It has long been said that those who don’t know the past are destined to repeat it. However, knowledge of man’s history is not necessarily a precursor to change. And Orwell 2+2=5 proves it. Directed by Academy Award-nominated...
Has FX become the new AMC? There was a time when AMC cranked out hit after hit. From Mad Men to...
In this 1on1, we speak to Hopinka about balancing tradition with change and creating inclusive spaces.
In this 1on1, we speak to the cast and producer of Rise of the Raven as they tell us about bringing history to life and elevating strong women.
In this 1on1, we speak to director Blake Winston Rice about the nature of intimacy and what makes sex so awkward to talk about.
The concept itself is very fun and explored pretty well. It delivers information about this world pretty efficiently allowing us to enjoy the quirks and irony of such a world.
The Napa Boys is less about plot than about comic invention, a wine soaked farce that skewers ego, nostalgia, and the ridiculousness of giving heroes multiple sequels.
The President’s Cake has an amazing child performance from Baneen Ahmed Nayyef, who plays this character with command and realistic mannerisms.
Monkey in a Cage refuses easy binaries: predator and prey shift roles as characters navigate corruption, poverty, and survival.
Train Dreams resists melodrama, instead crafting a meditative film about memory, resilience, and the ghosts that linger in ordinary lives. It is earthy, intimate, and quietly devastating.
Degrassi: Whatever It Takes is a masterful documentary without an opinion that quietly exposes 35 years of child exploitation.
Dog 51 moves with the pacing of a thriller but lingers on questions of justice and autonomy: who decides right from wrong when machines govern human lives?
I suppose this film is meant to make the viewer feel distressed because I not only felt sick to my stomach as I watched, but also entirely confused.