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Marvel Cinematic Universe

Loki: ReWriting Our Future

June 9, 2021 by Steve Norton Leave a Comment

Is anybody better at bringing people back from the dead better than Marvel?

Whether its Phil Coulson reappearing in Agents of S.H.I.E.L.D. or Natasha Romanoff receiving her first solo film posthumously (albeit as a prequel), Marvel knows how to maximize the characters that fans have grown to love, even after their apparent deaths. Now, after his ‘no more tricks’ fate in Endgame, Loki returns in his own series which promises to have a major impact on the future of the MCU. 

Directed by Kate Herron, Loki begins during the events of Avengers: Endgame and sets the beloved anti-hero off on his own adventure. After escaping from the Avengers and crashing down in Mongolia, Loki (Tom Hiddleston) is arrested by the Time Variant Authority (TVA), a bureaucratic organization tasked with maintaining the consistency of time itself. Because of his actions, Loki is charged with disrupting the primary timeline and sentenced to being ‘erased’ from time itself… that is, unless he helps Agent Mobius (Owen Wilson) to capture an even greater threat to the universal timeline.

After The Falcon and the Winter Soldier sought to challenge their audience, so too did they also lose the ‘appointment television’ vibe that made WandaVision such a success. Loki should change that. Instead of focussing on the weight of social issues or effects of grief, Loki provides a much-needed dose of levity back into the MCU. With an emphasis on fun and humour, Herron has created a series with a tone far closer to the wildness of Guardians of the Galaxy than the gravitas of The Falcon and the Winter Soldier. Fueled by wit and silliness, Loki has a comedic energy to it that is sure to excite fans of the franchise. (Though, it’s worth noting that the first episode is exposition-heavy as the series must explain the existence of an entirely different layer of reality that’s been added to the Marvel canon.)

Without question though, the centre of the show remains Hiddleston. After all these years, Hiddleston is more than ready to step into the limelight as his charisma has elevated the role from standard villain to one of Marvel’s most adored characters. (Has it really been 10 years since he first put on the horns?) Due to the time travel element to Loki, Hiddleston brings the character back to his more mischievous origins and clearly relishes the opportunity to bring back Loki’s shades of grey. What’s more, the casting of Wilson as Agent Mobius also provides a suitable foil for Hiddleston. Known for his more innocent charm, Wilson uses his likeability to balance out Loki’s more menacing humour and the two are instantly one of Marvel’s more likeable duos.

With the inclusion of the TVA, the Marvel universe has changed drastically. With the multiverse beginning to come into play, a realm such as the timestream has huge implications for the franchise moving forward. This is a place where ‘time moves differently’, superhuman abilities are rendered useless and Infinity Stones are literally used as paperweights. (The TVA is also the first official mention of the ‘Nexus’ after WandaVision’s famed commercial segments.) 

Of course, this sort of environment is both stunning and enticing to Loki himself. As he marvels (see what I did there?) at their unbelievable power, Loki is forced to realize how small he may truly be. In this world, time is sacred and the TVA are sworn to protect it from those who would dare to change it. As such, Loki is arrested because his escape was not ‘supposed to happen’, even if the Avengers can seem to pull it off without prosecution. (After all, their transgressions were supposed to take place…) In doing so, the series suggests that every character or person has a lane by which they much adhere. Villains are going to be villains. Heroes will save the world. For the TVA, there is little room for improvisation and everyone must behave as they’re expected to behave. 

However, at the same time, the series offers somewhat of a paradox. (That’s shocking for any time travel series, I know.) While Loki is branded a criminal for his decision to break the timestream, he is also offered the chance to make it right. Instead of seeing him solely as a villain, Mobius sees him as something more and suggests there may be another way. (“I can’t offer you salvation but maybe I can offer you something better,” Mobius says cryptically.) To Mobius, Loki’s criminal history does not negate him but instead highlights his craftiness and ingenuity and could provide a new direction for his life.

For Mobius, Loki’s future is not bound by his past.

With a return to its more mischievous tone, Loki is a welcome return to form for the MCU. With Loki, Herron, Hiddleston and Wilson have created a world of limitless potential that should be an instant hit with fans. It’s always most fun when Marvel takes risks and, while Loki doesn’t exactly stray from the style that has made them a juggernaut, it does provide its most unique character with a whole new box of toys to play with. 

Loki is available on Disney+ on Wednesday, June 9th, 2021.

