ScreenFish

where faith and film are intertwined

spider-man

Spider-Man: Far From Home – Starting Over

by Leave a Comment

The post Endgame era of the Marvel Cinematic Universe is here.

After the universe changing events of Avengers: Endgame, Marvel ushers its new era with their next solo star, Spider-Man, on his own is a multi-million dollar marketing machine. Ever since Tom Holland’s first appearance as Spidey/Peter in Captain America: Civil War, he has exemplified what had been missing on screen with the character. He’s all Peter Parker and all Spider-Man at once. This film is no different.

Spider-Man: Far From Home brings together both the witty humor of Marvel and Spidey. The film’s action and visuals are stunning and provide ‘edge of your seat’ fun. The adventure and, for the most part, the story is good. Jake Gyllenhaal gives a superb performance as Mysterio and gives us a great example of being aware of a wolf in sheep’s clothing. (I mean, it is Mysterio after all.) As Matthew 7:15 reads, we need to beware because things aren’t always what they appear. In the Marvel world, with all that has gone on, it is easy to let one’s guard down, especially when you have a burden that is too hard to carry. Still, if you do fall for someone’s lies, we must have the strength to get up and trust that He who put you there believes in you and knows it is not more than you can handle.

Spider-Man in Columbia Pictures’ SPIDER-MAN: ™ FAR FROM HOME

Overall, the film offers exactly what you’d expect from Marvel–and therein lies the problem. As the first film beyond Endgame, one would expect some emotional carry over, especially considering the relationship they’d established between Tony and Peter. However, the film was a bit too much about Tony and not enough of just Peter. And as good as Gyllenhaal was, what motivates his character is the same trope as the first Spidey film and all three Iron Man films basically. By giving the same cookie cutter villain after they nailed it with Killmonger and Thanos leaves one feeling unfulfilled in a film that could (and should) be great and memorable. In a sense, this was the film to be free of the “Stark Crutch” and it partly felt it was more about Stark than Peter.

Spider-Man: Far from Home is a fun and action packed adventure and, if you love Marvel films, you’ll love it. 

5.09 Is MARY POPPINS RETURNS Practically Perfect?

by Leave a Comment

After 60 years, Mary Poppins Returns! With Emily Blunt stepping into the legacy (and Oscar-winning) legacy of Julie Andrews, Poppins automatically has massive expectations to live up to the charm of the original Disney classic. But, is the result practically perfect? Or does the sequel ‘go fly a kite’? In a supercalifragilisticexpialidocious conversation, I’m joined by Seeing and Believing co-host, Kevin McLenithan to discuss whether or not this film ’steps in time’ to the original, power of perspective, and—in a special segment—our Top 3 Movie Moments of 2018.

You can also stream the episode above on podomatic, SoundCloud or on Spotify! Or, you can download the ep on Apple Podcasts, Google Play or more!

5.09 Mary Poppins Returns

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

Thanks Kevin for joining us!

GIVEAWAY: AVENGERS – INFINITY WAR!

by 17 Comments

The War has begun…

In Avengers: Infinity War, Iron Man, Thor, the Hulk and the rest of the Avengers unite to battle their most powerful enemy yet — the evil Thanos. On a mission to collect all six Infinity Stones, Thanos plans to use the artifacts to inflict his twisted will on reality. The fate of the planet and existence itself has never been more uncertain as everything the Avengers have fought for has led up to this moment.

The winner will receive a copy of the Avengers: Infinity War 4K Ultra HD/Blu-ray Combo Steelbook Edition.

To enter, simply like or share our post on Facebook and answer the following question in the comment section: Which Infinity Stone (Time, Space, Soul, Power, Mind or Reality) would you use first and how?

For a bonus entry, like or share the post on Twitter and Instagram.

All entries must be completed by 11:59pm on Monday, August 13th, 2018.

