ScreenFish

where faith and film are intertwined

Chadwick Boseman

21 Bridges – Hunting Cop Killers

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“There are 21 bridges in and out of Manhattan. Shut’em down. Three rivers. Close them. Four tunnels. Block them. Stop every train line that leaves the island – Amtrak, PATH, New Jersey Transit, LIRR—and loop the subways. Then we flood the island with blue.”

That is certainly a dramatic undertaking! Just think of closing down all of Manhattan! That is the hook for 21 Bridges, a police thriller from director Brian Kirk and producers Joe and Anthony Russo.

Taylor Kitsch and Stephan James star in 21 BRIDGES

When a pair of criminals (Taylor Kitsch and Stephan James) steal cocaine from a restaurant used by a drug dealer, they are surprised by some police. In the shootout several police are killed. Detective Andre Davis (Chadwick Boseman) is brought in to investigate, and teamed up with narcotics detective Frankie Burns (Sienna Miller), a single mom struggling with the pressures of life. When it becomes obvious the killers are in Manhattan, and since it’s 2:00 a.m., the decision is made to shut down the island to find the killers. In a race against the clock the killers try to find their way out while Davis and the police zero in on them.

Davis is the real focus of the film. It opens with the words from Romans 13:4 being read at a funeral, and focusing on a child with tears in his eyes. It turns out that this is his father’s funeral, after his father, also a police officer, was killed in the line of duty. That verse, which of worldly authorities executing justice on God’s behalf, color how we see Andre throughout the film.

Chadwick Boseman stars in 21 Bridges

When we next see Davis, he is meeting with a police board. It turns out he has been involved in eight shootings in nine years—all justifiable. It is no wonder he is chosen to find these killers. No one wants them taken alive—except maybe Davis. The angry precinct captain (J.K. Simmons) is perfectly clear that he sees no point in prolonging the execution of justice. But Davis, we discover is not about killing bad guys—he’s about finding the truth. And the truth turns out to be far more complicated that just shutting down Manhattan. And when the truth is uncovered, Davis is determined to continue to be the manifestation of justice.

The film is very much a story of good vs. evil. However, the clear boundary between the two in the first half of the film becomes more complex in the second half. That makes the biblical quote that opens the film a bit sticky to consider. It is one thing to think of police as working with God’s authority to execute justice (I have some quibbles with this interpretation in the film, but I’ll let that pass), but what about when what we see the police acting in why that is clearly not in line with God’s justice? That becomes the central question of the latter part of the film.

J.K. Simmons, Chadwick Boseman and Sienna Miller star in 21 BRIDGES Image Courtesy of STXfilms

Oh, and the shutting all the bridges, etc.? I think it would make a really interesting film to focus on the logistics of that actually happening. Here it is really a minor plot point that very little actual attention is paid to. I wouldn’t be surprised that a plan to do that exists, but in this film it is far too spur of the moment to really be given credence.

Photos courtesy of STX Financing

GIVEAWAY: Black Panther 4K/Blu-Ray Combo!

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Before the Infinity War was the battle for Wakanda!

After the death of his father, T’Challa returns home to the African nation of Wakanda to take his rightful place as king. When a powerful enemy suddenly reappears, T’Challa’s mettle as king — and as Black Panther — gets tested when he’s drawn into a conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people.

                       

The winner will receive a copy of the Black Panther 4K Ultra HD/Blu-ray Combo.

To enter, simply like or share our post on Facebook and answer the following question in the comment section: What was the name of T’Challa’s father, who was killed during the events of Captain America: Civil War?

For a bonus entry, like or share the post on Twitter and Instagram.

All entries must be completed by 11:59pm on Friday, May 18th, 2018.

 

Black Panther will be unleashed on Blu-Ray on Tuesday, May 15th, 2018

4.12 The Power of the BLACK PANTHER

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As Marvel unleashed BLACK PANTHER, even they could not have foreseen the incredible impact that the film has had on both the box office and the culture at large! With its lush visuals and healthy portrayal of African-Americans, PANTHER has sparked positive conversations about race and depictions of culture on the big screen. This week, Steve welcomes back Chris Utley and Arnaldo Reyes to talk about the film’s impact and the power telling one’s own story.

