Farce, to me, occupies a place between the Shakespearean comedies of people falling in love and the modern romcom. False Confessions is a 21st century update of an 18th century French farce. If it seems stagy it is because of more than just its historical roots.
Life is a series of transitions, bookended by the two great transitions of birth and death. But along the way there are many more shifts in our lives—some trivial, others more profound. The Midwife is a story of the transitions of life that is (like life) a mixture of humor and poignancy.
“It’s twisted.” That brief line of dialogue defines Paul Verhoeven’s Elle in more ways than one. The plot certainly has very interesting turns along the way, but the convolutions of the personalities are what really make this entertaining and interesting. This is an intense psychological thriller, with the accent on psychological. Michèle (Isabelle Huppert) is… [Read More]
The film touches on the question of how God can allow such evil to exist, but without dwelling on it or trying to answer such and unanswerable question. Rather it focuses on how one moves on in the aftermath of such devastation—whether personal or societal.
The Measure of a Man received Special Mention from the Ecumenical Jury at Cannes a year ago “For its prophetical stance on the world of work and its sharp reflection on our tacit complicity in the inhumane logics of merchandising.”
he film is a coming of age story, but it looks at that concept through Paul’s attempts to be a good person—to his mother, to someone he doesn’t know, to a girl who he wants for his own. But just trying to be a good person does not always lead to happiness.
What is the cost of infidelity within a marriage? Should it just be assumed that a man will wander? What about a woman? In the Shadow of Women takes a look at such questions in the lives of a young couple.