 

Avengers: Infinity War will be unleashed on Blu-Ray on Tuesday, August 14th, 2018

Meet The Rocket Man: 1on1 with Sean Gunn (AVENGERS: INFINITY WAR)

by 2 Comments

While he is perhaps best known from his time playing the affable Kirk Gleason in Gilmore Girls, Gunn has stepped into the forefront recently for his role as Kraglin in the Guardians of the Galaxyfilms. However, he has also found himself in the unique position of serving as physical stand-in for CGI fan-favourite Rocket the Raccoon as well. As Gunn prepares for the return of Rocket in Avengers: Infinity War, he credits his brother, Guardiansdirector James Gunn, for bringing him into the Marvel Cinematic Universe.

“Really, it was when my brother got involved,” he starts. “I know that my brother, James, was at a point in his career where he was a little down on directing movies because it was such a hard job to get it on one of these big tent-pole movies. Then, when he ended up being up for Guardians, getting that job, I was totally ecstatic for him.”

“I play both Kraglin on-screen and I also play Rocket [the Raccoon] on-set. That kind of came about during the first movie. [James] and I had worked together so much on various things in our career and he knew that he wanted an actor that he knew, trusted and had worked with to be able to play Rocket on set so that he’d have a real actor there to do it and not just a tennis ball on a stick or a PA holding up script in their hands or something like that. So, he asked me to do it and we ended up kind of figuring out on the go what the method was for that to work. Then, it turned out that it was basically me just getting down on my hands and knees and playing Rocket just as though he was there and it was really helpful to the other actors and the visual effects team. They weren’t able to use me for reference them when they started to animate the character and then I think it was a matter of ‘if it ain’t broke, don’t fix it’. So, then you know, it worked so well for the first movie that I ended up doing it again for Guardians Vol. 2and then for both Infinity Warmovies as well.”

Though most people associate Rocket the Raccoon with Bradley Cooper who supplies his voice, it’s Gunn’s work that lays the groundwork for the performance. By providing much of the physical acting for the character, Gunn appreciates the hard work of the animators who can take his movements and bring Rocket to life.

“I play Rocket the entire time on-set…,” he recalls. “Then, the visual effects team then goes in and they start to put together a draft based on what I did–our movements, hand movements, and particularly my face, some facial expressions, things like where Rocket’s looking… For just little things like that, the animators will use what I’m doing as a reference. Then, later Bradley Cooper comes in and he does the voice of the character and they can change things then. He’ll flesh the character out and sort of put his thing on it and then if they want to make some changes based on either what he’s doing or some combination thereof, they can make those changes at that point as needed.”

Of course, playing two different characters within the same film brings its own set of challenges as well. During scenes where Rocket and Kraglin shared screen time, Gunn claims that he had work twice as hard in order to be prepared.

“There are four different scenes where [Rocket and Kraglin] are not only together [in Vol. 2], but they both have dialog. We really would just kind of shoot around each character and plug me in as much as we could. I always think that the preparation and focus are the most important components to go to acting on set and I had to sort of double my preparation and double my focus on those days. It wasn’t easy because I can’t really squat down as Rocket in Kraglin’s wardrobe. So, I was also having to do these costume changes where I would get and jumpsuit, which is a little stiff and hard to maneuver, and into my Rocket sweats, which is basically a track suit that I’m wearing. So yeah, we’d just have to go back and forth. We’d really have to just take a little longer to shoot and I would be doing the scene twice from the point of view of each character.”

Of course, the Guardians franchise signaled a shift in tone for the Marvel Cinematic Universe upon its release. While offering more humour and brighter colour schemes than other franchises (and not to mention the best soundtracks in the MCU), the most interesting thing about the Guardiansfranchise has been its ability to help audiences fall in love with the anti-hero. When asked about whether he feels this franchise looks for the good in the ‘bad guys’, Gunn argues that the backstories of characters like Rocket gives them the chance to explore what it means to be a hero.

“Well, I certainly don’t view them as bad guys,” he explains, “but they’re not motivated by altruistic qualities the way that the Avengers are certainly… But, I agree with your premise that over the course of the movies, I think the arc of those characters are still learning to identify the goodness that’s already inside of them. I think they’d had lives that have encouraged them to squash the goodness, like Quill living with the Ravagers or Rocket having been where he’s been, sort of lonely most of his whole life. They’ve been encouraged to not think about the good inside of them so I think part of the movies is them finding that.”

