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Finding Nemo

Disney Parables – Finding Nemo: The Pursuit of the Father

Usually, when it comes to a film’s protagonist, we consider the person who exhibits the most growth, or at least demonstrates the most action on behalf of the individual or others. Since 2003,?Finding Nemo?has been lauded for its artful tale of the titular little fish, netting box office splash, critical accolades, and the top spot in DVD sales … ever. But on further review, the film bears even deeper attention: this isn’t Nemo’s story at all, anymore than “The Parable of the Prodigal Son” is about the “lost” or younger son.

In?Finding Nemo, the young clown fish of the same name finds himself captured by human divers, against the wishes, urging, and commands of his father. In an act similar to the son who claims half of his father’s possessions in the story that Jesus tells in Luke 15:11-32, Nemo touches the hull of the ship and tells his father, quite clearly in fact, “I hate you.” Whisked away by the divers and sold to a dentist, Nemo at first fights the situation he finds himself in with a new group of aquarium fish, and finally, consigns himself to his fate.

Meanwhile, Marlin takes his fatherly efforts up a notch or two. Putting his anxiety and fears about life off the reef aside, he departs his home to pursue his son. He first encounters a regal blue tang named Dory, and then an Australian shark named Bruce, a sea turtle named Crush, and the pelican named Nigel. He dodges an Anglerfish, escapes a blue whale, and finally arrives in Sydney, Australia, to collect his son. Through a series of strange and fantastic events, they are reunited. Happy ever after…

But the truth of the story is that it all swings on a moment when Nemo hears – by way of Nigel, by way of seagulls, by way of swordfish, by way of turtles, etc. – that his father is coming to get him. It’s not until he hears the empowering good news, the truth of his father’s love, that he summons the courage (and a few others are inspired) for him to break out. [Sidebar: What can we learn about the power of the gospel? The fact that people?need?to hear that they’re loved, that God loves them? Sometimes, our lives feel like they’re in glass houses… or aquariums… with no way out.]

Back in the words of Jesus’ story of the son, we can see that while we have contextualized “prodigal” to refer to a son who squanders his father’s wealth – or any black sheep of the family who has wandered off (and may or may not return) – the truly scandalous, powerful, unending, undeserved, uncontainable love of the father is what is truly “prodigal.” In fact, Jesus’ parable is not that of the “lost” or “prodigal” son, but that of the seeking father.

For a moment, consider what the father must have been doing in Jesus’ story to see the son “while he was a long way off.” Of course, he had to have been actively looking or seeking for him, but what if the father was in fact?always aware?of where his cutthroat, out-of-bounds boy had gone? What if the father had allowed – like most parents have at some point – for his child to experience failure, to suffer, to misstep so that he could learn who he was? In the process, the father teaches the son grace.

And in the end, the fathers are the heroes of these stories.

Ultimately, it is about the grace to forgive (and maybe to forget, right Dory?) that allows both fathers to love extravagantly. With apologies to Marvin Gaye, there ain’t no ocean wide enough, no disobedience or shame deep enough, to keep either of these fathers from getting to their sons.?This?is the testimony of the story – the heart of the gospel – that nothing we do can separate us from the love of the Father, that God’s love is immeasurably deep and wide.

Finding Dory – We’re in This Together

FINDING DORY ? When Dory finds herself in the Marine Life Institute, a rehabilitation center and aquarium, Hank?a cantankerous octopus?is the first to greet her. Featuring Ed O'Neill as the voice of Hank and Ellen DeGeneres as the voice of Dory, "Finding Dory" opens on June 17, 2016. ?2016 Disney?Pixar. All Rights Reserved.

Finding Dory served up a sequel/spinoff of the world that Nemo inhabited, with Ellen DeGeneres’ squeaky regal blue tang heading off in search of the family she had long forgotten about. With the help of Nemo and his dad Marlin, as well as a new cast of characters including the near-sighted whale Destiny, the echo-location-free beluga whale Bailey, and the scene-stealing red octopus Hank, Dory treks from the exotic wild back to the Marine Life Institute. Along the way, she splashes through wild adventures and colorful seascapes that will delight children and adults.

