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John Gallagher Jr.

American Woman: We All Want to Change the World

Transporting the audience back in time to the mid-1970s,?American Woman?is told from the perspective of 25-year-old former radical Jenny Shimada (Hong Chau). Having masterminded an act of violence against the US government, Jenny has been living off the grid, hiding in plain sight. When she is asked to take care of three fugitives, Jenny begrudgingly accepts for the sake of the cause (and the potential paycheck). Led by the chaotic but charismatic Juan (John Gallagher Jr), the group also includes Pauline (Sarah Gadon), the kidnapped granddaughter of a wealthy newspaper magnate who has become well-known due to the perception that she may have fallen under the spell of her captors and embraced their ideology.

Directed by Semi Chellas (Mad Men), American Woman is a solid piece that attempts to blur the lines between fiction and reality. Through her fictional account of the experiences of Patty Hearst during her abduction, Chellas paints a portrait of a young woman looking for freedom in the midst of chaos. Beautifully shot with faded colours, the first-time director visually depicts a culture which has been seared by the pain of revolution. Anchoring the film is a remarkable performance by Hong Chau as Jenny, a revolutionary who is angered by the state of her nation but remains cool and calculating in her approach. Meanwhile, as the lost and broken Pauline, Gadon continues to evolve as an actress, imbuing her character with maturity and furious innocence. 

Despite taking place in the 70s, there is something very timely about American Woman that speaks to our current cultural climate. At a time when racial and political tensions are erupting across North America, Woman speaks to the nature of justice in uncertain times. By showcasing the different perspectives of Jenny and Juan, the film speaks to the sharp dichotomy between approaches in response to social upheaval.

Though she has been involved in revolutionary actions in the past, Jenny?s tactics have been largely peaceful in nature. For her, fighting for change does not mean putting innocent lives at risk but rather, challenging the powers that be. However, Jenny?s quiet demeanour is held in contrast against the erratic and irrational Juan, who?s understanding of revolution is rooted in his own self-doubt and insecurities about his experience in Vietnam. Constantly trying to prove himself both an activist and as a man, Juan seems to believe that freedom comes through anarchy. 

Caught in the middle between these two visions is Pauline who seems torn between Juan?s forceful revolution and Jenny?s more graceful–but, nonetheless, committed–approach. Though violently abused by her captor, Pauline still remains drawn to his vision until Jenny arrives and disrupts their plans. As such, in many ways,?Woman?is a story about the battle for Pauline?s soul. Mirroring the shattered heart of American culture, Pauline recognizes the importance of freedom, even if she remains unsure as to what it looks like. As a result, her desire for change remains in constant conflict with a loss of personal hope.

Powerful and provocative, American Woman is an intense look at what it means to speak up for justice in the midst of a corrupt system. What?s more, at a time when political unrest is a daily occurrence, the conversation surrounding what it means to seek change feels both poignant and timely. Though the film encourages a generation to speak up and challenge the status quo, it also looks at the damage that can occur on the soul of a nation in the process. 

American Woman premieres online on June 30th, 2020.

The Miseducation of Cameron Post: Outside, Looking In

?I?m not being a good friend if I ignore your sin.?

Written and directed by Desiree?Akhavan, The?Miseducation?of?Cameron?Post?takes place in the early 90s and follows the titular character (Chloe Grace Moretz) after she is sent to a remote treatment center for those dealing with same-sex attraction. Entitled God?s Promise, the center is run by the strict Dr. Lydia Marsh (Jennifer Ehle) and her brother, Reverend Rick (John Gallagher Jr) who seek to ?help? the teens be free from their ?immoral thoughts?. While she is being subjected to questionable gay conversion therapies, Cameron bonds with her fellow residents as they pretend to go along?with the process while waiting to be released.

Based on the book of the same name by Emily M. Danforth, Miseducation?s strongest asset is its cast, especially Moretz, who continues to prove herself as one of Hollywood?s strongest young talents. With much of the film riding on her shoulders?she?s central in almost every scene?Moretz plays Cameron with a mix of confidence and confusion as she seeks to navigate her new surroundings. Strong supporting performances from her peer group of Jane Fonda (Sasha Lane) and Adam Red Eagle (Forrest Goodluck) bring stability to the film by providing Cameron the home and security that she so desperately lacks.

