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Willow: Rediscovering the Magic

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In some ways, I may be the wrong person to review Willow. 

Let’s start at the very beginning. When the original film debuted in 1985, it simply never had my interest. To me, it felt like another fairytale being brought to life on the big screen. Younger readers may not realize this but, at the time, they were a number of projects that had appeared in the multiplex that featured the darker impulses of a magical world. Whether it was in response to the self-focused ‘Me Generation’ or the popularity of Dungeons and Dragons at the time, fairytales experienced a bit of a revival at the time. Whether it was The Dark Crystal, Labyrinth, The Neverending Story or even Amazing Stories, the 1980s seemed to inspire these stories into the mystical darkness. (In fact, it’s also worth remembering that, although it went on to mega-fame years later, The Princess Bride initially emerged as a satire of these stories of the time.) 

(R): Mims (Annabelle Davis) with Nelwyn Villagers in Lucasfilm’s WILLOW exclusively on Disney+. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.

So, Willow was a film that simply slipped past me.

While this may not seem like important information, it certainly affects my lens as I reflect on the return of Willow. (In fact, knowing that there would be others like me tuning in for the first time, I even decided not to view the original beforehand.) Now streaming on Disney+, the rebooted series is a direct sequel to the original film. Written by Jake Kasdan, Willow is set once again in the kingdom of Nockmaar where Queen Sorsha (Joanne Whalley) yearns for her children Airk and Kit (Dempsey Bryk to Ruby Cruz) to step into adulthood. Airk has been tapped to become a mighty warrior and Kit betrothed to Prince Graydon (Tony Revolori), the next leader of a neighbouring nation. However, when disaster strikes, Kit, Prince Graydon and other mismatched heroes-in-waiting must set out to find the only hope that they have left: the long-disappeared Nelwyn sorcerer Willow (Warwick Davis).

So, as a newcomer, the series feels like a bit of a mixed bag. Although the series offers a brief synopsis in the opening moments, it is difficult to appreciate the film’s epic adventure in a few short clips. As such, in a decision that could be intimidating for newcomers (like myself), Willow trusts that the viewer already understands the world as it begins. 

(L): Mims (Annabelle Davis) in Lucasfilm’s WILLOW exclusively on Disney+. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.

Performances are enjoyable, although a little bit jarring at times. With an emphasis on a more ‘modern’ aesthetic characters, sometimes the contemporary dialect used by its younger stars slightly distracts from the more whimsical atmosphere. (Actually, this isn’t uncommon for Disney either as their recent Shakespearean reboot, Rosaline, takes a similar approach.) 

However, one can’t help but fall in love with Warwick Davis. A stalwart of the fantasy genre over the years, Davis is always a joy and he brings that charm to his performance as the begrudging and imperfect wizard. Perhaps like the franchise itself, Willow is hesitant to return to adventure after so much time. Even so, he remains up for fun, even if the stakes this time remain heightened as they battle the forces of evil. 

Though set in a mythological era, Willow’s kingdom feels like a reflection of our own modern-day culture. In recent years, Disney has done an excellent job of revisiting storytelling and gender tropes with an eye on dissecting them and that trend continues certainly here as well. This is a series that features strong, female leads who are willing to change the system for the sake of a newer world. Celebrating LGBTQ+ romance, changing gender roles in and empowering the next generation to make their own choices. (“We are going to rule the kingdom someday, there’s no reason that we have to do things the way that our parents did,“ Prince Grayden reminds Kit.)

Dove (Ellie Bamber) in Lucasfilm’s WILLOW exclusively on Disney+. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.

In response to its changing world though, Willow invites the viewer to believe in power is beyond what they can see. This is a world where magic once ruled yet its power has been lost over time. The sorcerers have died out, and the kingdom of Nockmaar has become somewhat in satiated with their own strength. After all, they believes their own ability to prevent the return of evil without relying on any higher power. 

But, as the series reveals, evil cannot be held back forever. And Elora must be found to prevent disaster.

Without giving away any spoilers, the rediscovery of Elora means the rediscovery of hope, but even she is on her own emotional journey. For Elora to lay claim to the prophesy about her, she must first accept that the world she has known is not reality. Her overreliance on strength and toughness pales in comparison to the limitless powers of magic that lies at her feet, but this is a journey that must be taken willingly. In order for Willow, Elora and the rest to tap into hope for the kingdom, they must recognize that their personal power is limited. 

(L-R): Mims (Annabelle Davis), Willow Ufgood (Warwick Davis), Jade (Erin Kellyman), Karthy (Simeon Dyer) and Nelwyn Villager (Arti Shah) in Lucasfilm’s WILLOW exclusively on Disney+. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.

One cannot simply kill evil with sword or bow. It must be defeated with something else.

Having said all this, I admit that it’s impossible for me as a newcomer to know whether Willow will satisfy the needs of the franchise’s fans. However, at the same time, I also  found the story engaging and fun. Like Willow himself, I may have been brought into this adventure somewhat begrudgingly but also willing to join this ragtag group on their adventure with them.

Like Willow, I’m ready for more magic.

Willow is available on Disney+ on Wednesday, November 30, 2022.

Rosaline: Stepping onto Centre Stage

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Hell hath no fury like a Shakespearean princess scorned.