Having worked with an ensemble cast on Guardians, his experience on Avengers: Infinity Warmoves to another level entirely. Billed as the ‘largest cross-over event in history’, the film features most (if not all) of the major characters that Marvel has introduced to audiences over the last decade. Nevertheless, Gunn believes that the film honours each character and hopes that the fans agree.

“There are a lot of characters and I think that that’s handled particularly well over the course of the two movies–which, if I can’t talk about the first one, imagine how little I can say it about the second one,” he muses. “We filmed them back to back. There’s still some additional photography to do for the second movie as is always the case and but I think the way that that issue of all these different characters participating in one story is really interesting and I think it works really well. We’ll have to wait and see what people think about. It certainly is a lot of balls in the air to juggle.”

Providing the motivation for the Avengers to assemble this time is the impending threat of alien overlord, Thanos. Hell-bent on destroying the universe, Thanos’ quest for the Infinity Stones is rumoured to give the film a darker tone than other entries into the MCU. Despite its intensity, Gunn also feels that Infinity Waralso balances it with Marvel’s trademark humour.

“I haven’t seen the movie yet so I’ve got to start with that,” he begins, “but I do think that it has a heaviness to it that I think is super cool. I think it’s warranted, personally. I mean you can’t have all these disparate franchises that you’re tying together under one massive banner and be sort of glib about it. I think that these movies are going to be serious. There’s certainly plenty of comedy though. I mean, you know, we have the Guardians in there. We’ve got the crew from Ragnarok in there. I think there’s a lot of laughs, but I think the overall tone of piece is not super light. I think fans will like that because it’s pretty serious. Thanos is serious business.”

Furthermore, one of the highlights for Gunn of working on Infinity War was the opportunity to combine the Guardians crew with a more diverse cast, allowing new interactions and conflicts.

Says Gunn, “I think every actor in one way or another helps define who the character you’re playing is, particularly from Rocket’s point of view. Rocket has been in space his whole life. He knows very little about Earth or the people who live there other than what he knows through his friendship with [Peter] Quill. So, his whole relationship to the earth is based on what Quill has told him and when he comes across any of these people from the Avengers universe, he has a very different perspective of them than any of us would have of them from down here. If anything, I think they’re not quite so impressive to Rocket.”

With his success in the Marvel Universe and Gilmore Girls, one might wonder what Gunn hopes to do next. Still, rather than get preoccupied with what is to come, he prefers to simply focus on looking for great stories to help bring to life.

“I try not to prognosticate or wish too much about where my career is going to go because then you’re only setting yourself up for disappointment. I’ve been very, very lucky to work with incredibly talented people with my brother in Guardians, with the Russos and everyone else they’re working with on Avengers and the list goes on and on, but also with Amy Sherman-Palladino and her husband, Dan, on Gilmore Girls. They’re such great writers and I’ve been so lucky and I really just try to chase the words. I think story is king still. Good stories and good content still rule the day and I just want to keep doing stuff like that. I’d love to revisit Kirk on Gilmore girls if we ever make more, which I don’t think would happen anytime soon. I’d take a look at the character again at some point down the line. I’d love it.”

To hear full audio of our conversation with Sean, click here.

Avengers: Infinity War opens April 27th, 2018.

3.25 Coming Home to SPIDER-MAN HOMECOMING

by Leave a Comment

This week, Steve teams up with Peter Percival (YouTube’s Bearded Movie Guy) and Jeff Baker (Geek Orthodox podcast) to talk about SPIDER-MAN: HOMECOMING!  Peter Parker has swung back into theatres (and the Marvel Cinematic Universe) with his 6th film in the last 15 years.  Have his web-fluid gotten stale?  Or should our spider-sense be tingling to get to the theatre?  In a fun conversation, the guys get to talk about coming-of-age, the importance of the ‘small’ and their favourite ‘Spider-Moments’.

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

3.25 Spiderman Homecoming

A special thanks to Peter and Jeff for coming on the show!

 

Spider-Man theme song composed by winner Paul Francis Webster and Robert “Bob” Harris.  Copyright 1967

Spider-Man -Homecoming: Webswinging Fun

by Leave a Comment

With great homework comes great responsibility.

