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JFK

A Towering Task: The Story of the Peace Corps

?All this will not be finished, but let us begin.? (John F. Kennedy)

For nearly 60 years, Americans have volunteered to go to other countries to build communities and form bonds through the Peace Corps. A Towering Task: The Story of the Peace Corps, directed by Alana DeJoseph, herself a Returned Peace Corp Volunteer, traces the history of this American institution from its beginnings before John Kennedy was elected President to today.

President John F. Kennedy meeting Peace Corps Volunteers in the Rose Garden of the White House 1963 Courtesy Haskell Ward

The birth of the Peace Corps takes place in the midst of the Cold War. The best-selling book The Ugly American caught the attention of then-Senator Kennedy who bought copies for all Senators. It pointed out that we were not gaining the respect of other peoples. At a late-night campaign stop at a university, Kennedy asked the crowd, ?How willing are you?? to go somewhere and serve others? Within weeks, there were thousands who were saying they would volunteer. Within a few weeks of his inauguration, Kennedy formed the Peace Corps and delegated his brother-in-law R. Sargent Shriver to implement it. With in a few years there were over 10,000 volunteers serving around the world.

University of Hawaii Peace Corps Training Center, early 1960s Hilo, HI Courtesy of Bill Sakovich

The film includes archival footage, interviews with current volunteers and Returned Peace Corps Volunteers, staff members, journalists, and community leaders from around the world. They relate some of the challenges that were faced, including being in areas where US armed forces intervened. Often the Peace Corps workers who had established trust were of great value in caring for the people amidst the turmoil.

The purpose of the Peace Corps was stated to be to promote world peace and friendship. Functionally its goals were to bring technological assistance to other countries, to allow foreign communities to know Americans, and to bring back knowledge of other cultures. Those core concepts haven?t changed over the years, but the world around it has. The Cold War is no more, but there are new challenges that the Peace Corps strives to address. At one point that included teaching capitalism in the countries of the former Soviet Union.

1961 First Group of Ghana PCVs arriving in Accra. Courtesy of The National Archives

The film relates the political ups and downs the Peace Corps has faced as well as the generational changes of attitudes about public service. The size of the program is much smaller than it was in the 1960s, yet it continues to work dealing with issues such as climate change and mass migration. (Although, currently all Peace Corps volunteers have been recalled because of the COVID-19 pandemic.)

Peace Corps Volunteers Kayla Gonzalez and Chris Gozdziewski with Neighbor Susanna Tokpah and her family in Gbarnga, Liberia 1/24/2017 Courtesy: Peace Corps Liberia

The values of the Peace Corps, as expressed in this film, allow us to consider at the personal and communal level what it means to live as neighbors. Certainly few of us have the abilities or the inclination to go to different cultures to share knowledge, skills, and lives. But that doesn?t mean that we cannot live out these values in our own communities. And as we watch the film we may also want to think about what the existence of the Peace Corps says about our nation. There have been administrations that would have happily done away with the Peace Corps, as well as administrations that sought to expand it. Perhaps this current pandemic induced hiatus could be a death knell for this program, but what a loss that would be for the world and for America.

The film is available on Virtual Cinema through local theaters

tiff16: JACKIE

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Focusing on the week?following the assassination of John F. Kennedy, JACKIE follows?on the life?of former First Lady Jackie Kennedy Onassis (Natalie Portman) as she is forced to simultaneously grapple with her husband’s death, the demands of her position and the eyes of the public. ?Framed around an interview with Jackie, the narrative form allows for an exploration of not only her character but also the public perception of her.

Directed by Pablo Lorrain, this film is?intent on examining?Jackie’s character from multiple angles. ?By making use of her famed?Emmy-winning tour of the White House on Christmas Eve in 1961, the film?provides an interesting contrast to her behaviour behind the scenes as well. ?Her image carefully crafted for her public persona, she also demonstrates an emotional courage and depth that most pundits had dismissed?due to her fame and beauty. ?Despite the temptation to divert attention to either the President or the drama surrounding his death, Lorrain wisely keeps the camera?on Portman, who owns absolutely every moment of the film. ?In what is easily her most gripping?performance to date, Portman makes a strong case for her second Best Actress award come Oscar time, portraying Jackie as both?vulnerable and ferocious.

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Thematically, the film wrestles with the challenges of constructing a legacy while?Jackie fights tirelessly to spin the narrative surrounding her late husband. ?This is best exemplified through her desire for his funeral to mimic that of Lincoln, as opposed to ‘lesser’ presidents. ?In doing so, Jackie?attempts to create a mystique around?Kennedy’s presidential legacy, directly?linking?his battle for civil rights with the abolition of slavery. ?In a world gripped by fear, Onassis wants the country to bear witness to the greatness of JFK’s leadership as opposed to remembering him for the Cuban missile crisis or his extramarital affairs. ?(Ironically, she also remarks that her desire to create this perfect image “was not for him but for [her] and, in that moment, [she] became a Kennedy”.)

Interestingly though, the film is also wants to explore Jackie’s?raw emotion and spiritual quest as well. ?Yes, she may be the First Lady but she is also a grieving widow and mother. ?In a fascinating side narrative, Jackie meets frequently with a priest?to discuss how God could let this happen. ?Caught in one of the most devastating moments in American history, Jackie recognizes the importance of her role at this time and desperately seeks spiritual guidance. ?(Incidentally, the fact that I saw this film on the 15th anniversary of 9/11 also added appropriateness to the film at this level.) ?Nevertheless, even the priest seems at a loss for words. ?”One of the hardest parts of anyone’s life is when they realize that there are no answers,” he claims. ?While I obviously disagree with the theology behind this statement, it does?accurately reflect the most common arguments for dealing with global tragedies.

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It’s this tension between harsh reality and proud image that gives JACKIE its most poignant moments. ?How does someone lead a public persona in a time when millions of people are suffering? ?By the end, the film refuses to submit to ‘easy answers’ and allows the viewer to recognize the tension between pain and glory and the burden of leadership that requires.

Even so, despite the tragedies to which we bear witness, JACKIE reminds us that all we really want is Camelot.

11.22.63: Stephen King Takes on History

11.22.63

11.22.63,?Stephen King’s time-bending novel, has been adapted by Bridget Carpenter (Friday Night Lights, The Red Road) for Hulu. Now, available on Blu-ray, DVD, and Digital HD,?11.22.63?takes us on a twisty road from the present back to the 1960s in a darker?Back to the Future.

James Franco’s Jake Epping suffers. His marriage has crumbled and his English career seems pointless. But when his friend Al Templeton (Chris Cooper) dies, Epping is thrust into the mission Templeton died trying to complete: he must go back in time and stop Lee Harvey Oswald (Daniel Webster) from killing JFK. But if that’s not complicated enough…

The Yellow Card Man (Kevin J. O’Connor) keeps showing up telling him that he shouldn’t be ‘here’.

Epping tries to save one of his student’s from tragedy as a child.

Every move Epping makes changes something else thanks to the Butterfly Effect.

11.22.63.2

Traveling back in time is complicated!

While I loved the book – and cringed at what it might become as a miniseries – I found the overall vibe of the show to be aligned with King’s original. I found the ideas around responsibility and cause-and-effect to be thought-provoking. There are elements of horror and suspense (Josh Duhamel’s Frank Dunning is a particularly terrifying butcher), but the historical progression for Epping, Oswald, and the politics surrounding them are intriguing as well.

What options do we have to change the future? What difference can we make today? This just isn’t about JFK and the past – this is about owning our future, and taking responsibility, right now.

Special features include a look at adapting the story, filming on location, modeling the set for the 1960s, and Franco as director.

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