Every now and then, a project will take Shakespeare and swing at him from the sides. Popularized by I, Claudius and Rosencrantz and Guildenstern are Dead, modern retellings of Shakespearean narratives have often emphasized characters that are less ‘important’ to the famed stories we know. 

Rosaline is one such character. 

As the unrequited love of Romeo in Shakespeare’s Romeo and Juliet, Rosaline has always remainedsomewhat of a mystery. Hers is a story that has never been told, as the primary love story that ‘mattered’ was that of its two protagonists. (After all, ‘never has there been a tale of more woe than that of Juliet and her Romeo’.)

But Rosaline is finally having her day in the spotlight.

(L-R): Isabela Merced as Juliet and Kyle Allen as Romeo in 20th Century Studios’ ROSALINE. Photo by Moris Puccio. © 2022 20th Century Studios. All Rights Reserved.

Now available on Disney+, Rosaline shines a spotlight on Rosaline (Kaitlyn Dever), a modern woman in Shakespearean times. Passionate about making her own decisions for her beau, she chooses the flighty Romeo (Kyle Allen) as her suitor. However, because of the feud between families, they decide to keep the romance a secret. [(Sound familiar?) However, when unavoidable circumstances keep her from the costumed ball, her boyfriend comes face-to-face with her younger cousin Juliet (Isabela Merced) and passion sparks immediately between them. When she di spurned and she begins to plot against the new star-crossed lovers. 

Admittedly, at first, Rosaline comes across as a bit of a jarring experience. Leaning far into the modern sensibilities of the character, the film’s tone seem jarring. Featuring a pop soundtrack and modern language, Rosaline seems to be a story out of time and the pieces struggle to fit together. For example, as Romeo attempts to woo his young love, he speaks with 21st Century dialogue. Then, when he does use classic prose, Rosaline is confused. (“Oh, I only spoke like that because I thought it sounded romantic,” he explains.)

(L-R): Kaitlyn Dever as Rosaline and Kyle Allen as Romeo in 20th Century Studios’ Rosaline, exclusively on Hulu. Photo courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.

But, as Rosaline begins to play more aggressively with Shakespearean storytelling, the film becomes increasingly fun and even memorable. Led by a delightful performance by Dever, the film comes to life with her undeniable energy and charisma. Rosaline‘s endless schemes to help separate the two lovers may have modern sensibilities, but they somehow add to the character’s story. Speed dating, and sex-positive literature help Rosaline attempt to educate her young cousin in the power of femininity, even if her ambition remains to drive a wedge in their relationship. (In fact, this sort of semi-bawdy humour would have likely made Shakespeare proud, given his emphasis on double entendre.)

As such, Rosaline is a reminder that everyone’s story matters. Although Romeo and Juliet remain the focus of the famed romance, there are multiple side characters that go largely ignored. However, Rosaline provides an opportunity to remind the viewer that, although she is never present in the play, her story matters as much as those of Romeo and Juliet. Having said this, its also interesting to note that Rosaline doesn’t actually care if she is remembered by history. Instead, she simply wants to live her life in the present. To her, all that matters is living her life in the moment, rather than being on centre stage. Rosaline understands that her character matters without the glamour of the limelight.

(L-R): Isabela Merced as Juliet and Kaitlyn Dever as Rosaline in 20th Century Studios’ Rosaline, exclusively on Hulu. Photo courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.

In the end, while it doesn’t earn a standing ovation, Rosaline definitely can help provide perspective to a tale that we’ve heard countless times before. With a winking eye, the film manages to flesh out the story of an unknown character in a way that should delight modern audiences (and likely show up in a few high school classrooms as well).

Rosaline is available on Disney+ and Hulu on Friday, October 14th, 2022.

Hocus Pocus 2: Still Some Magic

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Some franchises are always popular and some grow over time.

Such is the case with the Sanderson Sisters of Hocus Pocus. Although the first film’s release was hardly a massive success, the Sisters have grown in popularity over time to the point where a sequel has become a highly anticipated event. Now, with the release of Hocus Pocus 2 on Disney+, the Sisters ‘are back, witches!’ with fans eager to hop on their broom (or roomba) in celebration.

Directed by Anne Fletcher, Hocus Pocus 2 takes place 29 years since the Black Flame Candle was first lit, unleashing the terrifying Sanderson Sisters. However, after a trio of teenage girls find themselves separated on Halloween, the candle shines once more and Winifred, Sarah and Mary (Bette Midler, Sarah Jessica Parker and Kathy Nijimy respectively) find themselves revived once more to wreak havoc on the town of Salem.

(L-R): Sarah Jessica Parker as Sarah Sanderson, Bette Midler as Winifred Sanderson, Kathy Najimy as Mary Sanderson in HOCUS POCUS 2, exclusively on Disney+. Photo by Matt Kennedy. © 2022 Disney Enterprises, Inc. All Rights Reserved.

Since their first appearance in 1993, the legacy of the Sandersons has continued to grow in popularity in Salem and they are not considered to be urban legends. (In this way, art is definitely imitating life as the original film has become its own cult classic since its release as well.) In this way, Pocus 2 feels like a film that wants to be the next chapter of an ongoing franchise. While this film leans into the present, it very much ties itself to the previous entry. Emphasizing stories of unrequited romance, legacy and the tease of boyfriend’s past, Pocus 2 leaves plenty of room open for another installment. (And yes, there is a post-credit scene that teases the return of another major character.) As such, Disney clearly realizes that there could be more magic to be made without waiting another 29 years to do so.