Spider-Man: Homecoming brings us back to Peter ‘s high school years (he’s fifteen) as he tries to balance his family, friends, homework, and an ongoing application to join the Avengers.  Publicly claiming to be a member of the ‘Stark Internship’, young Peter is secretly being mentored by Tony Stark (Robert Downey Jr.) in the ways of being a ‘friendly neighborhood’ superhero.  However, when Peter stumbles across a plot to sell pieces of alien technology to local criminals, he is drawn into a battle that forces him to ask hard questions about his identity and calling.

Although he made his debut in the Marvel Cinematic Universe in last year’s Civil War, Homecoming is Spidey’s true introduction to the world of the Avengers.  In a move that many felt would never happen due to Sony’s ownership of the film rights, allowing Spidey to join the MCU was easily the smartest decision that the company could have made.  By joining forces with Marvel, Sony frees itself of rebooting their franchise for the second time while also allowing access to iconic characters such as Iron Man and Captain America to make appearances.

Through its heavy emphasis on Spidey’s high school adventures and Holland’s contagious enthusiasm, Homecoming manages to pull off the one thing that seemed impossible for this franchise: it feels fresh.  Similar to his experience on the original Iron Man, Downey Jr. has compared the environment behind the scenes as one of freedom and creativity and the results appear onscreen.  This film has all the pop and flash of other Marvel entries yet also carries with it the teen angst of a John Hughes ‘coming-of-age’ film.  (In fact, there is even a brief reference to Ferris Bueller’s Day Off.)  In other words, despite the Avengers, alien technology and a villainous Vulture (an energized Michael Keaton), it’s the realities of Spidey’s youth and inexperience that are front and center here.

As the film opens, Peter is filled with excitement and the mammoth aspirations of becoming an Avenger.  With superhero glory in full view, Peter has begun to lose sight of his everyday life and responsibilities. (“I am so far beyond high school right now,” Peter argues.)  Desperate to prove that he’s more than ‘just a kid’, Peter feels boxed in by Stark’s ‘training wheels protocols’ and tries to force his way up the superhero ladder.  (“I hate that Mr. Stark keep treating me like a kid!” he exclaims.)

But Peter’s immaturity prevents him from recognizing the value of the ‘small’.

In a world of Galaxy Guardians and Incredible Hulks, Homecoming is a reminder of the importance of those things and people that so many believe to be unremarkable.  Though Peter may be able to hold a ship together, he also must do his homework.  Though he wants desperately to be fight alongside Iron Man, he also needs to stop a local bicycle thief.  Though Vulture is stealing alien technology, so much of his motivation lies in simply getting by financially.  Gone are traditional MCU tropes like world domination and government conspiracies in favor of dinners with Aunt May and struggling to pay the bills.

In a story that echoes Jesus’ call to let the little children come to Him, Homecoming reminds us that everyone’s story matters, regardless how small.  The responsibility to care for the most seemingly insignificant people of the world carries the same importance as saving the entire planet.  (In fact, one of the film’s most subtle but significant moments comes through Happy Hogan (Jon Favreau), Stark’s driver, as he confesses to Peter that, “I really don’t know what I would do without this job [working for Tony].”  Despite the fact that we’ve known him to do amazing things with his superhero billionaire, he too is simply a man who needs help.)  Moreover, as Peter realizes the value of the ‘small’, he is solidified as a true hero, not just to the world but to everyone.

Because there is power in being the ‘friendly, neighborhood Spider-Man.’

Captain America Civil War: Friendship vs Vengeance (SPOILERS)

by 14 Comments

For months now we have seen the Civil War marketing ask us one question: whose side are you on? #TeamCap or #TeamIronMan has taken social media by storm and it allows fans to have a different sense of interaction before the film releases. It also brings about the inevitable “how does the film compare to one that was released not too long ago that also had a hero vs hero battle?” So let’s get that out of the way. Where Batman v. Superman: Dawn of Justice fails Captain America: Civil War succeeds. The story is deeper, the conflict more believable, and no one stops fighting because of Martha! Does that make this film a perfect film? Of course not! However, Civil War may just be the best superhero film to come out since The Dark Knight. And in my opinion, make no mistake about it, this is not Avengers 2.5; it is very much a centralized Captain America film.

