ScreenFish

where faith and film are intertwined

Captain America

GIVEAWAY! – Avengers: Endgame

by 6 Comments

After 10 years, the Infinity Saga comes to a close with the #1 grossing film of all time!

Adrift in space with no food or water, Tony Stark sends a message to Pepper Potts as his oxygen supply starts to dwindle. Meanwhile, the remaining Avengers — Thor, Black Widow, Captain America and Bruce Banner — must figure out a way to bring back their vanquished allies for an epic showdown with Thanos — the evil demigod who decimated the planet and the universe.

The winner will receive a copy of the Avengers: Endgame 4K Ultra HD/Blu-ray Combo Steelbook Edition.

To enter, simply like or share our post on Facebook and answer the following question in the comment section: Who is the greatest Avenger and why?

For a bonus entry, like or share the post on Twitter and Instagram.

All entries must be completed by 11:59pm on Wednesday, August 14th, 2019.

Avengers: Endgame will be unleashed on Blu-Ray on Tuesday, August 13th, 2019

GIVEAWAY: AVENGERS – INFINITY WAR!

by 17 Comments

The War has begun…

In Avengers: Infinity War, Iron Man, Thor, the Hulk and the rest of the Avengers unite to battle their most powerful enemy yet — the evil Thanos. On a mission to collect all six Infinity Stones, Thanos plans to use the artifacts to inflict his twisted will on reality. The fate of the planet and existence itself has never been more uncertain as everything the Avengers have fought for has led up to this moment.

The winner will receive a copy of the Avengers: Infinity War 4K Ultra HD/Blu-ray Combo Steelbook Edition.

To enter, simply like or share our post on Facebook and answer the following question in the comment section: Which Infinity Stone (Time, Space, Soul, Power, Mind or Reality) would you use first and how?

For a bonus entry, like or share the post on Twitter and Instagram.

All entries must be completed by 11:59pm on Monday, August 13th, 2018.

 

Avengers: Infinity War will be unleashed on Blu-Ray on Tuesday, August 14th, 2018

4.17 Mercy, Madness and Everything Else in AVENGERS: INFINITY WAR

by Leave a Comment

As one of the biggest films in box office history, Avengers: Infinity War has definitely left its mark on pop culture but the real story of the film is its surprisingly engaging villain. In Thanos, Marvel has created one of its most compelling characters, maintaining intelligence with equal levels of insanity. As his power grows, so too does his brutality as creates disasters of Biblical proportions with a snap of his fingers. But, is there a method to the Mad Titan? Does he really believe himself to be God-like in power or is his legacy more noble than we realize? This week, Greg Banik stops by to speak with Steve about mercy, madness and everything in between.

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

4.17 Avengers Infinity War

Thanks Greg for joining us!

Avengers Infinity War: The Hype is Real! (Spoiler Free)

by 4 Comments

It’s hard to believe when you look back at it that it has been 10 years since Marvel Studios–then on its own–embarked on a bold strategy to change cinematic storytelling as we knew it. What started in 2008 with Iron Man has evolved into what can arguably be called the standard of superhero film-making. Of course, during that time, many of the films have fallen between OK to amazing in terms of quality. Lately, the box office tallies have been record breaking (Wakanda Forever!). So, after 10 years, and the much anticipated Thanos showdown with the entire MCU, it is of no surprise that this weekend Marvel will shatter even more records. Still, the question remains whether or not the film actually lives up to the hype?

Ever since the first Avengers film, Thanos has been a lingering threat. Slowly, Marvel has moved towards the inevitable collision with the Mad Titan and we had to wait until now for, as Bobby Bouche’s mom tells him, “The chickens [to finally]come to home to roost.” I can say that, for the second film in a row, Marvel has knocked it out of the park with their villain (something they haven’t been able to do since Loki). Like Killmonger, Thanos comes off as a villain whose motive actually makes sense though in the mind of a mad man, it is insane. Josh Brolin is exceptional in this role, and we are given a character in Thanos who is not just menacing and powerful, but even almost relatable. In the midst of a high pace edge of your seat film, The Russo brothers were able to inject just enough of Thanos’ background to give us a glimpse into what makes this madman tick. If not for the fact that he wants to wipe out half the universe without remorse, one might almost feel bad for him. When Infinity War was over, I was left speechless and in awe and Thanos was a big reason as to why.

One of the questions many had going into the film is how managing all these characters in one film would work. There are some things that I question, but overall the Russo brothers did a great job in putting together a film that balanced the characters extremely well. Not an easy task, that’s for sure! There was balance between character screen time, pace, seriousness, and humor. Like most Marvel films, you find your self laughing out loud at parts, edge of your seat for some, and even tears for others. All emotions are tapped and some for the most unexpected of characters. From the ego filled banter of Tony and Dr. Strange; the camaraderie of Thor and Rocket; the respect of T’Challa and Captain America; to the relationships that take center stage of the film, each character gets a moment to shine like we know they can (even teenage Groot). My only gripe in relation to the characters has to do with a missing person, and what I consider a cop out near the end of the film. Outside of that, the film handled the balancing act very well.