The most terrifying aspect of Miseducation?is how ordinary it feels. Although Dr. Marsh is portrayed as incredibly severe (even refusing to refer to Cameron as ?Cam? for fear it might cause more gender confusion), God?s Promise does not appear to be a house of horrors on the surface. The facilities are well kept and the residents have freedom to hike outdoors. Reverend Rick proves himself to be earnest and appears to genuinely care about the teens in his care. However, with each ?counselling session?, the audience becomes increasingly aware of the emotional abuse that is taking place by attempting to convince the children of their sinfulness and need to change their lives. (As they are told repeatedly, ?what lies under their iceberg? determines how they think.) In other words, at God?s Promise, righteousness is the fuel of wrath and grace is offered only through condescension. It?s a scathing?but frequently true?review of the church?s history of attempting to separate ?the sinner and the sin?, a practice that ends up stealing a piece of their soul in the process. (Incidentally, as a pastor, I can?t help but be broken by the ignorance and arrogance inherent to this sort of spiritual abuse.)

In Miseducation, love is conditional. Whether it?s the love of God or from their families, these characters have felt the harsh reality of unacceptance and have only experience grace as the carrot on a stick. Somewhat ironically, genuine community is only felt when their brokenness becomes what also draws them together. Fear and oppression becomes shared pain and opens the door for healing. When abandoned by the church, the residents of God?s Promise need to look to one another to find hope.

And the harshest reality is that it isn?t entirely fictional.

 

The Miseducation of Cameron Post?is in theaters now.

The Belko Experiment – Kill or Be Killed

?Normal people do not work at Belko?

It starts off like a normal workday at Belko Industries, except for the paramilitary guards outside. Belko is an American company that has set up shop near Bogot?, Columbia. Because of the threat of kidnapping, each employee has a tracker embedded in them for security purposes. As the day begins there is lots of comradery (and some rivalry) as at any workplace. Just as people are settling into work, an announcement come over the speakers. In the next half hour, two of the people in the building must be murdered, or four random people will be killed. The building is completely sealed off. There is no escape. Is this some sort of prank or a deadly game? Well, since the title of the film is The Belko Experiment we have to assume this is not going to end well.

As the day plays out and the stakes get more and more deadly, people react differently. Some try to problem-solve their way out of the building. Some think it?s all a hallucination caused by the water. Some think they need to follow the orders and start the process of deciding who will live and who will die.

Viewers, of course, will consider which group they would end up as a part of. Should they try to survive by stealth and cooperation, or would they take up violence to survive at any cost? I suspect most viewers would say those who eschew the violent response are the good guys and those who only seek their own well-being are the bad guys. But is that an oversimplification? And what of those who are running this show? Aren?t they the true enemy that should be confronted by everyone?

The character that we are given the most reason to identify with, Mike (John Gallagher Jr.), is clear that killing each other is the wrong approach?for one reason, they should know that whoever is doing this will never let anyone tell the world about it. He serves as the main moral voice that holds out against the violence. We want his position to lead to a way of defeating the unseen power that is crating this situation.

ALERT: SPOILERS FOLLOW

Mike maintains that moral high ground even when some of his coworkers are trying to kill him. At least he does until the last five minutes of the film when he opts to lash out in rage?not only at the killers inside the building, but those who are controlling it all. The film ends by crushing any hope we had that there is a better way than violence. It is as if you were to watch Mel Gibson?s Hacksaw Ridge (which is slightly bloodier) and after Desmond Doss refused to touch a gun and spent hours rescuing wounded soldiers, he finally picked up a machine gun and blew away half the Japanese army. I felt as though my hope that there is a way to conquer evil without violence, which had been fed throughout the film, was betrayed by those last few minutes.

Photos courtesy of MGM

10 Cloverfield Lane: Does Your Fear Control You?

10cloverfield2

In the universe where?Cloverfield?went down, Michelle (Mary Elizabeth Winstead) flees the city and her fiancee. Distracted by a call, she suffers an accident and awakens inside the basement bunker of Howard (John Goodman). He claims that she has been brought underground for her protection because of an alien attack and toxic air, but her skepticism grows when she meets fellow survivor Emmett (John Gallagher Jr.) and sees Howard in action.

First time director Dan Trachtenberg moved the pieces around in this clever chess game, co-written by?Whiplash’s?Damien Chazelle and produced by J.J. Abrams. It’s a reasonably intense thriller that hinges on us not knowing what is actually out “there” above the bunker – so I’m not going to tell you! But the truth is that the film challenges us to consider our beliefs about safety, security, and fear.

10cloverfield3

In a world where fear is mongered by politicians, the media, and other elements of society,?10 Cloverfield?trades the fear of the aliens for the fear within the bunker. While Michelle?might?be in danger from aliens, toxic air, or violence outside, she is most certainly?more threatened?by Howard’s use of bullying and force. We can see that through her eyes – but we (and she) don’t know is the real threat of violence outside.

Because we live in a society where our news and information is filtered through politics, agendas, money, and more, we are often relying on someone else to tell us where the danger is. But are they reliable narrators? Should we be afraid? I John 4:18 says that perfect love casts out all fear. If we really believe that, we can’t be afraid – we must be inclined to act! Thankfully, Michelle isn’t afraid to act either.

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