So here we go . . .

But first I will warn you: this is a spoiler filled review. As I sit back and think of the film, I can’t do my review justice without going into great detail as to why the film is great and where it was also lacking. In other words….

***SPOILERS AHEAD, WATCH THE FILM FIRST OR BE SPOILED***

As I said in my preview, Civil War comes from the comics, but the details and story is completely different. The foundation is there, but the Marvel Cinematic Universe creates a new story that frankly has been building up for quite some time. In Avengers, New York suffered and lives were at stake and possibly lost. But the Avengers saved them and they were grateful. Then Winter Soldier brought about destruction in Washington D.C. and the fall of S.H.I.E.L.D. More lives lost and in the middle of it, people with superpowers. Then Age of Ultron brought us Sokovia, and the devastation to a small country already hurting from years of wars takes the Avengers off American soil and into international borders. In all of this, there was always a conflict in terms of people’s ideologies, and it always came down to Steve Rogers and Tony Stark (the conservative vs the liberal). However, there was always something that brought them back together in an understanding that they are friends and on the same side. But what happens when they come to a fork in the road and they are forced to choose which road to take?

Avengers at Headquarters
The Sokovia Accord (It’s Just Politics)

That is how Civil War starts. An Avengers mission led by Captain America with his new Avengers team (War Machine, Black Widow, Scarlet Witch, Falcon, Vision) and the worst thing that can happen does. Innocent lives are lost and the world governments have had enough. But let’s be honest here: this isn’t about all the lives that were lost as if it is a humanitarian effort. This is about which lives were lost. Among the dead were missionaries from Wakanda, a small but powerful African nation that lives in seclusion. Missionaries that are rarely out since Wakanda keeps to itself are lost, and that driving force causes the world leaders to determine action needs to be done immediately in order to not have full backlash from the situation. This is a political agenda all the way through. I do wish, though, that what makes Wakanda so important to the United Nations would have been touched upon more. I guess that is for another film . . .

When presented with the Sokovia Accord that tells the Avengers to either be soldiers for the United Nations or quit, Steve Rogers is against it (no surprise here). His whole life as Captain America has dealt with nothing but corrupted governments and people with political (or worse) agendas. If he signs, his right to choose is gone. His moral obligation is put in check if the United Nations decides he can’t go and help somewhere. Meanwhile, Tony thinks the opposite. Too many lives have been lost because the Avengers are not put in check. Steve and some others decide that it is in their best interest to just quit. But when we are called for something greater, even when we want to walk away, we are pulled back in.

Friendships Gained; Friendships Lost

Enter the real conflict of the film–not a political stance of whether the conservative or liberal is correct. This is because Civil War does a great job in leaving you at 50/50 when it comes to #TeamCap or #TeamIronMan. The real conflict in the film is fueled by both friendship and vengeance. The King of Wakanda is killed at the UN signing of the Sokovia Accord. It is believed that Winter Soldier did it, and Steve can’t believe it. He is quickly back in gear in an attempt to find his childhood friend before General Ross and his soldiers find him first. This act now makes him a criminal since he is acting outside of the law, but he needs to know if it really was Bucky or if someone is controlling him again. On the flip side, Black Panther makes his appearance as he seeks vengeance for the death of his father. In the middle is Tony Stark trying to save his friend Steve while also doing his job and capturing Bucky. It brings about some great and intense chase scenes and battles between all the heroes.  The conflict increases as Cap stops Panther from killing Bucky, and both (along with Falcon) are taken into custody.

#TeamCap Fights

Of course, the other wrinkle to the story is added in, and Bucky escapes (as do Cap and Falcon)–but not before Cap discovers that someone else is responsible for everything. He finds Bucky, finally in his right mind, and puts together his team (Winter Soldier, Falcon, Scarlet Witch, Hawkeye, and Ant-Man) to go after the real villain. They understand that by doing so, they are outside of the law. What makes Rogers such a great leader is that there is a confidence and understanding that he wouldn’t go outside of the law if not for good reason. It is why Hawkeye comes out of retirement. It is why Ant-Man is willing to fight by his side. And it’s also why Scarlet Witch is willing to put away her fears and follow him. They all have reasons not to help Bucky, and those would all be good reasons. However, if Cap vouches for him, then a new friend is gained and they are willing to fight by his side.