Filed Under: Disney+, Featured, Reviews, SmallFish Tagged With: Black Widow, Kate Herron, Loki, Marvel, Marvel Cinematic Universe, MCU, Nexus, Owen Wilson, The Falcon and the Winter Soldier, Tom Hiddleston, WandaVision

Captain Marvel – Putting the Super in Human

March 7, 2019 by Darrel Manson Leave a Comment

“There is nothing more dangerous for a warrior than emotion.” (Yon-Rogg)

A new superhero comes to the Marvel Cinematic Universe. Captain Marvel brings us the MCU’s first woman superhero, a soldier in the midst of an intergalactic war who ends up on earth and becomes ground zero for that war. Ah, but all may not be as it seems at first.

We first meet Vers (rhymes with fears, played by Brie Larson) in her dream. She seems to be haunted by some dreams that come from her past, which she doesn’t remember. All she knows is that the last six years she has been training as a warrior for the Kree. She trains with her commander and mentor Yon-Rogg (Jude Law) who keeps pushing her to not use her ability to throw proton beams, except when needed.

She is being sent on her first mission to rescue another soldier from the enemy Skrull. But before she goes, she has to meet with the Kree’s Supreme Intelligence (Annette Benning). Vers ends up captured, tortured as the Skrull leader Talos (Ben Mendelsohn) seems to mine her mind for information from her past (which triggers bits of memory in her), escapes from their ship and crash lands in a Blockbuster store on earth in 1995.

Once she communicates with Yon-Rogg, who starts a rescue mission, she is discovered by young S.H.I.E.L.D. agents Coulson (Clark Gregg) and Fury (Samuel L. Jackson). Eventually Vers realizes that she must team up with Fury to trace back the mystery of her past. She discovers she was an Air Force pilot named Carol Danvers who was part of a secret project and was killed in a crash. She traces down her friend Maria (Lashana Lynch) who was also a pilot. But Talos is also trying to find Vers again. At this point the twists start coming into play. Oh, and there’s a cat (sort of).

The journey from Vers to Captain Marvel requires her to rediscover who she is and what she is. It also requires that she come to terms with the very emotions that Yon-Rogg has been trying to have her bury. It is only after she finds her human side that she is able to make the transition from soldier to superhero. It is not so much a matter of power as it is of confidence, attitude, and compassion.

A part of that transformation is not just discovering her humanity, but embracing it. That means accepting the emotions that come so naturally to her—including fear, compassion, and even love. These are things that Yon-Rogg tried to suppress in her, but they become a kind of liberation as Vers becomes more than she knew she could be—and discovers that she has already been more that she knew.

The phrase “only human” comes up at one point, but for Captain Marvel the idea of being human is not about being “only” human. Her humanity opens up for her a new range of possibilities. It is only in being human that she becomes superhuman. This is emphasized visually near the end when Captain Marvel hangs in space in a pose very similar to paintings of the Ascension.

Within the Judeo-Christian creation story, humankind is created in the image of God. It just seems wrong to think “just human” when we have that understanding. Instead we should consider that fully understanding our humanity allows us to see the divine within ourselves—the superhuman.

Note: There are two scenes embedded in the credits. The first, midway through the credits, sets the stage for Avengers: Endgame. The second, at the very end, is a humorous scene, which may or may not have something to do with Endgame. There is also a montage of Stan Lee at the very beginning of the film, which got a bit of applause at the screening I attended.

Photos courtesy Marvel Studios

Filed Under: Film, Reviews Tagged With: Annette Binning, Ben Mendelsohn, Brie Larson, Clark Gregg, Jude Law, Lashana Lynch, Marvel Cinematic Universe, Marvel Studios, S.H.I.E.L.D., Samuel L. Jackson, science fiction, superhero film

Thor Ragnarok: Lies Destroy

March 13, 2018 by Arnaldo Reyes 2 Comments

The Marvel Cinematic Universe continues Phase 3 with the third solo film of Thor. The first Thor film was good, not great, but good. The second film was a big disappointment and a missed opportunity with one of Thor’s comic based greatest foes in Malekith. In Thor: Ragnarok, we get arguably the best film out of the three and Chris Hemsworth’s best performance to date. But does that make it a great film?

I guess it depends on you are as a viewer (I’ll get to that later).