I have to admit that I’m always a little bit fascinated with a franchise that wants you to fall in love with villains, especially ones who have very few [if any] redeeming qualities. That’s not to suggest the performances are bad, by any stretch. Instead, it’s to point out that it;s a delicate task to make villains lovable without making them sympathetic. Such is the case with the Sandersons as they remain the charm that drives the film yet we do not want them to succeed in their plot. Despite being villains that wish to eat the souls of children, there’s a silliness about the Sanderson‘s that makes them so likable. Scenes in a CVS and a costume contest helped reveal how out of touch they are in modern culture in ways that make their villainy seem less… dark. 

(L-R): Kathy Najimy as Mary Sanderson, Bette Midler as Winifred Sanderson, and Sarah Jessica Parker as Sarah Sanderson in HOCUS POCUS 2, exclusively on Disney+. Photo by Matt Kennedy. © 2022 Disney Enterprises, Inc. All Rights Reserved.

Although almost three decades have passed, stars Najimy, Parker and Midler still bring the necessary enthusiasm to their characters in order to make the film work. This is a franchise that works solely due to the charm of its leads and the trio are up for the fun in its sequel. However, although Najimy And Parker do their best to keep up, undoubtedly the brightest star here is Midler. Now in her 70s, Midler rarely chooses projects at all, so the fact that she was willing to return after all this time is somewhat of a coup. As a result, it seems as though she is given the chance to have the most fun of the three and the film is fueled by her energy, even in moments when the script lets them down.

Underneath the magic, Pocus ultimately about the power of together. In fact, the film’s most intriguing conversation about power is the fact that it is best shared between people. Leaning into the practice of covens, Pocus 2 wants to emphasize the idea that there is strength in numbers. Here, power is not something to be attained by a single person but to be used equally by those around us. In this way, the film feels more current as it elevates the importance of each member of the group, as opposed to any single person.

(L-R): Kathy Najimy as Mary Sanderson, Bette Midler as Winifred Sanderson, and Sarah Jessica Parker as Sarah Sanderson in Disney’s live-action HOCUS POCUS 2, exclusively on Disney+. Photo by Matt Kennedy. © 2022 Disney Enterprises, Inc. All Rights Reserved.

Having said this though, these themes are often minimized for the sake of the party. As the theme song proudly says, the witches are back and there’s no doubt that we are meant to celebrate. While I admit I was late to the party, I can’t help but feel like it’s one worth attending. No, Hocus Pocus 2 may not a film that will be required viewing for me each Halloween season, but it was certainly worth joining in the fun.

Hocus Pocus is available on Disney+ on Friday, September 30th, 2022.

Pinocchio: Coming Alive with Conscience

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Let’s be serious. What do you really remember about Disney’s Pinocchio?

If you’re like me, your memory of some of these classic animated films is limited to a few key scenes. In fact, it’s this limited nostalgia that has allowed the House of Mouse to cash in on some of its animated properties with successful live-action remakes. (Admit it. Can you remember any other part of the original animated The Jungle Book other than Bare Necessities?)

Which brings me to Pinocchio.

Originally released in 1940, the classic was only the second feature length animated film released from Disney Inc. Remembered primarily for its colourful characters and charming songs like When You Wish Upon a Star and, to a lesser extent, I Got No Strings, there are few other aspects of the film which come to mind. Again, nostalgia gives way to actual memory. (Honestly, I even thought that the tune for An Actors Life for Me was from the theme from the Pirates of the Caribbean ride.) As a result, Disney has somewhat of a blank slate from which to work with its latest live action retread, now available on Disney+. Somewhat amazingly though, it stays incredibly faithful to the original tale while delivering an entertaining and visually stunning final product.

(L-R): Cynthia Erivo as the Blue Fairy, Pinocchio (voiced by Benjamin Evan Ainsworth), and Jiminy Cricket (voiced by Joseph Gordon-Levitt in Disney’s live-action PINOCCHIO, exclusively on Disney+. Photo courtesy of Disney Enterprises, Inc. © 2022 Disney Enterprises, Inc. All Rights Reserved.

For those who do not remember, Pinocchio tells the story of Gepetto (Tom Hanks), an aging woodcarver who specializes in cuckoo clocks. When he builds a puppet made from pine, he names his creation ‘Pinocchio’ and makes what he believes to be a silly wish that he might become a real boy. But, when you wish upon a star, dreams come true. Then, when the Blue Fairy (Cynthia Erivo) brings the puppet to life, Pinocchio (Benjamin Evan Ainsworth) is assigned Jiminy Cricket (a surprisingly faithful Joseph Gordon-Levitt) to be his conscience in order to help the young man make good decisions and please his father.

First and foremost, what’s most noteworthy about Pinocchio is its production design. Directed by Robert Zemeckis, the film is surprisingly good quality, especially for film sent directly to Disney+. Featuring some gorgeous CGI work on Jiminy Cricket and Pinocchio himself and elaborate set design, the finished product is lush with colour. What’s more, co-written with Chris Weitz (About a Boy), the film is surprisingly willing to engage in the darker aspects of the original (even if it pulls its punches a little for its 2022 audience).