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

4.12 Black Panther

Thanks Chris and Arnaldo for joining us!

For those of you in Canada who are interested, you can donate to ScreenFish by clicking the link below and simply selecting ‘ScreenFish’ from the ‘Apply Your Donation…’ area. 

https://www.canadahelps.org/en/charities/connect-city/

Black Panther: I STAY WOKE!

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SPOILERS FROM THE FILM WILL BE DISCUSSED AND DISSECTED.  DO NOT READ UNLESS YOU HAVE SEEN THE FILM

My former Grambling State University Theatre Department classmate turned prolific R&B artist Erykah Badu has a song on one of her albums called “Master Teacher.”  The hook goes, “What if there were no N*****s, only Master Teachers?  I STAY WOKE.”   If you substitute the phrase Master Teachers for the word WAKANDANS, then you’ll get the vibe of where I’m going in light of this cinematic event that has been given to us this Presidents Day Weekend 2018.

I will leave the MCU fanboying to the experts here at THE FISH to ponder BLACK PANTHER’s place in the pantheon of Marvel films, analyze its connection towards the road leading to Avengers: Infinity War, etc.  I’ve got bigger fish to fry.  As does this movie.

Instead, I will build off of my thesis statement from my classmate – paraphrased and reappropriated for this movie.  Of course I know that Wakanda is not an actual place.  It’s birthed from the imagination of Stan Lee and Jack Kirby.  But, in my own mind, I see Wakanda as what might have been for my ancestors and I.  What would my motherland of Africa and my kinsmen be if the natural minerals and resources had not been fleeced and its people oppressed by apartheid and their ancestral offspring not led away in slaveships to the Carribean, South and North America to endure 400 years of violent, dignity robbing, identity snatching hardship by real life “colonizers?”  I look at those 5 tribes which form the fictional Wakanda and I see the true essence and spirit of who God has graced the African man and woman to be – regardless of whether the designation American appears afterwards.

I see honor and dignity. I see fierce devotion to ideals.  I see great technological and scientific advances.

I see PRIDE.

I desperately wanted my 12-year-old son and 8-year-old daughter to see and feel the same thing as I did when I watched the movie.  Their response was definitely more muted than mine.  I get it.  Because in our home – with God’s help – we have continually taught them to see honor and dignity in themselves; to have a fierce devotion to the biggest ideal of all: JESUS CHRIST IS LORD; and that technology, science, and all areas of greatness are available to them via education.

As I thank God for my kids, I also have to think about the other kids out there; the real life Erik Killmongers of the world.  The ones whose hearts have grown numb to the images of Strange Fruits in trees hung, maimed and slaughtered by more evil “colonizers.”  The ones who have attempted to take the derogatory ‘N-word’ label and soften it up by slicing 2 letters and adding an A on the end.  The ones who wish to continue the work of the real life Black Panthers.  I don’t think director Ryan Coogler set this film in Oakland by accident…especially when you consider that:

  1. The Panthers were born in Oakland
  2. Erik Killmonger’s plan of action – inherited to him by his father Wakandan Prince N’Jobu – is straight out of their playbook.

Call the real life Black Panthers a hate group if you want.  You’re missing the point.  These were a group of men and women who got tired of seeing the unjust oppression of their kinsmen by the ruling class and were ready to defend them even if it meant overthrowing the current systems of power.  Disagree with them and Killmonger all you wish. But before you judge, look at their point of view in the light of those dead Black men and women of the past…and present.

Killmonger, rightful heir to the Wakandan throne, wants to take the resources from his homeland and equip warlords across the world to free his kinsmen.  But T’Challa – our hero – knows there is a better way.  A way, as spoken in Post Credits Sequence #1, that does not involve creating division and using his homeland’s resource to foster oppression. T’Challa wants to use his kingdom to be a LIGHT to the world.  There was a time when Wakanda hid itself in fear of what MIGHT happen should their greatness got into the wrong hands.  But T’Challa recognizes that it’s time to come out of the darkness and into the light.

But that light only shines when we, as humanity, come TOGETHER.

