have Been Amazing …

#5 Sing. American Idol meets Animal Farm … or something. The soundtrack rocked; the ‘find your voice’ message was powerful. Again, not enough laughs to be top dog.

storks2#4 Storks. Funny throughout, with excellent reminders about family. In another year, I’d be raving about it.

I Have to Rank Them But These Are All Great…

kubo#3 Kubo. This is the best animation that I saw all year. The stormy seas, the snow, the fur on the white monkey. The end, community reconciliation and restoration, is as powerful as the end of any live-action film I saw this year. Unfortunately, the lead-up story suffers a bit with predictability.

moana3#2 Moana. Arnaldo’s favorite animated flick of 2016, this one has an awesome story to tell about call and stepping up when others fail to lead. Mark Henn’s animation is solid and it’s funny … sometimes. I found the ending to be a bit slow but still powerful in meaning.

zootopia3

#1 Zootopia. While it’s in the trailer, the sloth scene gets me every time. Like, reduces me to tears. If it doesn’t make you laugh, you’ve never been to the DMV. But the story of the community made up of individuals/races/subgroups who all bring their own strength and have to learn to work together? Geez, I wish we could’ve watched that as a national community right before heading to the ballots. There’s much here to consider about immigration, call, strength, grace, duty, honor, and, dare I say, faith.

Filed Under: DVD, Featured, Film, Reviews Tagged With: Angry Birds, Ice Age Collision Course, kubo and the two strings, Kung Fu Panda 3, Moana, Norm of the North, Ratchet & Clank, Secret Life of Pets, Sing, storks, The Rock, zootopia

Moana – Breaking The Status Quo

November 30, 2016 by Arnaldo Reyes 1 Comment

moana posterIt’s no surprise that Disney holds a monopoly when it comes to films about fairy tales and princesses. Not only are the films all-time classics, but the princesses themselves cross generation to generation, with the help of the parks of course. Over the last few years, Disney has made a 180 degree turn in the stories they tell about their princesses. Early on, these young beautiful princesses needed a prince to save them and define them, but now in our ever-changing culture, that is no more, and that’s a good thing. There was a prince near to Tiana, but she was a strong and independent character that didn’t need him. Merida taught young girls to be brave. Anna showed us the power of love and fearlessness when the odds were not in our favor, and taught us to be there for your family even when everyone is against them. Moana follows this same path and, quite frankly, goes beyond it as well.

Moana is the daughter of the chief of her tribe and next in line to be chief. The island is all she has known her entire life, yet she feels drawn to the Ocean. It is forbidden to go past the reef because beyond it the Ocean is an unforgiving and relentless force of nature. As her father and mother try to teach her the ways of her tribe, her grandmother (known as the crazy lady) pushes her to follow her own path and what she was truly called for. Her island is dying, the world is dying, and the only way to fix it is to right the wrong that the demigod Maui caused many years ago. Moana discovers the true identity of her people, ancient voyagers and then sets sail on a mission that will allow her to discover her own identity and not be tied to the one her people say she should be.

moana2A few years ago, Frozen fever took over and it still goes strong today. As good as the film was, I feel Moana is leaps and bounds better. Maybe it’s because I find the Broadway style to the Island music more entertaining, but also, I felt that the story was much more powerful and heartfelt. Moana is a strong-willed character that tries with all her might to do what she thinks is right, and that’s be the chief her father is teaching her to be, but she can’t ignore the pull inside of her to go out into the ocean and explore. She teaches us that we should embrace the path that we are called to and not the one everyone says we should live, even if it goes against what the popular position is. Her courage and resolve blended with her heart and compassion jumps out on the screen and is really felt as she interacts with Maui.

Maui is a fun and dynamic character who is full of himself but Moana teaches him more about himself than he’s ever known. That is what is so great about Moana is that during an ocean adventure, the film makes you laugh (sometimes hysterically), cry, cheer, and feel hopeful all in one. Moana brings that out because she isn’t just on an adventure to save the world, but it’s a journey of finding herself.

mauiMaui is strong, immortal, arrogant, funny and yet sad and lost. Maui just wants to be loved but has no idea how that works. He tries and tries and tries and it’s never enough. The world is dying because Maui just wanted to be loved and did something that he shouldn’t have done. We’ve met many people like Maui. Good people that are lost because at some point when they were young they were abandoned. It’s only when they reach a low point that we can learn who they really are. Moana was on an adventure to save the world and find her identity, but during that adventure Maui ended up finding the same. With all of his great charisma, we are able to see a vulnerability in the character that allows us draw close and emotionally connect with him and fall in love with him. It was a well-developed character that was perfectly cast with Dwayne “The Rock” Johnson.

What strikes me most about the story is the similarities of not just the story of creation, but really the story of man and God. The film shows that man is not satisfied with what God has done for us. With everything in the garden, Adam and Eve were tricked into thinking it wasn’t enough, that ultimately being equals to God was the end goal. Sin entered the world and since then mankind suffers with a bout of “god-complex”. We are not equipped for that and in our effort to achieve it we have let loose darkness in the world. But darkness cannot hinder the light. When Christ died for us, it is similar to Moana restoring what was broken and at the end, just like Maui was forgiven, we also find forgiveness when we accept Christ as our Lord and Savior, in other words restoring the heart back to where it belongs.

