“Each of us is a priest of Christ. Me, you. Each and every one of you.” Oscar-nominated Corpus Christi (for Best International Feature Film) explores what it means to be a priest of Christ. But it does so through the story of an imposter who finds a community in need. The story is inspired by… [Read More]
I recently had the opportunity to speak by phone with Jan Komasa, director of the Polish film Corpus Christi, which is on the shortlist of films being considered for an Oscar nomination for Best Foreign Feature. The film is the story of a young man (Daniel) who impersonates a priest in a small town parish…. [Read More]
As AFI Fest 2019 Presented by Audi draws to a close, it is time to thank the festival and it’s press office for allowing me to attend and report on the festival. I also want to thank the countless volunteers who helped to make the festival run smoothly and make sure I got in the… [Read More]
Covering Slamdance has been a bit different for me because I didn’t actually attend the festival. Through filmmakers and publicists sharing screeners with me I’ve covered the film festival from the warmth of southern California.
“Love’s love and that’s that.” A pair of star-crossed lovers are the focus of Pawel Pawlikowski’s Cold War, Poland’s entry for Best Foreign Language Film consideration. Set in the years following the Second World War, it moves back and forth between the Communist and Democratic worlds, but it is not the geopolitical situation that is… [Read More]
AFIFest 2018 Presented by Audi has wound down to the end. It will be a few days before the results of the audience awards voting is known. But I’m sure the staff is pleased with this year’s festival and will soon be working on next years. I appreciate their hospitality and that they welcome me as press for the event.
Watching the film, I constantly wondered why these people would respond to Abraham with kindness when he was always so mean-spirited. But then that is what makes it grace.
The Zabinskis’ decision to harbor as many Jews as they could was a courageous act—and a very illegal one. They were well aware of the threat that the Germans represented—both to the Jews and to those who harbored them.
The film touches on the question of how God can allow such evil to exist, but without dwelling on it or trying to answer such and unanswerable question. Rather it focuses on how one moves on in the aftermath of such devastation—whether personal or societal.
Questions of faith and loss of faith—and of the lies that are told and crimes that continue to be committed in the name of doing good–all come into play.