While the film itself could be silent – the visuals that writer/director Andrew Stanton provides in the latest entry to his long Pixar career (Toy Story?franchise,?Wall.E, A Bug’s Life, Finding Nemo, etc.) are breathtaking – but it has genuine laugh-outloud moments thanks to DeGeneres and a host of other well-cast voices. In addition to Ed O’Neill’s Hank, there are the two sea cantankerous sea lions, Fluke and Rudder (Idris Elba and Dominic West), and the batty seagull, Becky. That’s a powerful combination for an animated flick already – hilarious adventures and stunning visuals.

DO I KNOW YOU? -- In Disney?Pixar's "Finding Dory," everyone's favorite forgetful blue tang, Dory (voice of Ellen DeGeneres), encounters an array of new?and old?acquaintances, including a cantankerous octopus named Hank (voice of Ed O'Neill). Directed by Andrew Stanton (?Finding Nemo,? ?WALL?E?) and produced by Lindsey Collins (co-producer ?WALL?E?), ?Finding Dory? swims into theaters June 17, 2016.

But like?Finding Nemo,?Finding?Dory?doesn’t settle for simple entertainment. Here, we have a long look at what it means to be family (both Dory’s adoptive family and her ‘birth parents’), and what it means to live with mental illness (her short-term/middle-term memory loss). Throughout the story, we see different characters interact with Dory’s forgetfulness with varying degrees of grace and understanding (Nemo is helpful and kind; Marlin… not so much all the time). One might even say that Destiny’s blindness and Bailey’s temporary concussive/PTSD-related problems make them a better team because they work together. It’s a reminder of the way that we work in community, and the way that we care for the “least of these.”

In the end, Dory gets where she needs to go?because the community comes together. Without help, Dory doesn’t make it, and if we’re realistic and honest with ourselves, neither do we.

FINDING DORYSpecial?features on the Blu-ray combo pack include my favorite PIXAR short film ever -?Piper?– about a?baby sandpiper learning the ropes.?There’s also a short about the Marine Life creatures discussing Dory, and several looks at the way the animators put together an undersea world that really seems alive. Ironically, Hank’s character proved super difficult – his characterizations get their own feature, “The Octopus that Nearly Broke Pixar.” Overall, Disney nails special features in a way that puts other home media to shame!

Podcast: Finding Home in FINDING DORY

FINDING DORY ? When Dory finds herself in the Marine Life Institute, a rehabilitation center and aquarium, Hank?a cantankerous octopus?is the first to greet her. Featuring Ed O'Neill as the voice of Hank and Ellen DeGeneres as the voice of Dory, "Finding Dory" opens on June 17, 2016. ?2016 Disney?Pixar. All Rights Reserved.

https://screenfish.net/wp-content/uploads/2016/06/2.18-Finding-Dory.mp3

This week on the show, Arnaldo Reyes joins Steve to dive into the deeper issues within Pixar’s latest, FINDING DORY! ?Plus, some of our listeners share their favourite Pixar moments.

Want to continue to conversation at home? ?Click the link below to download ?Fishing for More? ? some small group questions for you to bring to those in your area.

2.18 Finding Dory

Finding Dory – Finding a Way to a Forgotten Home

?What if I forget you? Will you ever forget me??

FINDING DORY

Finding Dory, as you might guess from the title, is centered on the blue tang from Finding Nemo. In this sequel (co-directed by Andrew Stanton, who directed Finding Nemo, and Angus MacLane), we get to see Dory (again voiced by Ellen DeGeneres) in her childhood as her parents try to teach her how to manage in the world in spite of her short-term memory problems. When the inevitable happens and she can?t find her way home, she begins the journey of her lifetime, trying to remember what she?s lost until she literally runs into Marlin in the Nemo storyline.

The story then moves up one year to a point where Marlin (Albert Brooks), Nemo (Hayden Rolence), and Dory have settled into a calm, steady life. Until one day Dory realizes that she must have had parents and that they are probably worried about her. She has an occasional flashback that gives her little clues. She is determined to set off across the ocean to Morro Bay, California and the Marine Life Institute. Of course, with her forgetfulness, this is not a journey she can undertake on her own. Marlin and Nemo set off with her.But like Odysseus, she must find ways to navigate the many obstacles along the way.

Like Odysseus, she does so with her own ingenuity, plus the help of others who care about her. Among those who help her find her way home are Hank (Ed O?Neill), a curmudgeonly octopus; Destiny (Kaitlin Olson), a very nearsighted whale shark; and Bailey (Ty Burrell), a beluga whale who has bumped his head and messed up his echolocation skills. Each of those she meets brings their particular skill to the journey, but more than anything else, Dory?s own skill for adaptation and innovation are the most important.