From the start, this film was intense with a splash of fun added in for good measure. It truly brought the past 10 years of Marvel films together while showing us what heroism is. From the start, the heroes were over-matched and outgunned, as it should be. The children of Thanos (Black Dwarf, Proxima Midnight, Ebony Maw, and Corvis Claive) were a handful for our heroes on their own. From the beginning, we witnessed the power of Thanos. Still, similar to the scene in Captain America: The First Avenger, where a puny Steve Rogers is getting beat up and continues to get up, the heroes stood up to fight. We see that no matter what the enemy throws at us, we need to stand firm and fight. In the end, although we may be broken, battered, shattered, and feel like the world as we know it is ending, we can look to the horizon and realize there is still hope.

Avengers: Infinity War not only lives up to the hype, but I believe it may even shatter some expectations. There are story points that not even the cast knew would happen until they actually watched the film. The ending will leave the audience speechless, and some bold decisions might make some fans unhappy. However, in the end, this is what makes the film work. It stayed on point, never drifted away from what it wanted to do, and delivered what may one day be considered one of the best superhero films of all time. Avengers 4 comes out next year, and it has a lot to live up to.

Personally, I hope the Russo brothers can deliver again.

P.S. The film has no mid-credit scene. Though, there is a post-credit scene that really Marvels…

 

He Is Groot: 1on1 with Terry Notary

by Leave a Comment

Avengers: Infinity War offers the (penultimate) event of the Avenger universe. When evil overlord, Thanos, threatens to destroy the galaxy in the midst of his hunt for the Infinity Stones, the Avengers must assemble one more time to attempt to save humanity from his violent clutches. Billed as the ‘biggest cross-over event in history’, Infinity War features Iron Man, Black Panther, The Guardians of the Galaxy, Dr. Strange and more as they share the screen for the first time. However, given the film’s emphasis on special effects and CGI work, there are many people essential to the film that you many not immediately recognize onscreen.

One such actor is performance capture artist, Terry Notary, who plays both Teenage Groot and child of Thanos, Cull Obsidian, in the film. A veteran movement coach, Notary affirms that taking on roles such as these are an incredibly emotional experience that cause the actor to explore the deepest parts of themselves.

“I was in Cirque du Soleil for five years but I was a gymnast at UCLA before that,” he recalls. “I learned this technique of gymnastics, but it wasn’t until I joined the Cirque that I learned how to perform… and what I try to do is take a lot of the same principles that we used at Cirque creating characters and build upon those with techniques that I’ve learned. There’s a sort of balance between the technical aspects of things versus the emotional and everyone has their own emotional blueprint. Everyone is different. Basically, your life is a blueprint of your body is a blueprint of your life. It is a reflection of everything that you’ve been through: all your past traumas, your experiences, your successes, your identity, your sense of self, or who are you, When you have an experience, it marries itself into you. Basically, the work that I do is not movement it but really it’s about life and learning about who you are.”

“What I do, if we start sitting in a chair, is a lot of the sort of Alexander work and I can sort of get a sense of the blocks, tensions, habits that are sort of innate the person. Then, we can start to work through those and identify with what they are, the emotions behind those things so that we become a blank slate.”

With this in mind, Notary recognizes that one of the chief obstacles to an actor’s performance consists of one’s own fear. Still, he also believes that, once we embrace it, fear can also be a powerful motivator.

“People think [they] shouldn’t feel afraid at all, but that’s was quite the opposite,” he explains. “[Whether] you’re an actor, acrobat or athlete, it’s all the same. You have to embrace the fear and, when you embrace it, then you extinguish its power and you can use it as a fuel to propel you into action. You can use fear to widen your peripheral, sharpen your senses, listen, hear, feel and become more alive. Basically, when you fight fear, you empower it and, and it’s the worst enemy of an actor, acrobat or just a normal business person, it doesn’t matter. So, when people think I shouldn’t feel afraid, that’s wrong. Fear is great to have. Fear is energy. Fear is anticipation and the ultimate fuel. When you learn how to stop trying to hide from fear or your real issues, it creates a presence that you have in yourself that is open, aware, vulnerable, and soft with integrity. So, it’s like finding a balance [between] the mind and body.”

For Notary, much of the process of bringing authenticity to his performance comes through one’s ability to relax and open space for creativity instead of pressuring themselves.

“It’s like undoing habitual muscle that’s constantly grabbing [you]. It’s undoing this sort of idea that it needs to be hardworking. We’re trained as human beings that hard work is rewarded. You grimace your face, you tense up where we kind of discouraged [ourselves] from daydreaming and going off into these super creative soft places that are actually more creative and more rewarding. So, it’s kind of like undoing the idea of hard work and embracing the sort of trust that things will unfold in this body in your new state of being that will actually make you more interesting. The mind becomes a guide rather than a boss. You’re actually watching yourself do this and you’re continuing to allow it to happen. That’s the sort of the final step is continuing to allow it to happen and unfold.”