And there are some dark stories being told here.

Again, despite what you may remember, Pinocchio has never been particularly fun film. Themes of xenophobia, child slavery and giving into temptation are all pervasive within the original film and remain fully on display here, even if some changes have been made. It’s worth noting that the original was created at the tailend of the Great Depression and released during the Second World War so that would have undoubtedly shaped the storytelling. (In fact, that realization gives new meaning to When You Wish Upon a Star…) In the live action, more empowerment is given to children, especially those under Stromboli’s reign of terror. So, parent may want to take care with younger viewers who may be frightened by some of the scenes.

Just as in the first film, this version of Pinocchio is all about character and conscience. Determined to become a ‘real boy’, Pinocchio is filled with determination to please his father by doing the right thing. However, as young people often are, he soon becomes distracted by the trappings of self-indulgence and fame. (Incidentally, in a clear reference to our social media culture, this particular version even highlights the power of being an ‘influencer’.) Pinocchio struggles to know who to listen to, especially considering that both the bad influences and Jiminy Cricket claim to tell him the truth. 

Frankly, it’s overwhelming for him.

Pinocchio (voiced by Benjamin Evan Ainsworth) in Disney’s live-action PINOCCHIO, exclusively on Disney+. Photo courtesy of Disney Enterprises, Inc. © 2022 Disney Enterprises, Inc. All Rights Reserved.

Nevertheless, Pinocchio begins to learn that true character comes from within. Rather than listening to outside voices, his desire to do the right thing needs to affect his decisions as opposed to any ease of fame. (In fact, the easier the fame and comfort comes along in Pinocchio, the more toxic and terrifying it usually is.) There are moments when he falls but he slowly begins to realize that he needs to take responsibility for making his own choices, rather than depend on his (surprisingly absentee) Cricket conscience. In this Pinocchio, its these decisions that determines whether or not one can be a ‘real’ boy, even more than the Blue Fairy herself.

Pinocchio is available on Disney+ on Thursday, September 8th, 2022.

She-Hulk: Attorney at Law – Roaring for Justice

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Not every Hulk is the same. And that’s okay.

She-Hulk: Attorney at Law follows Jennifer Walters (Tatiana Maslany), a brilliant and successful defense attorney. When travelling with her cousin, Bruce Banner (Mark Ruffalo), a car accident results in her receiving his Hulk-infused blood, transforming her into the She-Hulk. Determined to resume her life, Walters returns to her old life with her new body and begins to specialize in superhuman-oriented legal cases, while still navigating life as a single, 30-something.

(L-R): Tatiana Maslany as She-Hulk/Jennifer “Jen” Walters and Drew Matthews as Dennis Bukowski in Marvel Studios’ She-Hulk: Attorney at Law, exclusively on Disney+. Photo courtesy of Marvel Studios. © 2022 MARVEL.

Now in the second year of the Disney+ experiment, we have seen that other Marvel series like Hawkeye, The Falcon and the Winter Soldier or Wandavision have taken themselves with a sense of urgency or seriousness. (Even more comedic entries such as Ms. Marvel or Loki still carried a sense of importance.) But She-Hulk has its own tone and style. Villains are more laughable than fearsome. Playfulness in its lawyer drama akin to famed 90s comedy Ally McBeal gives us a winking eye into the world of the MCU. Appearances from characters such as Ruffalo’s Banner/Hulk combo, Benedict Wong, and Tim Roth help place the series firmly within the Marvel Universe and the goofiness seems to flesh out their characters, in some ways. (And, surprisingly, Ruffalo seems quite comfortable with more comedic material.) 

What is apparent, however, is that She-Hulk wants to create something new for the Marvel universe. Billed as a comedic ‘lawyer show’, the series feels more like a sitcom than any of the other standard MCU fare. Unlike their more tepid style of humour, conversations about Captain America’s virginity, Hulk-sized hangovers give the show an edge that points the needle more firmly in the direction of Deadpool. (In fact, in a move also similar to the Merc with the Mouth, Jessica also frequently breaks the fourth wall to address the audience.) As a result, there’s a silliness about the show that makes it different. 

Tatiana Maslany as Jennifer “Jen” Walters/She-Hulk in Marvel Studios’ She-Hulk: Attorney at Law, exclusively on Disney+. Photo courtesy of Marvel Studios. © 2022 MARVEL.

To be fair, ‘different’ is always welcome, especially in the cookie-cutter MCU. 

Whether or not that always works is another story entirely.

Interestingly, one of the more divisive parts of the series may be Maslany herself. While only the first few episodes have been screened to critics, Maslany feels both instantly likeable and out-of-place at the same time. Maybe it’s the show’s tone or writing but her performance initially feels as split as her personality within the series. Without question, Maslany is a remarkable talent and fully willing to engage in sci-fi material. (Just revisit Orphan Black. You’ll thank me later.) When she steps into the role of Walters as lawyer, Maslany lights up the screen with confidence. To Walters, her most powerful weapon is her mind and she is willing to defend the most controversial of characters so that they can have a fair trial. However, when she ‘hulks out’, part of that confidence seems to fade away. Perhaps it’s the CGI or even just her newness to the role but, at times, it feels like something gets lost in the transformation.