FINDING DORY ? When Dory finds herself in the Marine Life Institute, a rehabilitation center and aquarium, Hank?a cantankerous octopus?is the first to greet her. Featuring Ed O'Neill as the voice of Hank and Ellen DeGeneres as the voice of Dory, "Finding Dory" opens on June 17, 2016. ?2016 Disney?Pixar. All Rights Reserved.

The title, besides tying this film to the previous one, also points to the real journey, not just to home, but to self-discovery. Dory, with her memory issues, at times feels very inadequate. However, because she doesn?t know failure (she can?t remember failing) she is always optimistic about what she can accomplish, often with wonderful results. Her motto is ?there?s always another way.? When all others think nothing more can be done, Dory keeps going. It is not only Dory who discovers that this is an amazing gift, others along the way, especially Marlin, discover that asking themselves ?what would Dory do?? can be a very helpful approach to any problem.

FINDING DORY

Dory?s longing and search for home is something of an archetype of literature. I alluded to Homer?s Odyssey above, but this story can also be found in the Bible?the Exodus and later the Exile and return. It was during the Exile that a Psalmist wrote:

If I forget you, O Jerusalem,
let my right hand wither!
Let my tongue cling to the roof of my mouth
If I do not remember you. (Ps. 137:5-6, NRSV)

That is the very fear Dory expresses to her parents at the beginning of the movie?and the reality that she has had to live with through her life. Her journey to ?home? is an act of hope. She has no idea if her parents are still there or if they even want to see her again after all this time. Perhaps they are angry that she got lost. Perhaps they have forgotten about her. Yet, she sets out with the hope not only that she can find them, but that it will be a wonderful reunion. This is a story that is rich in hope. In spite of the obstacles, Dory believes there is a place for her at the end of her journey. Little does she know that her hope (and her faith and love, if you want to bring the three cardinal virtues together) will touch and transform many along the way?including herself.

PIPER

I would be remiss if I didn?t also mention Piper. Pixar films always come with a short that opens the screening. Piper is the story of a young (and very cute) sandpiper whose mother is trying to coax him out of the nest to feed itself. It is scary to leave the nest, but becomes even scarier once a wave knocks Piper over. Piper too has a voyage of self-discovery, although it is only a few yards. Without denigrating Finding Dory or any of the other Pixar films, I usually come away saying ?the short was even better than the feature.? I applaud Pixar for giving us such wonderful short films.

Photos courtesy Disney-Pixar

The Best Of Pixar: How 4 Films Changed The Way We Watch

"MONSTERS, INC. 3D" ?2012 Disney?Pixar. All Rights Reserved.

What if we had never met Dory? Or if Buzz and Woody had never become friends? Would our world be different?

Most of us think that Pixar burst onto the scene with the release of its first feature film in 1995, Toy Story, noting its fifteen Academy Awards coinciding with the partnership with Walt Disney Studios. But the real Pixar Animation Studios originated sixteen years earlier as a division of Lucasfilm, aiding in the special effects for The Wrath of Khan, Young Sherlock Holmes, and others. But when we reflect of the legacy of Pixar, we do so with an eye toward the fourteen feature-length films and its wealth of awards. But what makes these films rise above any others in the animated genre?

With the release of Inside/Out on Friday, a film receiving rave reviews from advance screenings, we should recognize that PIXAR has changed animation, and our expectations for how good a ‘toon’ might look. No more are we stuck with the flat objects on screen, moving around in jerky motions (like those flip books we used to make in elementary school). No, we have real-life motion with toys, bugs, and rats! The thing is though, while we can get caught up in the visual wonders (and there are plenty of those!) that the minds at PIXAR bestow on us, there’s more to this brand of storytelling than the “average animated movie.”

Let’s look at a few of the films that shouldn’t be missed. With apologies to the others (quite honestly,?Monsters Inc.?is my favorite), here are the five deep PIXAR movies that visually wow us but have more going on under the hood.