Further, Notary also argues that, part of the process in creating a realistic character stems from one’s ability to recognize the value of mistakes as well.

“I say that we should make tons of mistakes so that we know what it’s not,” he claims. “In the mistakes, you find little gems and go, ‘Whoa, that’s amazing. What did I just do?’ Then, you start discovering these things that are screaming out to come out subconsciously and, all of a sudden, you can start to create beautiful moments with those subconscious things that are trying to speak through you.”

In Avengers: Infinity War, Notary has the unique challenge of playing two wildly different characters on screen. As both Groot and Cull Obsidian, he found himself discovering, not how to play the roles of both hero and villain, but also creating different mannerisms as well. In the end, however, Notary enjoyed the challenge, seeking to learn something about himself as well.

“I love working with that… I don’t see it as strange to play these two very different characters. It’s kind of fun,” he says. “When I put the nametag on for Groot, it’s totally different than when I put the name tag on for Cull Obsidian. They’re totally different creatures. With every character that I play, I try to find something out about myself. I try to always learn about who I am by making the mistakes of the character and trying to figure out who or what it is.”

“Then, I just go on walks on the beach and I’ll just start really tapping into who it is or what it is. For me, Cull had this a voice and intelligence. He had an inner dialogue that was going on. You kind of get a sense that this is not a hulking, brutish crusher without any feeling. He’s actually got a lot of feeling going on, which I think is really fun with that character. Once I found that voice inside, then I had this internal dialogue and I could just be in my own world and play the world, as I thought, through his eyes.”

Given the advancements in both technology and ability in motion capture technology, there has been much discussion in recent years about whether or not these actors should be recognized come awards season. In light of this, Notary feels that, ultimately, the technology does not interfere with the authenticity of the actor’s performance.

“What I tell people when they ask me that question is [that] you should watch the performance without the Ape.,” he contends. “I had scenes with Andy [Serkis] where I said, ‘Holy mama! What was that? Where did that come from?!’ then, you know, I don’t even think they can translate some of that goodness yet within these characters. The grading system—or however they decide—should be viewed on the performance, the actual actors with the camera on. Then, they can watch that performance and ‘OK, I see it. It’s all on camera. It’s all in the shots. It’s all there. We thought it would be great to just watch the movie with just us in our performance capture suits, because I’m sure it’s really interesting. So, my answer to that is absolutely yes. I think that once people feel that someone’s performance is being tweaked or modified, that it’s not a true performance. But I think when you see the performance in its original state, you would change your mind on that.”

Over the years, Notary has been involved with a number of high profile projects, such as Avatar, The Hobbit, and Planet of the Apes reboot trilogy. When asked if there has been anyone who particularly mentored him in his process as an actor, he speaks highly of many of the directors with whom he’s had the privilege to work.

“When [James] Cameron called me up and said he wanted me to come down and read this script called Avatar, I was honored…,” Notary remembers. “He’s a great director because he’s really good at pushing people to become the best that they can be. He expects that. He hired me on the spot when we had our conversation after I read the script. [Avatar] was his baby of 10 years that had all this incredible technology and groundbreaking, cutting edge stuff that was going to happen and he trusted me. I went home and I just started doing research, studying tribes and this and that. I just poured myself into it because of his belief in me. He sort of instilled this sort of belief in myself that I could do it and I owe him a lot for that by actually trusting me.”

“It’s the same with Peter Jackson,” he continues. “I worked with him for two years on the Hobbit trilogy every day and he became a good friend and a mentor. We jumped on the film and we just liked fixing things together. He became like a mentor to me as well and he’s inspired me to direct my first film. There’s been quite a few. Matt Reeves is another. He’s just been really cool friend and you know, I think it’s about like, like if you’re a musician and you hit the gym with good musicians, you become better.”

Avengers: Infinity War is in theatres now.

For full audio of our amazing conversation with Terry, click here.

Meet The Rocket Man: 1on1 with Sean Gunn (AVENGERS: INFINITY WAR)

by 2 Comments

While he is perhaps best known from his time playing the affable Kirk Gleason in Gilmore Girls, Gunn has stepped into the forefront recently for his role as Kraglin in the Guardians of the Galaxyfilms. However, he has also found himself in the unique position of serving as physical stand-in for CGI fan-favourite Rocket the Raccoon as well. As Gunn prepares for the return of Rocket in Avengers: Infinity War, he credits his brother, Guardiansdirector James Gunn, for bringing him into the Marvel Cinematic Universe.

“Really, it was when my brother got involved,” he starts. “I know that my brother, James, was at a point in his career where he was a little down on directing movies because it was such a hard job to get it on one of these big tent-pole movies. Then, when he ended up being up for Guardians, getting that job, I was totally ecstatic for him.”