NEahJr6MIHa4de_2_b
Meanwhile, Tony is given 36 hours to bring Cap and his team in or a shoot to kill man hunt will follow. He discovers where they are and brings his team (War Machine, Vision, Black Widow, Black Panther, and Spider-Man). This brings about probably the best on screen superhero battle in a while. It was simply amazing how they were able to centralize some of the fights. One on one battles between Black Panther and Captain America, Spidey and “insert whoever,” and best of all, watching Ant-Man go all Giant Man (YES!) was simply amazing. Of course, for me, Spidey stole the scenes as his young banter was Spider-Man to a T. It’s possibly the best representation that showed his strength, humor, agility, and weaknesses all in one. He’s a teenager that had no business in the fight, but held his own against them all (oh, and his intelligence really helped as well). The airport scene was simply a joy to watch even though the heroes are on two different ends of the spectrum. In the end, Cap and Bucky get away as the rest of the team is left to sacrifice themselves for the greater good (i.e they are captured and put in a supermax prison). What was once the mighty Avengers, for now, is over. Conflict has brought about catastrophe.

Vengeance Destroys All

CivilWar571fee863dfd0
So here we are, the final act of the film. Friendships have been torn, but over what? Captain’s whole mission is to save his best friend, even if it meant separating from his other friends. His cause is righteous even if it means going outside the law to prove it. The others only see a man trying to save his best friend from his crimes. They think Bucky is guilty until Tony finally uncovers the truth. Bucky is innocent (of at least this incident), so he goes on his own as a friend. You see, friendship is a strong rope that many can cling on to. Sometimes it can get slippery, but it’s there. However, there is always someone who prefers to cut the rope than to see a strong bond remain strong. And in this final act, a survivor from Sokovia from the Zemo family has been doing exactly that. They cut the rope until in the final act, it finally goes through. The truth of how Howard Stark and his wife died is shown to Bucky, Cap, and Tony. Of course, Tony finds out that Cap already knew: Winter Soldier killed Tony’s parents. The cord of friendship is cut. Vengeance now fuels Tony, and frankly, watching two different super soldiers fight a man in a suit of armor is pretty great to see. It is an extremely bloody fight that in the end no one really wins. Sure, Cap beat Tony, but he didn’t win. Nothing was gained from it, and that is sad. It is my gripe with the film in that there was no redemption for either Tony or Cap. Both accepted the outcome, but their friendship is never going to be the same. Cap chose Bucky, he then breaks his team out of prison, and although Tony may have visually come to a point of acceptance, there is no doubt that forgiveness is still far away.

Redemption Found

CivilWar56e1af9f673d5
It is in the midst of this fight that my favorite character of the film truly shines (and he’s truly great throughout the whole film). Black Panther followed Tony to the compound. Vengeance still fueling his mission, until the truth is discovered, he captures Zemo, but not before an outstanding monologue on the very dangers of that vengeance. It fueled Zemo, it fueled Black Panther, and it fueled Iron Man in the end. This brought about great catastrophe as it spiraled around. Here was the message of redemption. Here we find the truth and parallel of sin. Left unchecked, it devours not just the person, but much more. There is a reason why God tells us to leave vengeance to Him: man is not equipped to handle it. Our decision process is thrown off course and until the truth is presented to us, we destroy things in our path. The truth is the cure to all evil and is a hard pill to swallow sometimes, but life in the truth ultimately is more peaceful and better than life filled with lies. Jesus said He is the way, the TRUTH, and the life…because life in Him makes life easier to handle (note: not easy, just easier).

Civil War is an action packed blockbuster with an outstanding story. I think that’s what made it so great. It took what was already there, then expanded on it. The conflict was not forced but very real and very believable. So much went on that I couldn’t even touch on the Vision and Scarlet Witch relationship! With all the characters in it, it was still very much a Captain America film with a centralized story that revolved around him and his virtue; the others were just bonus.

Like all Marvel films, I hope you stayed for the credits. I can’t wait to see those two have their solo films!

So what did you think of Civil War?