Moana is getting lots of praise, and rightfully so. It is a fun and heartwarming film that is perfect for this time of year. A princess that breaks the status quo a long with a fun and charismatic companion in Maui that just makes a for a great time with the family. And if my daughter is any indication, the music can very well catch on just like Frozen fever (and frankly, I don’t mind).

Filed Under: Featured, Film, Reviews Tagged With: Dwayne Johnson, Frozen, Moana, musical, The Rock, Walt Disney, zootopia

Furious 7: Relationships Make The Journey Matter

September 15, 2015 by Jacob Sahms Leave a Comment

furious 7 main

 

In 2001, Universal Pictures made a ‘little’ film about street racing called The Fast & The Furious. Fourteen years later, the film series has topped itself in each of the six sequels, providing more eye-popping stunts and spectacularly delivering snapshots of the best action and car chases that all other films seem to be chasing. Boasting a stunning multinational cast, the Fast and Furious franchise truly is one of a kind. But are we overloaded with bigger bangs and crazier stunts? What could the franchise do to keep us engaged?

The short answer? Furious 7 took it to a more personal level.

After the crew led by Dominic Torretto (Vin Diesel) took down Owen Shaw, Shaw’s brother, Deckard (Jason Statham) went on a bloody, explosive trail of vengeance that began with the death of Han (in the plot of Tokyo Drift). Now, the elder Shaw is pursuing them while they’re recruited to pursue him by shadowy black ops leader Frank Petty (Kurt Russell). This launches the film off in a series of explorations of the past, like Torretto’s interaction with Lucas Black’s Sean Boswell in Tokyo and an attempt to help Letty (Michelle Rodriguez) regain her memories.

While the action is breathtaking and globe-trotting, it’s the internal motivations and struggle of the crew that make the film stand out. It’s not all bad though: Brian Conner (Paul Walker) and Torretto’s sister, Mia (Jordana Brewster), are trying to settle down and raise a family.

furious7glam

 

But maybe you come for the cast and the explosive stunts, and then you stay because the family dynamic is different. Maybe there’s something about capturing us visually that hooks us, while we want more because we’ve come to care about these characters.

Rock hard Toretto, more compassionate Conner. Willful Lettie, sensitive Mia.

Whether it’s the car chase that ends up with a bus going off of a cliff, the air-jumping of cars out of a cargo plane, the crashing of a race car out of a skyscraper into another, or the hand-to-hand combat that sends a rotating crew of baddies like Statham, Ronda Rousey, and Dijmon Hounsou at our heroes, there’s plenty to visually captivate you.

I’m not sure that Mission Impossible: Rogue Nation topped its opening scene with the plane taking off and a ‘helpless’ Tom Cruise strapped on to the outside. But Furious 7 sets up a string of moments, and one-liners, that keep us strung along to the story. It helps that guys like Diesel and Dwayne Johnson are bigger-than-life (inflated?), but James Wan (who took over for Justin Lin) knows his way around a battle and gave the film a creepier, vengeance-oriented feel.

furious7action

The film still has a good cop/bad cop, buddy film feel to it, even though Walker tragically died in a car accident on November 30, 2013. We know that the relationship between Toretto and Conner, who have both broken the law and crossed the line to doing things their own way, both have a desire to stop evil and protect their family. Their family might be multicultural and wildly broad, but it’s their community and they know it’s their job to support them.

The banter, all-out harassment, and sometimes brutal one upping of each other is hilarious. Those foibles spring out from Diesel and Walker, but they branch out into the relationships they have with Roman (Tyrese Gibson) and Tej Parker (Chris Bridges AKA Ludacris). Brothers at arms, these guys are always breaking rules, but lately, they’ve become the government’s version of the 2015 Dirty Dozen.

furious7walkerdiesel

Whatever you think of the film, it will always be remembered as the ride off into the sunset for Walker. The cast and crew remember him with nods throughout the film, but the ending is ultimately about sending him off in style. It’s a beautiful ending, one that blends reality with fiction, and makes us hope for a better day. It’s certainly weird seeing Walker on screen and knowing he’s not here anymore, but it’s a better way to remember him than as an obituary online.

I doubt Furious 7 has many ‘deep’ moments that we’d all agree on, but the focus on family, on doing what’s right, and on being true to yourself is apparent. If you let this one roll and you find yourself hoping for a better day in heaven for Walker and the rest of us, then you’ve opened the door to faith. Sometimes, we just have to follow our path and proceed on faith.

furious7walker

 

 

Filed Under: DVD, Featured, Film, Reviews Tagged With: car, Dwayne Johnson, explosions, Fast and the Furious, Ludacris, Michelle Rodriguez, Paul Walker, Ronda Rousey, stunts, The Rock, Tyrese Gibson, Vin Diesel

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She is Love: The Quiet Rage of Relationships

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