(L-R): Mark Ruffalo as Smart Hulk / Bruce Banner and Tatiana Maslany as Jennifer “Jen” Walters/She-Hulk in Marvel Studios’ She-Hulk: Attorney at Law, exclusively on Disney+. Photo courtesy of Marvel Studios. © 2022 MARVEL.

What is most interesting about the series though is the fact that this She-Hulk is a more fully integrated version of Ruffalo’s Big Green Beast. Unlike Banner, Walters is also stronger, faster and instantly psychologically integrated. Within her, there is no other ‘hand on the wheel’ or battle for control of her mind. Instead, she is at once both She-Hulk and Jessica, able to control herself more easily than her tormented cousin. But, in doing so, thankfully She-Hulk avoids any potential ‘man-splaining’ of her training. (Though not for lack of his trying…) In this way, there’s an empowering spirit to Walters onscreen. She maintains her passion for justice and fights for her clients. She is willing to express her femininity and ferocity equally in positive ways. There’s a self-awareness within this series that allows Walters to embark on her own personal journey, without mimicking the original character. 

Again, there’s genuine potential in this series. Like Walters herself, the series simply hasn’t fully realized it… yet…

The first episode of She-Hulk: Attorney at Law is available on Disney+ on Thursday, August 18th, 2022 with new episodes available every Thursday.

Light & Magic: Mad Scientists of Wonder

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When it comes to visual effects, there are few companies that stand out like Industrial Light & Magic.

Known for creating worlds such as Star Wars, Terminator 2 and the Indiana Jones franchise, ILM has brought sights and sounds to the screen that no one else could have achieved. Now, in Light & Magic, filmmaker Lawrence Kasdan invites viewers to look behind the curtain of the famed visual effects company. Featuring interviews with George Lucas, Steven Spielberg, Kathleen Kennedy and many more, Light & Magic explores the origins of ILM and how it inspired some of the most legendary filmmakers in Hollywood.

George Lucas in a scene from Lucasfilm’s LIGHT & MAGIC, exclusively on Disney+. © 2022 Lucasfilm Ltd. & ™. All Rights Reserved.

Beginning in the 1970s, Light & Magic opens the vault on the development of one of Hollywood’s greatest special effects houses. Developed by George Lucas, Industrial Light and Magic has made a name for itself as the premiere creators of whimsy on the big screen for almost 5 decades now. With the opportunity to explore the Wonderful World of Lucas in-depth, Kasdan speaks about the special effects factory with joyful reflection. While we have seen numerous documentaries before about the creation of Star Wars that highlight the magic of creation, Light & Magic instead expands the story to focus on the creation of the business itself. With each creature and feature, Light & Magic emphasizes the incredible work going on behind the scenes of the iconic company. (Incidentally, Kasdan worked closely with Lucas on a number of occasions, including writing the Star Wars films.) Conversations about vision, hiring and the wizards that work behind the scenes lead the way as the company grows into something special.

However, that is not to say that Light & Magic is unwilling to give up its secrets. From the Galaxy Far Far Away to Indiana Jones and Poltergeist to Jurassic Park, each episode is a treasure trove of information on how these young men and women changed the way that we consume the film experience. As an audience member, we simply watch the film and accept what’s before our eyes. But the team at ILM has worked hundreds of hours to make that happen. (Incidentally, if there’s a criticism of the series, it may be that we don’t get to see the process unravel in real time, in the same way that Jackson’s acclaimed Get Back did for the Beatles.)

(L-R): Joe Johnston, John Dykstra and Dave Jones in a scene from Lucasfilm’s LIGHT & MAGIC, exclusively on Disney+. © 2022 Lucasfilm Ltd. & ™. All Rights Reserved.

Light & Magic even shows the evolution of the age of digital effects and the ripple effect that it had throughout the industry. Rivalries develop as technology threatens the way things have been done. Those who would spent their days tirelessly working on molds felt as though they were being left behind in the digital age. (“I feel extinct,” says one creator flatly.) However, the passing of the torch was not only necessary but inevitable and filmmakers must decide whether or not they trust the new tech. For example, at one point, there’s a fascinating conversation with director Jon Favreau regarding his work on Iron Man. Still unsure about the nature of digital effects, Favreau himself is fooled by the blur between practical and digital in such a way that he became a believer in what could be achieved.

Even so, one of the best parts of the series is its emphasis on the people themselves. Light & Magic is a celebration of the mad scientists that created Death Star trenches, imploding houses and dinosaurs and brought them to life on screen. However, what’s most interesting about them is that many of them had no experience in the film industry. Instead, these were simply people who are interested in helping out and using their creative sensibilities that made them want to do the impossible. 

(Clockwise from far left): John Knoll, Erik Tiemens, Christian Alzmann, Rene Garcia, Ryan Church, Madeleine Sandrolini and Doug Chiang in a scene from Lucasfilm’s LIGHT & MAGIC, exclusively on Disney+. © 2022 Lucasfilm Ltd. & ™. All Rights Reserved.

They were mad scientists, allowed to mix potions freely in a lab.

Multiple times throughout the series we are reminded of what fun this band of rebels were having behind the scenes. Working roughly 18-hour days and spending much of their lives in these non-air-conditioned warehouses, the creative environment required them to trust one another as they worked together. The work was hard and intense at times, but this series focuses on the relationships that were built. In fact, this is what makes gives their work its magic. The passion of these men and women extended beyond clay models and camera work. 