Captain America: Civil War — Conflict Breeds Catastrophe

by Leave a Comment

#TeamCap FightsLet’s get the basic questions out of the way before we begin the review.

Is Captain America: Civil War any good?  You bet it is!
Is it a perfect film?  Nope.
Is there lots of fighting? Oh yes. And then some.
How’s Spider Man? Well . . . He needs some practice.
Does the film leave the door open for future movies? I think you know the answer to that one.
So who wins the Civil War? Uh . . . I’m not going to tell you that. Why are you asking me?

Feel better?  No? Okay, then let’s review the film (with minor spoilers, if that).

If you’ve been under a rock for the last few years, Marvel Studios has been building a comic book-based empire on the strength of The Avengers, Iron Man, and Captain America. Captain America: Civil War adds to and builds on the previous movies, offering moviegoers a rollicking, fast-paced thrill ride that may take more than one viewing to adequately enjoy.

The story begins with the Avengers attempting to ward off a potential crisis in Nigeria.  However, something goes awry and innocent lives are lost.  This seems to be a theme of past films (New York and Sokovia, for example), so the governments of the world have decided it’s time for those with superpowers to have limits. Thus, the Sokovia Accords are drafted, giving the Avengers a choice: submit to governmental control or retire.

Avengers at Headquarters

If you’re a fan of the comics, you know there will be disagreements as to what should be done. Captain America/Steve Rogers (Chris Evans) feels that limits will only breed more limits and make their jobs more difficult. Iron Man/Tony Stark (Robert Downey Jr) says that without limitations, they’re “no better than the bad guys.” Both are stubborn and won’t budge on their positions, gathering various Avengers to their separate points of view. Your favorite characters are all here: Hawkeye (Jeremy Renner), Black Widow (Scarlett Johnasson), Vision (Paul Bettany), Falcon (Anthony Mackie), Ant-Man (Paul Ruud), Scarlet Witch (Elizabeth Olsen), and War Machine (Don Cheadle).  The addition of Black Panther/T’Challa (Chad Boseman) makes the situation more difficult (but man, is he an incredible character to watch on screen).

Meanwhile, the Winter Soldier/Bucky Barnes (Sebastian Stan) is dealing with a lot of things that spin the other part of the plot in motion. Captain America has a tie to him and this comes into play as the film advances to an inevitable clash held at the airport in Berlin. There’s lots of fighting, lots of gadgetry, and a few surprises along the way. But as Vision notes, “Conflict breeds catastrophe.” The question is whether the Avengers, Captain America, and Iron Man will figure this out before it’s too late.

Captain America Meets Spider-ManOh yeah, and there’s Spider-Man/Peter Parker (Tom Holland).  He has a role in the fight in Berlin, but seems more in awe of the others than anything.  He’s also learning about his superpowers—with mixed results. One part of the film that irked me involved Aunt May (Marisa Tomei)—don’t go in expecting her to be old like in the comics. In fact, guys might even be smitten by her.

In the end, the themes of vengeance, love, family, and loyalty come into play, though I’ll leave it to you to figure out how and in what manner it happens. Suffice it to say that the words of Ecclesiastes 4:9-10 mean something in Civil War.

The film is nearly 2 ½ hours long, but it doesn’t feel that way due to the hyperkinetic pacing by directors Anthony and Joe Russo. Fight sequences are everywhere, surprises abound, and details are peppered throughout that help drive the plot forward. I do wish the villain (played by Martin Freeman) had been fleshed out a little bit more, but that’s nitpicking when events are unfolding so rapidly. The music isn’t overpowering but adds little to the whole scheme of affairs.  You’re there for the action, so that’s what you’re going to get.

And you’re going to like it.

(PS – Stay for the credits, as there are not one but two additional scenes that will leave you talking on the way out of the theater.)

Welcome Home[coming]

by 1 Comment

Spider-Man-3-1200x632

Since we’re only a few short days (hours?) from the release of Avengers 2.5… er… Captain America: Civil War, anticipation for the film has reached a fever pitch. Every bus, cereal box and toothbrush seems to be emblazoned with either #TeamCap or #TeamIronMan. Tickets have been selling out at a record pace weeks (WEEKS!) before the films release as Marvel fans salivate at the carnage of their favourite heroes colliding on the big screen and even (potential) deaths for added drama.

