28 Years Later: The Bone Temple is deliciously unhinged
Brilliantly brought to life by Nia DaCosta’s detailed visual style, Bone Temple is a raw and eccentric experience.
Tag: Ralph Fiennes
Monsters and Men: 1on1 with Nia DaCosta (28 YEARS LATER: THE BONE TEMPLE)
Nia DaCosta is ready to step into a world of monsters. But, in 28 Years Later: The Bone Temple,...
TIFF ’25: The Choral – Fiennes makes sweet music
Older characters in the film have a more realistic view of the world, having lost something or someone to the war, so much so that the choral becomes a way to get through life, or a place of healing.
28 Years Later: Boyle’s infectious thriller is bloody brilliant
Maybe it really will take the apocalypse that forces us to remember what makes us human. Set...
The Return: Pasolini loves mythology but leaves out the magic
Even the greatest mythological stories are rooted in the human experience. And The...
Conclave: Berger’s Stellar Thriller Steeps itself in the Church’s Future
If you had told me that the best thriller of the year would involve electing a new Pope, I would...
TIFF ’24: Conclave
Directed by Edward Berger, Conclave begins as the Pope unexpectedly dies. As Cardinals...
The Menu: Eat the Rich
Caution: Some potential spoilers In The Menu, Hawthrone is one of the world?s most prestigious...
The King’s Man: Rewriting History with a Twist
You know Merlin and Roxy and Spencer and Harry, Arthur, and Arnold and Charlie and Eggsy? But do...
The Young Messiah: A Life Filled With Purpose
Now that we?re a few weeks from Easter, it?s about time for a feature-length film about the life of Jesus. The Young Messiah fits that bill. There is a twist, however: Jesus doesn?t die in this one.
Hail, Caesar – Golden Days of Hollywood a la Coen Brothers
The Coen Brothers? Hail, Caesar is an entertaining look at the old Hollywood Studio System with a load of insider references. (I would love to have a Cliff Notes type of resource to identify all those references.)