“I play both Kraglin on-screen and I also play Rocket [the Raccoon] on-set. That kind of came about during the first movie. [James] and I had worked together so much on various things in our career and he knew that he wanted an actor that he knew, trusted and had worked with to be able to play Rocket on set so that he’d have a real actor there to do it and not just a tennis ball on a stick or a PA holding up script in their hands or something like that. So, he asked me to do it and we ended up kind of figuring out on the go what the method was for that to work. Then, it turned out that it was basically me just getting down on my hands and knees and playing Rocket just as though he was there and it was really helpful to the other actors and the visual effects team. They weren’t able to use me for reference them when they started to animate the character and then I think it was a matter of ‘if it ain’t broke, don’t fix it’. So, then you know, it worked so well for the first movie that I ended up doing it again for Guardians Vol. 2and then for both Infinity Warmovies as well.”

Though most people associate Rocket the Raccoon with Bradley Cooper who supplies his voice, it’s Gunn’s work that lays the groundwork for the performance. By providing much of the physical acting for the character, Gunn appreciates the hard work of the animators who can take his movements and bring Rocket to life.

“I play Rocket the entire time on-set…,” he recalls. “Then, the visual effects team then goes in and they start to put together a draft based on what I did–our movements, hand movements, and particularly my face, some facial expressions, things like where Rocket’s looking… For just little things like that, the animators will use what I’m doing as a reference. Then, later Bradley Cooper comes in and he does the voice of the character and they can change things then. He’ll flesh the character out and sort of put his thing on it and then if they want to make some changes based on either what he’s doing or some combination thereof, they can make those changes at that point as needed.”

Of course, playing two different characters within the same film brings its own set of challenges as well. During scenes where Rocket and Kraglin shared screen time, Gunn claims that he had work twice as hard in order to be prepared.

“There are four different scenes where [Rocket and Kraglin] are not only together [in Vol. 2], but they both have dialog. We really would just kind of shoot around each character and plug me in as much as we could. I always think that the preparation and focus are the most important components to go to acting on set and I had to sort of double my preparation and double my focus on those days. It wasn’t easy because I can’t really squat down as Rocket in Kraglin’s wardrobe. So, I was also having to do these costume changes where I would get and jumpsuit, which is a little stiff and hard to maneuver, and into my Rocket sweats, which is basically a track suit that I’m wearing. So yeah, we’d just have to go back and forth. We’d really have to just take a little longer to shoot and I would be doing the scene twice from the point of view of each character.”

Of course, the Guardians franchise signaled a shift in tone for the Marvel Cinematic Universe upon its release. While offering more humour and brighter colour schemes than other franchises (and not to mention the best soundtracks in the MCU), the most interesting thing about the Guardiansfranchise has been its ability to help audiences fall in love with the anti-hero. When asked about whether he feels this franchise looks for the good in the ‘bad guys’, Gunn argues that the backstories of characters like Rocket gives them the chance to explore what it means to be a hero.

“Well, I certainly don’t view them as bad guys,” he explains, “but they’re not motivated by altruistic qualities the way that the Avengers are certainly… But, I agree with your premise that over the course of the movies, I think the arc of those characters are still learning to identify the goodness that’s already inside of them. I think they’d had lives that have encouraged them to squash the goodness, like Quill living with the Ravagers or Rocket having been where he’s been, sort of lonely most of his whole life. They’ve been encouraged to not think about the good inside of them so I think part of the movies is them finding that.”

Having worked with an ensemble cast on Guardians, his experience on Avengers: Infinity Warmoves to another level entirely. Billed as the ‘largest cross-over event in history’, the film features most (if not all) of the major characters that Marvel has introduced to audiences over the last decade. Nevertheless, Gunn believes that the film honours each character and hopes that the fans agree.

“There are a lot of characters and I think that that’s handled particularly well over the course of the two movies–which, if I can’t talk about the first one, imagine how little I can say it about the second one,” he muses. “We filmed them back to back. There’s still some additional photography to do for the second movie as is always the case and but I think the way that that issue of all these different characters participating in one story is really interesting and I think it works really well. We’ll have to wait and see what people think about. It certainly is a lot of balls in the air to juggle.”

Providing the motivation for the Avengers to assemble this time is the impending threat of alien overlord, Thanos. Hell-bent on destroying the universe, Thanos’ quest for the Infinity Stones is rumoured to give the film a darker tone than other entries into the MCU. Despite its intensity, Gunn also feels that Infinity Waralso balances it with Marvel’s trademark humour.

“I haven’t seen the movie yet so I’ve got to start with that,” he begins, “but I do think that it has a heaviness to it that I think is super cool. I think it’s warranted, personally. I mean you can’t have all these disparate franchises that you’re tying together under one massive banner and be sort of glib about it. I think that these movies are going to be serious. There’s certainly plenty of comedy though. I mean, you know, we have the Guardians in there. We’ve got the crew from Ragnarok in there. I think there’s a lot of laughs, but I think the overall tone of piece is not super light. I think fans will like that because it’s pretty serious. Thanos is serious business.”