That’s the one area in the real world where all of mankind needs to stay woke.  It’s not about White Supremacy or Black Pride reigning on the throne of society.  There is only one Throne and only one Kingdom in which every knee will bow to. And that King will be glorified when He sees all of His creation – all races, creeds and colors – united together to shine His light on our broken world.

Black Panther gets 2 fists up from me! ✊🏿✊🏿 May its record breaking success cause studio execs to GET WOKE about the abilities of Black filmmakers handling big budget blockbuster material.  I’ll say it loud!  BLACK PANTHER MADE ME PROUD!

 

 

 

Black Panther Giveaway!

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As the world prepares for the unleashing of Marvel Studios’ Black Panther, ScreenFish wants to help you to get ready!

After the death of his father, T’Challa returns home to the African nation of Wakanda to take his rightful place as king. When a powerful enemy suddenly reappears, T’Challa’s mettle as king — and as Black Panther — gets tested when he’s drawn into a conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people.

                       

The winner will receive a copy of the Black Panther soundtrack, a T’Challa pop figure, and a Black Panther poster.

To enter, simply like or share our post on Facebook and answer the following question in the comment section: Name another film in which director Ryan Coogler has worked with actor Michael B. Jordan.

For a bonus entry, like or share the post on Twitter.

All entries must be completed by 11:59pm on Thursday, February 15th, 2018.

 

Black Panther will be unleashed in theatres on February 16th, 2018

Scenes From A Cinematic Weekend 10/23/17

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Hey SF’ers!  Trying something new so here goes:

  • Marshall w/Chadwick Boseman & Josh Gad:  They say that the opposite of the White Savior trope in film is the Magical Negro trope. Marshall clearly went full Magical Negro with Josh Gad’s character being the only lawyer allowed to try the case the film centers on.  A more compelling movie would have been watching Marshall defy the sea of racist White venom and beat a case against the odds. Way too much focus on the Josh Gad subplot to me.

  • BOO 2 was BAD, even by Madea/Tyler Perry standards. 20 minutes into it, I was half watching and half looking at my phone.  (Calm down movie theatre police – I was at a drive-in!)  No faith-filled or redeeming messages.  Honestly…the thing felt like a lame live action episode of Scooby Doo.   By the way, the audio overdubs that were supposed to drown out the cursing in this flick were HORRIBLE!  All those hecks, darns and friggins tells me that the uncut unedited version would have gotten a hard R.  I say to TP, don’t screw around with it next time. Let those F-bombs fly and let the church folks go up in arms!  Most of the ones who’d protest are avid Scandal watchers anyway where Cursing: Bad and Adultery: Good.

  • Shame Only The Brave didn’t find an audience.  Very good telling of the story of the Granite Mountain Hotshots with themes of brotherhood, sacrifice – both at home and in the fire path – and redemption.  No Oscar prospects but this’ll find it’s proper audience in Redbox and streaming platforms.

  • Glad to have celebrated my 45th bday on Saturday.  I look and feel 35!  But I’m thankful to God for my wife and kids, my ScreenFish family for enduring me & my love for movies!

Well, that’s it.  Hopefully y’all will enjoy this.  If so, there will be more to come! ✌🏿

Captain America: Civil War – Whom to Follow

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Before the screening I attended of Captain America: Civil War, the screen was filled with a message encouraging people to take part in the social media strategy of the film by tweeting either #TeamCap or #TeamIronMan to designate which side they favor. Welcome to the political edition of the Marvel Universe. I’ll save my vote until later.

The film is built around a division within the ranks of the Avengers. After an Avenger mission in Lagos, Nigeria creates severe collateral damage, the governments of the world reach an agreement by which the Avengers will come under the authority and control of a U.N.-like body. Tony Stark/Iron Man (Robert Downey, Jr.) supports the proposal as a step to keep the Avengers working for the good. Steve Rogers/Captain America (Chris Evans) thinks that the Avengers’ work is too important to allow for government interference. The others tend to fall behind one or the other of these leaders.