For them, it was a chance to create wonder. 

In Light & Magic, one gets the sense that each staff member genuinely believed that they’re doing something remarkable. To many, what began as a hobby has become a calling. In fact, as effects become more common widespread, one of the greatest concerns is that people now take for granted the work that they do. Whereas people were once in awe at seeing the Millennium Falcon fly into a squadron of Tie Fighters in 1977, this sort of visual treat has become more commonplace. 

Scene from Lucasfilm’s LIGHT & MAGIC, exclusively on Disney+. © 2022 Lucasfilm Ltd. & ™. All Rights Reserved.

Though they’re not giving up. 

If anything, Light & Magic ends on a note that suggests that they’re continuing to strive towards the impossible. At a time where CGI wizardry has taken over, there is a genuine desire amongst this crew to continue to bring audiences into a place of wonder.

While the methods may have changed, but the vision remains the same.

Light & Magic is available on Disney+ on Wednesday, July 27th, 2022.

SF Radio 8.29 Reboots and Reputations in CHIP ‘N DALE RESCUE RANGERS

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When crimes go slipping through the cracks, these two gumshoes are the ones to call. In a ‘reboot-with-a-twist’ film of the classic series, CHIP ‘N DALE RESCUE RANGERS arrives on Disney+ with strong reviews and a surprisingly biting satire. But who is this film for? This week, SF’ers Heather Johnson and Alan Sharrer return to discuss the challenges of reboots, the power of sacrifice and the very best cameos.

You can stream on podomatic, Alexa (via Stitcher), Google Play, Spotify, iHeart Radio or Amazon Podcasts! Or, you can downoad the ep on Apple Podcasts!

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

8.29-Chip-N-Dale-Rescue-Rangers

Rise: Another Disney Slam Dunk

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Perhaps some of the more unsung heroes of Disney’s cinematic canon are their inspirational sports stories.

While they’re primarily known for their animated features, nature documentaries and fantasy-adventure films, Disney has always been able to find inspirational stories in the world of sports. Without even scratching the surface of their vault, films like Remember the Titans, Miracle, Queen of Katwe and Glory Road have become classic tales of young people who have been changed by the experience of competition (and even, in some cases, have changed the world as well).

Rise fits very neatly into this tradition. 

(L-R): Yetide Badaki as Vera and Dayo Okeniyi as Charles in Disney’s live-action RISE, exclusively on Disney+. Photo courtesy of Disney Enterprises, Inc. © 2022 Disney Enterprises, Inc. All Rights Reserved.

Set primariliy in Greece, Rise tells the amazing true story of the Antetokounmpo brothers who came out of obscurity to dominate the NBA. When Charles and Vera Antetokounmpo emigrated from Nigeria to Greece, they dreamed of a better life for their family. However, despite their passion for hard work, they struggled to garner citizenship and lived every day under the risk of deportation. Living from paycheque to paycheque, their children found solace on public basketball courts. Although they had no experience playing the game, the Antetokounmpo boys soon discovered their natural giftings and looked for ways to use their talents to help their family.

(L-R): Ral Agada as Thanasis Antetokounmpo, Dayo Okeniyi as Charles Antetokounmpo, and Uche Agada as Giannis Antetokounmpo in Disney’s live-action RISE, exclusively on Disney+. Photo by Patrick Redmond. © 2022 Disney Enterprises, Inc. All Rights Reserved.

Telling the story of Antetokounmpo brothers and and their ascension to NBA dominance, Rise is an incredible story of resilience that absolutely charms. Directed by Akin Omotoso, the film knows the power of storytelling inherent within the world of sports and uses it to its advantage. Slow motion shots at the buzzer, practice in the rain and battles on the court all bring the action to life with suspense and drama. (Ironically though, the final scenes at the NBA Draft may hold the most solid dramatic tension, even if we already know the outcome.)

Even so, instead of focusing on a particular ‘big game’, Rise primarily spends its time with the Antetokounmpo family as they fight together to survive. As Charles and Vera fight tirelessly to support their family financially, so too do they want to support their children in their dreams. With barely enough money to pay the rent, their boys find their inner spark on the basketball court. Nevertheless, Charles and Vera remain nervous of their endeavours. But their initial apprehension to the boys’ love of basketball is rooted in their desire to protect them from exposure, rather than to selfishly prevent them from enjoyment.

(L-R): Yetide Badaki as Vera and Dayo Okeniyi as Charles in Disney’s live-action RISE, exclusively on Disney+. Photo courtesy of Disney Enterprises, Inc. © 2022 Disney Enterprises, Inc. All Rights Reserved.

And the fear of exposure is justified.

Due to their undocumented status, the Antetokounmpo family lived under a constant dread. Having witnessed the police tear immigrant families apart themselves, they understood the risks of being discovered. While Charles and Vera fought to make their residency legal, they simply continue to run up against an endless stream of roadblocks and red tape. Unable to find work without legal status (and unable to get legal status without work), they are only able to make ends meet by selling sunglasses to tourists and taking on odd jobs. In this way, the film highlights issues that are far greater than whether or not Giannis understands his basketball fundamentals. Instead, Rise cries out for the poor and impoverished who are attempting to start new lives in a foreign country. 