Furthermore, one of the highlights for Gunn of working on Infinity War was the opportunity to combine the Guardians crew with a more diverse cast, allowing new interactions and conflicts.

Says Gunn, “I think every actor in one way or another helps define who the character you’re playing is, particularly from Rocket’s point of view. Rocket has been in space his whole life. He knows very little about Earth or the people who live there other than what he knows through his friendship with [Peter] Quill. So, his whole relationship to the earth is based on what Quill has told him and when he comes across any of these people from the Avengers universe, he has a very different perspective of them than any of us would have of them from down here. If anything, I think they’re not quite so impressive to Rocket.”

With his success in the Marvel Universe and Gilmore Girls, one might wonder what Gunn hopes to do next. Still, rather than get preoccupied with what is to come, he prefers to simply focus on looking for great stories to help bring to life.

“I try not to prognosticate or wish too much about where my career is going to go because then you’re only setting yourself up for disappointment. I’ve been very, very lucky to work with incredibly talented people with my brother in Guardians, with the Russos and everyone else they’re working with on Avengers and the list goes on and on, but also with Amy Sherman-Palladino and her husband, Dan, on Gilmore Girls. They’re such great writers and I’ve been so lucky and I really just try to chase the words. I think story is king still. Good stories and good content still rule the day and I just want to keep doing stuff like that. I’d love to revisit Kirk on Gilmore girls if we ever make more, which I don’t think would happen anytime soon. I’d take a look at the character again at some point down the line. I’d love it.”

To hear full audio of our conversation with Sean, click here.

Avengers: Infinity War opens April 27th, 2018.

Spider-Man -Homecoming: Webswinging Fun

by Leave a Comment

With great homework comes great responsibility.

Spider-Man: Homecoming brings us back to Peter ‘s high school years (he’s fifteen) as he tries to balance his family, friends, homework, and an ongoing application to join the Avengers.  Publicly claiming to be a member of the ‘Stark Internship’, young Peter is secretly being mentored by Tony Stark (Robert Downey Jr.) in the ways of being a ‘friendly neighborhood’ superhero.  However, when Peter stumbles across a plot to sell pieces of alien technology to local criminals, he is drawn into a battle that forces him to ask hard questions about his identity and calling.

Although he made his debut in the Marvel Cinematic Universe in last year’s Civil War, Homecoming is Spidey’s true introduction to the world of the Avengers.  In a move that many felt would never happen due to Sony’s ownership of the film rights, allowing Spidey to join the MCU was easily the smartest decision that the company could have made.  By joining forces with Marvel, Sony frees itself of rebooting their franchise for the second time while also allowing access to iconic characters such as Iron Man and Captain America to make appearances.

Through its heavy emphasis on Spidey’s high school adventures and Holland’s contagious enthusiasm, Homecoming manages to pull off the one thing that seemed impossible for this franchise: it feels fresh.  Similar to his experience on the original Iron Man, Downey Jr. has compared the environment behind the scenes as one of freedom and creativity and the results appear onscreen.  This film has all the pop and flash of other Marvel entries yet also carries with it the teen angst of a John Hughes ‘coming-of-age’ film.  (In fact, there is even a brief reference to Ferris Bueller’s Day Off.)  In other words, despite the Avengers, alien technology and a villainous Vulture (an energized Michael Keaton), it’s the realities of Spidey’s youth and inexperience that are front and center here.

As the film opens, Peter is filled with excitement and the mammoth aspirations of becoming an Avenger.  With superhero glory in full view, Peter has begun to lose sight of his everyday life and responsibilities. (“I am so far beyond high school right now,” Peter argues.)  Desperate to prove that he’s more than ‘just a kid’, Peter feels boxed in by Stark’s ‘training wheels protocols’ and tries to force his way up the superhero ladder.  (“I hate that Mr. Stark keep treating me like a kid!” he exclaims.)

But Peter’s immaturity prevents him from recognizing the value of the ‘small’.

In a world of Galaxy Guardians and Incredible Hulks, Homecoming is a reminder of the importance of those things and people that so many believe to be unremarkable.  Though Peter may be able to hold a ship together, he also must do his homework.  Though he wants desperately to be fight alongside Iron Man, he also needs to stop a local bicycle thief.  Though Vulture is stealing alien technology, so much of his motivation lies in simply getting by financially.  Gone are traditional MCU tropes like world domination and government conspiracies in favor of dinners with Aunt May and struggling to pay the bills.

In a story that echoes Jesus’ call to let the little children come to Him, Homecoming reminds us that everyone’s story matters, regardless how small.  The responsibility to care for the most seemingly insignificant people of the world carries the same importance as saving the entire planet.  (In fact, one of the film’s most subtle but significant moments comes through Happy Hogan (Jon Favreau), Stark’s driver, as he confesses to Peter that, “I really don’t know what I would do without this job [working for Tony].”  Despite the fact that we’ve known him to do amazing things with his superhero billionaire, he too is simply a man who needs help.)  Moreover, as Peter realizes the value of the ‘small’, he is solidified as a true hero, not just to the world but to everyone.