Oh yeah, and the return of Spider-man.

Sorry Black Panther. I mean no disrespect, especially since I hear you’re amazing in the film… but the Internet has been buzzing over the latest incarnation of their favourite wall-crawler. Arguably the most popular character in the Marvel canon, Spidey hasn’t even been absent from the big screen for that long. Remember, it was only 2 years ago (!) that we were given the travesty that was The Amazing Spiderman 2. But, all of a sudden, everyone has ‘arachni-fever’ again. The first tease of Tom Holland in costume (or, his ‘underoos’) in the second trailer went viral. The ensuing announcement of next summer’s Spider-man film (including the addition of Robert Downey Jr.’s Iron Man to the cast) made fans pop with enthusiasm.

So, why the hoopla? (After all, as the song says, how can we miss you if you won’t go away?)

Personally, I think it has something to do with the title of the new film – Spider-man: Homecoming. No, it doesn’t have the pop of, say, Civil War (and it is the title of a storyline from the comic adventuress in the 80s) but I think that the enthusiasm stems from what the film implies.

Spider-Man-Homecoming-Movie-2017-Logo

You see, Spider-man has come home.

When the film rights were sold to Sony in the late 90s, Spider-man was a hot commodity. From the troubled production by James Cameron that never saw the light to the eventual Tobey Macguire films in the early 2000s, Spider-man has remained a Marvel property but only in comics and licensing. In short, Marvel has had to keep their hands off of Spidey onscreen. (It was a similar agreement that Marvel has with Fox regarding X-Men films – and actually the reason why Marvel can’t even use the word “mutants” in their ‘cinematic universe’.)

Actually, the agreement was working out fairly well for both parties. Sony was cranking out Spider-man films—they had to do so in order to retain the rights—and Marvel was busy with their own projects. Sony even had plans to start their own Spider-man cinematic universe with spinoffs and sequels. However, when the Amazing Spiderman 2 turned out to be… well… less than amazing, fans started to turn on Sony. Criticisms of scripts, characters, and pretty much everything related to Spidey had pretty much left the franchise in jeopardy.

NEahJr6MIHa4de_2_b

But, after the infamous Sony email leak of 2014, all of that began to change.

All of a sudden, word spread that Marvel was working out a ‘secret agreement’ with Sony, one that would give creative control back to Marvel regarding the character but Sony would reap the financial benefits. Fans rejoiced. Although much of the hype surrounded the fact that Spider-man could finally join the Avengers, the reality is that people were happy that Marvel—Spidey’s creators and the ones who ‘get the character’—could finally tell his stories the way they were intended.

Regardless of what you felt of any of the Spider-man films, it simply felt awkward that he remained in the hands of a company that didn’t seem to care about him as much as Marvel does. Whereas Sony merely used him as a franchise machine, Marvel seems to have a more vested interest in the character himself. (For the record, I’m also not blind to the fact that Marvel sees Spidey as a profit-maker. However, they do genuinely seem to care about how well his stories are told.)

Now, he has come home. Underoos and all.

iron-man-and-spider-man

There is a sense that Spider-man simply belongs in the hands of Marvel. In the sole hands of Sony, Spidey seemed lost. In an (almost) prodigal-like narrative, the first-born has returned to the rejoicing father. Further, I think that the over-whelmingly positive response from the fans suggests that everyone believes that this is what needed to happen. There is a recognition that he will receive better care at ‘home’.

It’s a need that we all maintain.

Ultimately, I believe that we all cry out for ‘home’. It’s a spiritual need that’s deeply embedded in our hearts. Sometimes, our actual homes don’t provide that sense of refuge or even do damage to us emotionally and physically but we remain on our search until we find somewhere—anywhere—that makes us feel loved and accepted. As a Christian, I believe that that sense of hope can only be found when we realize what it means to be a part of God’s Kingdom. As Spider-man’s story will be told properly in the hands of his creators, so too do our stories make more sense when we reconnect with our Creator. When we experience the love and wholeness that God offers to His children, we experience what it means to truly come Home.

Now to get myself some underoos…

hqdefault