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When the accord is due to be signed, a bomb goes off near the site, killing several. It appears to be the work of The Winter Soldier, Steve Rogers childhood friend Bucky Barns. Captain America sets out to keep Bucky from being killed by those sent to capture him, putting himself on the wrong side of the law. Soon the Avengers are divided into two camps (with a couple of notable non-Avenger additions from the Marvel Universe), one seeking to save and exonerate Bucky, and one determined to bring him to justice. In the meantime, a new superhero, Black Panther (Chadwick Boseman), an African prince (now king) whose father was killed in the blast, operates in neither camp, but is seeking to bring his own form of justice to the man who killed his father. In time this leads to a battle royal as the two teams face off, eventually to a showdown between Captain America and Iron Man to save Bucky.

So the first political issue is whether government oversight is a good thing or a hindrance. The Avengers have done some serious damage in their attempts to save the world from whatever menace they have been facing. As a group of people with enhanced powers, they are something of a global superpower in themselves. How are they to be held accountable for all that collateral damage that accompanies their fight for the right? But if a government power is involved, won’t that reduce their effectiveness; maybe even prevent them from doing what needs to be done? Iron Man thinks that the team has to be held accountable and that government is necessary for that to happen. Captain America thinks that the government will only get in the way. How do you vote on that issue? TeamCap or TeamIronMan?

Then comes the idea of how we know what is right in a given situation. For Captain America, his loyalty to his friend Bucky transcends even the possibility that he has resumed his role as Winter Soldier. Even if Bucky is responsible for the attack, is he truly responsible or is it a matter of mind control? Should he be summarily done away with in the name of justice and vengeance? For Iron Man, it is just a matter of capturing (or killing if need be) the person who has done this. It’s not his job to wade through the facts beyond what seems obvious to all the world. Does loyalty to a friend (Cap) take precedence over loyalty to what all the world sees as justice (Iron Man)?

And then there is the whole issue of personality. Don’t we often pick our leaders based on some sort of personality cult? Let’s face it, Tony Stark is a bit arrogant, but he still believes in doing what is right (and if it turns a profit, all the better). Steve Rogers comes across as the incarnation of virtue. Yet, as the story plays out, it is Rogers who becomes the criminal and Stark who serves as the sheriff of superherodom. Which side of the law do you want to be on? Vote accordingly.

While I call this the political edition of the Marvel Universe, I do not mean that this is some sort of parody of the current election cycle. However, it is not hard to use this as a lens to consider how it is we pick sides in the election. Worse, we may even be willing to be combative, even with friends, over our visions of the world and those who we think should lead us.

Actually, I’m not willing to cast my vote for either Captain America or Iron Man. Both of them are utterly convinced of the righteousness of their cause. That makes it almost impossible for them to find common ground, but even worse, it makes it impossible for them to find any transformation for their character. Repentance is outside their vocabulary. Without some sense of flexibility, they are doomed to end up in those battles that make up much of the film. In short, neither of them really grows in the course of the film.

Beyond that, I don’t think either of them is the person who best represents the options that need to be considered in the film—nor even the most interesting characters. There are two minor characters that really drew me to them. I understand that this is a superhero blockbuster that uses broad strokes (sometimes too broad) to tell the story. But within that there should be room from some subtle looks at character growth and to give us people we can truly connect with because in spite of their superpowers they are like us.

The first of these characters is Wanda/Scarlet Witch (Elizabeth Olsen). She is consumed with guilt over what happened in Lagos. She is conflicted over the use of her powers. Her vulnerability as a character grows out of seeing the damage that can be done even with the best of intentions. As the Avengers discuss whether to agree to the new proposal, she is pretty much paralyzed by grief. She never really chooses a side, she is just brought in to one of them. Yet in the process, she begins to discover that her power is not her enemy. It would have been nice to know just how that happened.

They key character for me in the film was Black Panther. He has vowed vengeance on the man who killed his father, and like the two main characters he is convinced of the righteousness of his mission. But he is reflective enough to see the problems that come along with vengeance and can be transformed—and even repent of the course he set out on. This is the character who has the most growth and transformation in the story, but we see far too little of it. (The good news is that Black Panther will be getting his own franchise in the future.) So for me, when it comes to #TeamCap and #TeamIronMan, I say a curse on both your houses. Put me down for #TeamPanther.

Photos courtesy of Walt Disney Pictures