Because there is power in being the ‘friendly, neighborhood Spider-Man.’

CROSSOVER Podcast! Unifying a CIVIL WAR

by 6 Comments

captain2

This week, on a very special crossover episode of the podcast, we join forces with Mikey Fissel (Reel World Theology) and Pastor James Harleman (Cinemagogue) to discuss the biggest film of the summer – CAPTAIN AMERICA: CIVIL WAR! We discuss everything from post-modern ideology to that airport fight. Don’t miss it!

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

2.15 Captain America – Civil War

Captain America 3.0: Dents in the Armor #SPOILERS

by 10 Comments

captain2A year ago, as ScreenFish was born, we rallied to cover Avengers: Age of Ultron. I had glowing things to say about this popcorn genre film that reached for the stars and shared a vision of our humanity. A year later, Marvel/Disney dropped close to our anniversary, and my partners in crime were awestruck.

I, on the other hand, refuse to drink the Marvel Kool-aid. Without further ado, here’s my dissection of the film- it’s not for the faint of heart (or those trying to avoid spoilers.) You’ve been warned.

Yes, there were some high points to the film. Let’s hit those first.

captain3Chadwick Bozeman might be the big winner here. T’Challa has always been on the cool, mysterious side of the Marvel Universe, but as the only character in the film to show a single ounce of character development, I couldn’t be more excited to see the standalone Black Panther film. As one of my fellow theater goers commented, “That’s how you introduce a new character, DC!” [This went better than their use of Nemo (Daniel Bruhl), who suddenly switched from timeless Nazi to low-level Sovakian military. Or the promotion of Ross (William Hurt) from General to Secretary of State. Hello, Red Hulk?]

Tom Holland (Spider-Man) and Paul Rudd (Antman) tie for secondary awards. These two brought the customary Marvel sense of humor and panache to the second half of the film that was missing in the first. [Yes, this also highlights the bi-polar “two parter” segmentation of the film. And the fact that they spent almost 2.5 hours setting us up for a showdown and let the tension dissipate without reconciliation? That’s just poor.] Stan Lee’s cameo here might be his best yet- yes, Tony stank!

captain4

Visually, the film takes us to some cool places – just not as cool as the upcoming Doctor Strange film. There were some solid battles. Crossbones (Frank Grillo) versus Cap’s undercover team was solid [Crossbones was the baddest villain in the film]. While I’m over the good guy versus good guy battles (thanks, Batman V Superman), the final confrontation between our heroes might have actually been one of the best. Again, unfortunately, in a good versus good battle, the writers can’t make us believe that any of them really give up any ground because they need them for their solo outing.

In the comics, the action is caused when a group of rough-around-the-edges superheroes pull a television stunt that ends in tragedy. You might say that Scarlet Witch’s tragic rescue of Captain America carries more direct weight because they’re principal heroes, and I’d accept that. BUT, in the comics, the forcibly divisive law put into place was the Superhuman Registration Act. This is wildly more politically charged than the Sokovia Accords because it was about identity and the families of masked superheroes.

For what it’s worth, it’s interesting to note that the current Republican frontrunner is promoting growing legislation about ‘registration,’ even though Republicans have historically been more interested in local government and individual responsibility. In Civil War, Cap’s questions about responsibility crash into the armor of Stark’s own personal interaction with the mother of a man lost as collateral damage. The head versus heart argument might apply here, but the film doesn’t ask us to care too much about any of these characters in poignancy or emotional depth.

Spider-Man-3-1200x632

The Sokovia Accords divides our heroes because of collateral damage, but forces the plot around the Winter Soldier storyline while also ignoring the responsibilities of pro- registration heroes when it comes to innocent lives.

Seriously, Iron Man is infuriated over the death of his parents twenty-five years ago, at the hands of a guy who wasn’t in control of his own actions, but his pet android gets all mushy, paralyzes his best friend, and he ignores the implications? Please. [For the record, yes, comic fans know these two mismatched, star-crossed lovers can tangle, but cooking with paprika was a little weird.]

Seriously, this no-name villain with no powers, no help, no plan, no NOTHING, is able to manipulate two friends who’ve battled universe-destroying, villainous armies into nearly killing each other? At least in Batman v Superman, Luthor had an actual plan, continually manipulated, and had a host of financial resources tied to his character. [No, that doesn’t make B v S a better movie, but it did provide us with a more reasonable explanation of the conflict, and the tension.] Zemo is a weak villain – and one which highlights the Cap versus Iron Man divide.

That leads to my largest frustration of the whole film: that superheroes would turn so dark. I wasn’t thrilled with Affleck’s Batman obsession with taking down Superman, but I wonder where we’ve gotten to when we would actually have people leave the theater on #TeamIronMan? Seriously? This guy was an inch away from killing Cap, and Bucky. Sure, they’re beating on each other, but Cap draws the line at incapacitation. Where’s Iron Man’s line? Is this where we begin to see Marvel delve into his alcoholism? What separates Iron Man from Zemo, as men bent on revenge after a major injustice? Thankfully, Cap can at least look himself in the mirror.