At the end of Age of Ultron, we discover that Thor was in search for the Infinity Stones and the crazy dreams about the destruction of Asgard tells us what it means. This is where Ragnarok starts, as Thor gives us an introduction of what he’s been doing. Ultimately, he’s been trying to prevent Ragnarok from happening. Upon his return to Asgard, he finds Loki still pretending to be Odin and he exposes him. They then go looking for Odin who Loki put in a nursing home in New York. With the help of Dr. Strange, Thor and Loki get to Odin where the truth is revealed: Thor cannot stop Ragnarok because Hela (Cate Blanchett),the Goddess of Death, is coming. In their initial confrontation with her, they didn’t stand a chance and from there the race to stop Hela begins.

The other part of the film focuses on another Avenger who went missing after Age of Ultron, and that is Dr. Banner aka Hulk. Taking from the famed comic Planet Hulk storyline, Hulk is on a planet called Sakaar where he is a champion gladiator. Thor arrives and is forced to face him, all the while trying to escape and get back to Asgard.

As I said above, the film is the best version of Thor to date. It’s exciting and fun with great special effects and the Marvel staple of humor. It’s the type of film that shows where MCU is going, as they move towards a more ‘Guardians of the Galaxy-type’ loose fun adventure. (In fact, the opening sequence is a page out of James Gunn and the Guardians films in that it really lets you know that you’re in for a good time. The characters were great, and finally Hulk was given a personality rather than being portrayed as just a giant ape-like monster.

Of course, there are still those out there that won’t like it. I can see where many will think “nothing new here, same Marvel style film, bored of the formula, etc.” when they are looking for something different. For instance, my favorite film in the MCU is Winter Soldier because it is the one film that deviated from the formula and got it right, while others failed when they tried (Thor: The Dark World). But again, this film is extremely fun and definitely a good time for everyone.

However, and this probably the fanboy in me, I still left disappointed. Not because the film wasn’t fun, but because it left me wanting more. Hela was a formidable villain but I just didn’t get enough of her or the details of her background. I felt that I got two great stories crammed together and leaving me unsatisfied. Planet Hulk is one of the greatest Hulk stories in comics and this did it no justice. I would rather a full movie that stars this version of the Hulk (you know, the one with a personality) that details how he got to Sakaar and his rise in the gladiator world while working to liberate it. The film went too fast in parts where I wanted it to slow down and too slow in parts where I wanted it to speed up. By putting the story of Ragnarok and Planet Hulk together, we were cheated of great opportunities to flesh out the characters of Hela and Valkyrie as well as seeing Hulk as he should be and not just a mindless brute.

The one thing the film does well is in its message. Lies destroy, and Ragnarok came because of lies. In fact, most of Thor’s journey through all three films have come with him discovering the lies and sins of his father coming back to haunt him. Sin is a fickle thing. The Bible says that the wages of sin is death, and in this case it really was. Many times we fail to realize that the consequences of our actions don’t just affect us, but can affect those around us as well. It trickles down to our children, our friends and the world around us. Loki says it best when he tells Thor that, “it doesn’t feel good to find out you’ve been lied to your whole life”. Of course, his actions didn’t help in the matter. But the great thing about family curses is that all it takes is one to finally step up and put an end to it. In this film, it wasn’t just Thor taking that stand, but many of the characters needed to search within themselves and find redemption. Instead of running away from the problem, they must confront it and overcome it. A lesson we can all learn is that, to be worthy, we need to just simply believe in ourselves and do what is right.

Special features on the Marvel Studios Combo Blu-ray pack include “Getting in Touch with your Inner Thor” and “Unstoppable Women: Hela & Valkyrie.” There are deleted scenes, a gag reel, the director’s commentary, and the exclusive short, “Team Darryl.” Thanks to the Multi-Screen Edition, you can watch the film anywhere. 

Filed Under: Film, Reviews Tagged With: Hela, Hulk, Marvel, Marvel Cinematic Universe, Marvel Studios, Planet Hulk, Ragnarok, Thor, Thor: Ragnarok, Valkyrie

4.12 The Power of the BLACK PANTHER

February 27, 2018 by Steve Norton 8 Comments

http://screenfish.net/wp-content/uploads/2018/02/4.12-Black-Panther.mp3

 

As Marvel unleashed BLACK PANTHER, even they could not have foreseen the incredible impact that the film has had on both the box office and the culture at large! With its lush visuals and healthy portrayal of African-Americans, PANTHER has sparked positive conversations about race and depictions of culture on the big screen. This week, Steve welcomes back Chris Utley and Arnaldo Reyes to talk about the film’s impact and the power telling one’s own story.