Interestingly, there’s also a deeply rooted faith that strengthens the Antetokounmpo family as well. Despite everything that they’ve gone through, Giannis‘s mother holds fast to her belief that God has a plan. (“God makes no mistakes. Give it your all and let God do his work,” Vera encourages.) To her, even the darkest of moments can provide blessings by the end and this gives them boundless hope throughout the process.

In some ways, it’s a shame that Rise has gone straight to Disney+. With its passionate heart, incredible story and solid performances, this is a film that actually deserves to be recognized onscreen as opposed to an unknown property that people scroll past while looking for Pixar material. With an eye on justice, Rise inspires with joy and enthusiasm that should please the whole family. Quite simply, there is an affectionate heart within this film which is contagious.

In other words, it is definitely a slam dunk.

A scene still from Disney’s live-action RISE, exclusively on Disney+. Photo courtesy of Disney Enterprises, Inc. © 2022 Disney Enterprises, Inc. All Rights Reserved.

Rise is available on Disney+ on Friday, June 24th, 2022

Ms. Marvel: For the Dreamers

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“The change is here. The change is her.” – Ms. Marvel

It’s no secret that, ever since Iron Man flew across screens roughly 13 years ago, the Marvel Cinematic Universe has perfected the art of selling superheroes. First, create an origin story for a loveable outsider who is struggling to find themselves. Then, after they encounter an otherworldly power, they are transformed and finds their true calling. Using the same formula, Disney has managed to dominate a box office (and streaming world) with no signs of slowing down.

Though, there is a wind of change blowing in the MCU. As we transition out of a world dominated by white male superheroes, Marvel has done an excellent job celebrating the vibrancy of voices within our own world. Whether it’s Sam Wilson’s Captain America, the rise of Wanda Maximoff or the global celebration of Eternals, this new phase of the MCU has changed the faces of their stories. Now, with the release of Ms. Marvel on Disney+, Marvel has created another solid example of how diverse casting and cultural representation opens up new worlds for storytelling. 

And the story of Kamala Khan feels like it’s going to be something truly special.

Set in New Jersey, Ms. Marvel introduces the Marvel Universe to Kamala Khan (Iman Vellani), a 16-year-old high school teen and fangirl of the Avengers, especially Captain Marvel. Living at home with her Islamic family, Kamala spends her nights dreaming of one day becoming like her hero. So, when she hears about the very first ‘AvengersCon’, a convention honouring Earth’s Mightiest Heroes, Kamala knows that she must be one of the first ones in attendance. Dressing up in cosplay of Captain Marvel, she adds a golden bangle that she discovers in a box of old junk in the house in order to secure her victory in the Con’s costume contest. However, when things go wrong, Kamala discovers that she has the power to create energy constructs and begins to wonder if becoming a hero may be more of a reality than she’d ever imagined.

Marvel excels at bringing the imagination to life but here they have created a world of such vibrant, youthful enthusiasm that one cannot help but be drawn in. In many ways, Ms. Marvel is reminiscent of Spider-Man Homecoming or the introduction of Miles Morales in Sony‘s animated Into the Spiderverse. In both cases, those films walked the line of style and substance by giving their characters colourful worlds to play in while never losing the character’s passion and soul. 

Ms. Marvel takes a similar approach by selecting a charismatic lead and immersing her in a world of neon vibrancy that bursts off the screen at all times. Whether it’s the seamless integration of animation or the bright, engaging visuals of the world, Ms. Marvel wants the screen be flooded with colour and joy. (In fact, powered by music from the ‘80s and ‘90s, there’s even a slightly retro feel to the series that adds some extra snap.)

Most importantly though, Feige & Co. have truly found someone extraordinary for their Kamala Khan. Young lead Iman Vellani has such charm that she absolutely sparkles on screen [pun intended]. Balancing innocence, humility and fire, Vellani has the soul of a dreamer and the spirit of a hero, making her perfect for the future of the MCU. 

Although the series pops with a Western style, the series does an excellent job of highlighting Kamala’s Islamic heritage. Living with her devout parents, Kamala takes her faith and culture extremely seriously. Trips to the mosque, conversations in Urdu and more help ground her world in the Islamic traditions and faith. At the same time, she also lives in a world of Instagram and pop culture.

In Ms. Marvel, it’s important to still honours the old ways, even as Kamala lives in a new world.

What interesting is that, at this point in their storytelling, the MCU has begun to pass the torch to those who have grown up with it as part of their livelihood. Characters like Iron Man and Captain America have left their mark and faded away for the next generation. Kamala is no exception. To her, the world has become a place where superheroes are admired (and, dare I say, common?) and the greatest of them all is Captain Marvel. Revered for her strength, power and fierce example of womanhood, Captain Marvel is held up in the highest esteem by the young hero-in-waiting and she yearns to be like her. Plastering her room with posters and dressing up in cosplay at the first AvengersCon, Kamala will do anything she can to honour her idol. 

Kamala is a dreamer. And the life of a hero is her ultimate fantasy.

And therein lies the true spirit of Ms. Marvel. This is a series about honouring the past but still leaning into our dreams. Whether it’s her mother or Captain Marvel herself, Kamala holds the women of her life in the highest respect. But she’s also growing up and wants to be figured out what it means to herself in the process. She recognizes the value and power of the women who have blazed the trails but she also wants to become who she was meant to be.