CivilWar571fee863dfd0I am well aware that this film will bust charts (although at my theater, it was nowhere near The Force Awakens) but this film SCREAMED marketing spinoff for some new characters – and obvious sellout for Infinity War. Was it as telegraphed as the T’Chaka hand-on-cheek moment with T’Challa before he’s blown to bits? I’m not sure. But for all its smoke and mirrors, Captain America: Civil War qualifies as the low point for Marvel’s scriptwriting as far as I’m concerned.

Where Age of Ultron challenged us to grow, Civil War simply allows us to sink back into our own baser instincts, without challenging us to see heroism in our ability to grow.

[Oh yeah, and I’m #TeamCap.]

Captain America Civil War: Friendship vs Vengeance (SPOILERS)

by 14 Comments

For months now we have seen the Civil War marketing ask us one question: whose side are you on? #TeamCap or #TeamIronMan has taken social media by storm and it allows fans to have a different sense of interaction before the film releases. It also brings about the inevitable “how does the film compare to one that was released not too long ago that also had a hero vs hero battle?” So let’s get that out of the way. Where Batman v. Superman: Dawn of Justice fails Captain America: Civil War succeeds. The story is deeper, the conflict more believable, and no one stops fighting because of Martha! Does that make this film a perfect film? Of course not! However, Civil War may just be the best superhero film to come out since The Dark Knight. And in my opinion, make no mistake about it, this is not Avengers 2.5; it is very much a centralized Captain America film.

So here we go . . .

But first I will warn you: this is a spoiler filled review. As I sit back and think of the film, I can’t do my review justice without going into great detail as to why the film is great and where it was also lacking. In other words….

***SPOILERS AHEAD, WATCH THE FILM FIRST OR BE SPOILED***

As I said in my preview, Civil War comes from the comics, but the details and story is completely different. The foundation is there, but the Marvel Cinematic Universe creates a new story that frankly has been building up for quite some time. In Avengers, New York suffered and lives were at stake and possibly lost. But the Avengers saved them and they were grateful. Then Winter Soldier brought about destruction in Washington D.C. and the fall of S.H.I.E.L.D. More lives lost and in the middle of it, people with superpowers. Then Age of Ultron brought us Sokovia, and the devastation to a small country already hurting from years of wars takes the Avengers off American soil and into international borders. In all of this, there was always a conflict in terms of people’s ideologies, and it always came down to Steve Rogers and Tony Stark (the conservative vs the liberal). However, there was always something that brought them back together in an understanding that they are friends and on the same side. But what happens when they come to a fork in the road and they are forced to choose which road to take?

Avengers at Headquarters
The Sokovia Accord (It’s Just Politics)

That is how Civil War starts. An Avengers mission led by Captain America with his new Avengers team (War Machine, Black Widow, Scarlet Witch, Falcon, Vision) and the worst thing that can happen does. Innocent lives are lost and the world governments have had enough. But let’s be honest here: this isn’t about all the lives that were lost as if it is a humanitarian effort. This is about which lives were lost. Among the dead were missionaries from Wakanda, a small but powerful African nation that lives in seclusion. Missionaries that are rarely out since Wakanda keeps to itself are lost, and that driving force causes the world leaders to determine action needs to be done immediately in order to not have full backlash from the situation. This is a political agenda all the way through. I do wish, though, that what makes Wakanda so important to the United Nations would have been touched upon more. I guess that is for another film . . .

When presented with the Sokovia Accord that tells the Avengers to either be soldiers for the United Nations or quit, Steve Rogers is against it (no surprise here). His whole life as Captain America has dealt with nothing but corrupted governments and people with political (or worse) agendas. If he signs, his right to choose is gone. His moral obligation is put in check if the United Nations decides he can’t go and help somewhere. Meanwhile, Tony thinks the opposite. Too many lives have been lost because the Avengers are not put in check. Steve and some others decide that it is in their best interest to just quit. But when we are called for something greater, even when we want to walk away, we are pulled back in.

Friendships Gained; Friendships Lost

Enter the real conflict of the film–not a political stance of whether the conservative or liberal is correct. This is because Civil War does a great job in leaving you at 50/50 when it comes to #TeamCap or #TeamIronMan. The real conflict in the film is fueled by both friendship and vengeance. The King of Wakanda is killed at the UN signing of the Sokovia Accord. It is believed that Winter Soldier did it, and Steve can’t believe it. He is quickly back in gear in an attempt to find his childhood friend before General Ross and his soldiers find him first. This act now makes him a criminal since he is acting outside of the law, but he needs to know if it really was Bucky or if someone is controlling him again. On the flip side, Black Panther makes his appearance as he seeks vengeance for the death of his father. In the middle is Tony Stark trying to save his friend Steve while also doing his job and capturing Bucky. It brings about some great and intense chase scenes and battles between all the heroes.  The conflict increases as Cap stops Panther from killing Bucky, and both (along with Falcon) are taken into custody.

