A Talent for Murder: Mirren’s madness takes on Ehrenreich’s ego
Very quickly, this becomes a battle for his soul.
Very quickly, this becomes a battle for his soul.
Atop the vast mountains of the Himalayas is a story that’s more than about conquest and man’s ability to triumph.
At TIFF, the magic happens after the credits roll.
There’s something truly special about this film that keeps things silly, even at its most serious.
Baruchel never allows his daredevil to feel anything but grounded.
Sunburn feels like Toronto. More importantly, it feels like somebody loves Toronto.
In a cinematic landscape where sex workers, particularly queer and Indigenous workers, are so frequently represented through trauma, a simple act of recognition feels remarkably meaningful.
“I wanted to escape from this eternal dialectic between the colonized people and those who have colonized us.”
The Difficult Bride understands the exhilaration of saying no. I am less convinced it understands the responsibility of choosing what comes next.
Shum understands that independence can be frightening and uncertain, while security can be seductive. But what good is having everything if none of it belongs to the person you actually want to be?
How We Stand has the cast, the ideas and cinematic ambition of a great film- or perhaps even a limited series. What begins as an intriguing family mystery ultimately becomes overwhelmed by everything it wants to say.
If anyone was going to convince me that we needed another adaptation of Carrie, it was Mike Flanagan.
Canada has plenty of mythology, landscapes and communities capable of inspiring great genre storytelling. Below understands that we don’t need to look anywhere else.