 

toy storyToy Story ?(1995)

When we’re introduced to ?Woody (Tom Hanks) and Buzz (Tim Allen), we meet a pair of toys, one old and one new, owned by a six-year-old boy named Andy. Over time, and I’ll cheat a little here by incorporating all three movies, the two foil a bully who destroys toys for fun, a collector who steals?Woody, and each other, but it’s their friendship (and bickering) that add much of the fun to the films. We (adults, that is) see something of our own childhoods, recognizing that there’s a time and a place for play, and probably feel a desire to nurture that in our own children (a la?The Lego Movie). While other real-life films like?The Sandlot?or?The Goonies?might also provide the same sense, there’s a certain amount of magic that the PIXAR crew bottled up here.

For me, the “you had me at hello” moment is in?Toy Story 2, when Buzz comes to rescue Woody. Woody has been sort of brainwashed into thinking that being a collectible is all there is to life; he’s forgotten his purpose as a toy to entertain Andy and to be loved. Buzz reminds him that there’s more to the world, and in a moment of clarity, Woody wipes off the new paint from his boot, revealing “ANDY” scrawled across his foot. Like Woody, we can get deluded into believing that “this is all there is,” or that we don’t matter. It often takes an outside force, or someone who God uses, to break through and remind us that we are loved by the God of the universe, that God’s name is written on our hearts and in our DNA.


finding nemo

Finding Nemo (2003)

It’s amazing who you meet on a cross-ocean journey, and better still when that journey is animated by some of the best in the business. While?Finding Nemo?has some of the typical Disney sadness (Nemo’s mom), there’s still a sense of love, community, and recovery that’s greater than the average two-dimensional animated flick.

While some might say that Dory’s (Ellen DeGeneres) “Just keep swimming, just keep swimming” is the best life advice they’ve ever received from an animated flick, I’ll again refer to the more Biblical tones the story reverberates with: The Parable of the Prodigal Son. Our friend Nemo (Alexander Gould) strays from the safe confines that his father (Albert Brooks) set up for him and ends up netted, transported, and dropped in the dentist’s tank. But his father doesn’t stop searching for Nemo. He just keeps going and going and going, until he’s able to save him. That’s pretty consistent with my understanding of God’s love for us: even when we’re in a mess all on our own, God won’t give up on us.

 

Walle

WALL-E (2008)

Stanton (who also did?A Bug’s Life) directs a film I’ll never forget. With a few hours to kill before officiating the wedding of a good friend (who happens to be our site manager here at ScreenFish), my wife and I tripped into the least family-friendly animated flick I’d seen at that point:?Wall-E. [Editor’s note: this was before seeing the animated?Watership Down…] But the “Waste Allocation Load Lifter ? Earth-class,” who sounds a bit like Johnny 5 from?Short Circuit, had a profound thing or two to say about childlike wonder, believing in the best of humanity, and never, ever giving up.

Before?Tomorrowland?and?Mad Max: Fury Road?proposed that we needed to rejuvenate the community we’re in (and to some extent, the Earth) instead of bolting for some better promised land,?Wall-E?proposed that the Earth could be cared for if we would all waste less, recycle more, and care about each other. Less jettisoning lifeboat and more life-restoring ark,?Wall-E?is still not really a kid movie, even if it masquerades behind a wall of eye-popping animation.

 

up

Up (2009)

Russell (Jordan Naga), an earnest “Boy Scout” type, and his grumpy, elderly neighbor, Carl Fredricksen (Ed Asner), end up taking a ride via lots of balloons and … a house. While there’s plenty of amusing stuff going on here, this is another film that seems more for the adults than for the kids. Sure, the excitement is worth diving into but there’s plenty of social/psychological commentary going on here.

Carl never lived out his dream because death got in the way; he’s being marginalized and diminished by the people making decisions all around him because of his old age. The overall vibe moves toward the positive, but the power in the story is recognizing the ways that we push people to the side when we think they’ve outlived their usefulness or we don’t understand their pain. What?Up?pushes us to consider is that we can still learn from our elders even if we think they move too slow or don’t like the new things that we’re into technologically or socially. In fact, we might even propose that understanding our “cloud of witnesses” and embracing mentorship is strongly on the minds of those who created?Up.

 

*******************************************************************

So, there you have it. Four movies. Four stories of faith and family, of powerful characters with big challenges, who live out stories that are true to our human experience. “Cartoons?” These are narratives, moving pictures that are bigger than just a throwaway afternoon of entertainment, movies that move us and make us dream, think, and love.

Can?Inside/Out?join the pantheon of the greats?

I know you won’t all agree. That’s what the comment section is for. What did I miss about your favorite PIXAR film? Show me the error of my ways with your response below!

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