#TeamCap Fights

Of course, the other wrinkle to the story is added in, and Bucky escapes (as do Cap and Falcon)–but not before Cap discovers that someone else is responsible for everything. He finds Bucky, finally in his right mind, and puts together his team (Winter Soldier, Falcon, Scarlet Witch, Hawkeye, and Ant-Man) to go after the real villain. They understand that by doing so, they are outside of the law. What makes Rogers such a great leader is that there is a confidence and understanding that he wouldn’t go outside of the law if not for good reason. It is why Hawkeye comes out of retirement. It is why Ant-Man is willing to fight by his side. And it’s also why Scarlet Witch is willing to put away her fears and follow him. They all have reasons not to help Bucky, and those would all be good reasons. However, if Cap vouches for him, then a new friend is gained and they are willing to fight by his side.

NEahJr6MIHa4de_2_b
Meanwhile, Tony is given 36 hours to bring Cap and his team in or a shoot to kill man hunt will follow. He discovers where they are and brings his team (War Machine, Vision, Black Widow, Black Panther, and Spider-Man). This brings about probably the best on screen superhero battle in a while. It was simply amazing how they were able to centralize some of the fights. One on one battles between Black Panther and Captain America, Spidey and “insert whoever,” and best of all, watching Ant-Man go all Giant Man (YES!) was simply amazing. Of course, for me, Spidey stole the scenes as his young banter was Spider-Man to a T. It’s possibly the best representation that showed his strength, humor, agility, and weaknesses all in one. He’s a teenager that had no business in the fight, but held his own against them all (oh, and his intelligence really helped as well). The airport scene was simply a joy to watch even though the heroes are on two different ends of the spectrum. In the end, Cap and Bucky get away as the rest of the team is left to sacrifice themselves for the greater good (i.e they are captured and put in a supermax prison). What was once the mighty Avengers, for now, is over. Conflict has brought about catastrophe.

Vengeance Destroys All

CivilWar571fee863dfd0
So here we are, the final act of the film. Friendships have been torn, but over what? Captain’s whole mission is to save his best friend, even if it meant separating from his other friends. His cause is righteous even if it means going outside the law to prove it. The others only see a man trying to save his best friend from his crimes. They think Bucky is guilty until Tony finally uncovers the truth. Bucky is innocent (of at least this incident), so he goes on his own as a friend. You see, friendship is a strong rope that many can cling on to. Sometimes it can get slippery, but it’s there. However, there is always someone who prefers to cut the rope than to see a strong bond remain strong. And in this final act, a survivor from Sokovia from the Zemo family has been doing exactly that. They cut the rope until in the final act, it finally goes through. The truth of how Howard Stark and his wife died is shown to Bucky, Cap, and Tony. Of course, Tony finds out that Cap already knew: Winter Soldier killed Tony’s parents. The cord of friendship is cut. Vengeance now fuels Tony, and frankly, watching two different super soldiers fight a man in a suit of armor is pretty great to see. It is an extremely bloody fight that in the end no one really wins. Sure, Cap beat Tony, but he didn’t win. Nothing was gained from it, and that is sad. It is my gripe with the film in that there was no redemption for either Tony or Cap. Both accepted the outcome, but their friendship is never going to be the same. Cap chose Bucky, he then breaks his team out of prison, and although Tony may have visually come to a point of acceptance, there is no doubt that forgiveness is still far away.

Redemption Found

CivilWar56e1af9f673d5
It is in the midst of this fight that my favorite character of the film truly shines (and he’s truly great throughout the whole film). Black Panther followed Tony to the compound. Vengeance still fueling his mission, until the truth is discovered, he captures Zemo, but not before an outstanding monologue on the very dangers of that vengeance. It fueled Zemo, it fueled Black Panther, and it fueled Iron Man in the end. This brought about great catastrophe as it spiraled around. Here was the message of redemption. Here we find the truth and parallel of sin. Left unchecked, it devours not just the person, but much more. There is a reason why God tells us to leave vengeance to Him: man is not equipped to handle it. Our decision process is thrown off course and until the truth is presented to us, we destroy things in our path. The truth is the cure to all evil and is a hard pill to swallow sometimes, but life in the truth ultimately is more peaceful and better than life filled with lies. Jesus said He is the way, the TRUTH, and the life…because life in Him makes life easier to handle (note: not easy, just easier).

Civil War is an action packed blockbuster with an outstanding story. I think that’s what made it so great. It took what was already there, then expanded on it. The conflict was not forced but very real and very believable. So much went on that I couldn’t even touch on the Vision and Scarlet Witch relationship! With all the characters in it, it was still very much a Captain America film with a centralized story that revolved around him and his virtue; the others were just bonus.

Like all Marvel films, I hope you stayed for the credits. I can’t wait to see those two have their solo films!

So what did you think of Civil War?