For Kamala, it’s time for her dreams to become reality.

The first episode of Ms. Marvel is available on Disney+ on Wednesday, June 8th, 2022 with new episodes streaming every Wednesday afterwards.

Chip ‘N Dale: Rescue Rangers – Dusting Off these Two Gumshoes

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When Chip ‘N Dale: Rescue Rangers was named as Disney’s next reboot for streaming, the decision simply made sense. 

After all, Disney+ has provided the House of Mouse with an entirely new way to bring their content to the next generation with very little risk. From DuckTales to Darkwing Duck, their investment in bringing back popular franchises for the kids of the modern era have been fairly successful thus far. (I’m still waiting for the return of The Adventures of the Gummi Bears but I digress…)

But things began to take a turn for the strange when it was announced that the franchise would be passed to director Akiva Schaffer, who intended on taking a more meta-approach to the material. Usually, that’s often a bad sign. After all, every reboot (especially a beloved one like Rescue Rangers) comes with certain expectations in tone, humour and style. When you mess with the formula entirely, it can alienate the audience. (See Ferrell and Kidman’s Bewitched)

Amazingly though, Schaffer has come through.

In Disney+’s Chip ‘N Dale: Rescue Rangers, Chip and Dale have seen better days. After the cancellation of their fame animated series over 30 years ago, the characters have both moved on. With Chip (John Mulaney) now living in obscurity as an insurance salesman, Dale (Andy Samberg) spends his days attending fan conventions with the hope of garnering enough interest to resurrect their franchise. However, when one of their beloved former co-stars is kidnapped, the two estranged rangers reluctantly come together to solve a real crime in the face of overwhelming odds. 

Using his signature sarcasm, Schaffer infuses Rescue Rangers with a winking eye and sardonic edge that still feels like a love letter to the property. By blending multiple animation styles ranging from claymation to puppeteering but still grounding the project in the human world, the film feels very much like a spiritual sequel to Disney’s Who Framed Roger Rabbit?. (In fact, any comparisons to the classic 80s animated classic are absolutely deliberate as Schaffer includes numerous references to it.) Sharply written and executed, Rescue Rangers is absolutely eye-candy across the (story)board that features a never-ending stream of pop culture references that should make the film enjoyable on rewatch. (The billboards and advertising that adorn the film’s streets are worth the watch alone.)

And no franchise is sacred. 

Somewhat surprisingly, Rescue Rangers is more than willing to break out of the Disney canon and satirize other studio properties as well. (Again, another key ingredient for Roger Rabbit.) Whether it’s poorly rebooted animation like ‘Ugly Sonic’, or beloved franchises like My Little Pony, Looney Tunes, Pokemon or even ET: The Extra Terrestrial, there’s a surprising amount of support from other studios to let Disney lampoon their products. 

As such, Rescue Rangers feels more like a meta-take on the challenges of rebooting old properties than it does trying to feed you the same Disney product again. In essence, rather than offering a strict reboot of Rangers, the film leans into the difficulties of doing so. Characters who were once beloved by fans have now been relegated to the convention circuit, with the hopes that enough interest will bring them back into pop culture relevance. 

At the same time though, there is no doubt that this film is made with love. Schaffer does not use the film to mock the franchise but rather to somehow reinvigorate it with the understanding of an adult. Jokes referencing CGI surgery, cheese addiction and even references to a strip club and [cartoon] trafficking are made with an adult audience in mind. 

In this way, while the film’s primary story may focus on the missing characters, the true antagonist of the film is getting older. From Lumiere to Tigra the forgotten Avenger, none of these animated characters are ready to settle into the dustbin just yet. (“It’s gotten tough out there for us old timers”, Monteray Jack groans.) Emotionally tied to their faded fame, each one wants to prove that they’re still worth something. This desire to hang onto the glory days is especially true of Chip who yearns to be remembered as more than a ‘2nd banana’. From begging for attention on social media to having CGI surgery, Chip is left scratching and clawing at the elusive celebrity status that he once enjoyed. Though the rest of the world has moved on, he simply wants them to know that he still has value. In a world where no one cares to know your name, how do you know you matter? What does hope look like when your best days seem behind you?

Middle-age is tough, even for animated chipmunks.

But that leads to the film’s biggest question: who is the target audience? Unlike other kids fare that includes the adults, Rangers does the opposite by targeting adults first. Ultimately, this approach works fine, except for the fact that Rangers comes with the baggage of a being known property. For example, in the case of Roger Rabbit, Disney had a blank canvas upon which to create their adult-targeted story. Not so for Rescue Rangers, a series which is known for targeting little ones. (It’s also worth mentioning that, as recently as last year, Disney rebooted Chip ‘N Dale as an animated series that targeted kids). So, with this in mind, parents of young ones may need to exercise caution before hitting play.

Nevertheless, there’s little doubt that Chip ‘N Dale: Rescue Rangers is a reboot win. Fast and furry-ous with its humour, Schaffer manages to walk the line between parody and preposterous in ways that revive an old property without feeling stale. So, even if it does seem odd to target the parents over the kids, it’s absolutely worth dusting off these two gumshoes for old time’s sake.

Chip ‘N Dale’s Rescue Rangers streams on Disney+ on Friday, May 20th, 2022.