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

4.12 Black Panther

Thanks Chris and Arnaldo for joining us!

For those of you in Canada who are interested, you can donate to ScreenFish by clicking the link below and simply selecting ‘ScreenFish’ from the ‘Apply Your Donation…’ area. 

https://www.canadahelps.org/en/charities/connect-city/

Filed Under: Film, Podcast Tagged With: Angela Bassett, Black Panther, Chadwick Boseman, Forrest Whitaker, Marvel, Marvel Cinematic Universe, Marvel Studios, MCU, Michael B. Jordan, T'Challa, Wakanda, Wakanda Forever

Black Panther: I STAY WOKE!

February 20, 2018 by Chris Utley 6 Comments

SPOILERS FROM THE FILM WILL BE DISCUSSED AND DISSECTED.  DO NOT READ UNLESS YOU HAVE SEEN THE FILM

My former Grambling State University Theatre Department classmate turned prolific R&B artist Erykah Badu has a song on one of her albums called “Master Teacher.”  The hook goes, “What if there were no N*****s, only Master Teachers?  I STAY WOKE.”   If you substitute the phrase Master Teachers for the word WAKANDANS, then you’ll get the vibe of where I’m going in light of this cinematic event that has been given to us this Presidents Day Weekend 2018.

I will leave the MCU fanboying to the experts here at THE FISH to ponder BLACK PANTHER’s place in the pantheon of Marvel films, analyze its connection towards the road leading to Avengers: Infinity War, etc.  I’ve got bigger fish to fry.  As does this movie.

Instead, I will build off of my thesis statement from my classmate – paraphrased and reappropriated for this movie.  Of course I know that Wakanda is not an actual place.  It’s birthed from the imagination of Stan Lee and Jack Kirby.  But, in my own mind, I see Wakanda as what might have been for my ancestors and I.  What would my motherland of Africa and my kinsmen be if the natural minerals and resources had not been fleeced and its people oppressed by apartheid and their ancestral offspring not led away in slaveships to the Carribean, South and North America to endure 400 years of violent, dignity robbing, identity snatching hardship by real life “colonizers?”  I look at those 5 tribes which form the fictional Wakanda and I see the true essence and spirit of who God has graced the African man and woman to be – regardless of whether the designation American appears afterwards.

I see honor and dignity. I see fierce devotion to ideals.  I see great technological and scientific advances.

I see PRIDE.

I desperately wanted my 12-year-old son and 8-year-old daughter to see and feel the same thing as I did when I watched the movie.  Their response was definitely more muted than mine.  I get it.  Because in our home – with God’s help – we have continually taught them to see honor and dignity in themselves; to have a fierce devotion to the biggest ideal of all: JESUS CHRIST IS LORD; and that technology, science, and all areas of greatness are available to them via education.

As I thank God for my kids, I also have to think about the other kids out there; the real life Erik Killmongers of the world.  The ones whose hearts have grown numb to the images of Strange Fruits in trees hung, maimed and slaughtered by more evil “colonizers.”  The ones who have attempted to take the derogatory ‘N-word’ label and soften it up by slicing 2 letters and adding an A on the end.  The ones who wish to continue the work of the real life Black Panthers.  I don’t think director Ryan Coogler set this film in Oakland by accident…especially when you consider that:

  1. The Panthers were born in Oakland
  2. Erik Killmonger’s plan of action – inherited to him by his father Wakandan Prince N’Jobu – is straight out of their playbook.

Call the real life Black Panthers a hate group if you want.  You’re missing the point.  These were a group of men and women who got tired of seeing the unjust oppression of their kinsmen by the ruling class and were ready to defend them even if it meant overthrowing the current systems of power.  Disagree with them and Killmonger all you wish. But before you judge, look at their point of view in the light of those dead Black men and women of the past…and present.

Killmonger, rightful heir to the Wakandan throne, wants to take the resources from his homeland and equip warlords across the world to free his kinsmen.  But T’Challa – our hero – knows there is a better way.  A way, as spoken in Post Credits Sequence #1, that does not involve creating division and using his homeland’s resource to foster oppression. T’Challa wants to use his kingdom to be a LIGHT to the world.  There was a time when Wakanda hid itself in fear of what MIGHT happen should their greatness got into the wrong hands.  But T’Challa recognizes that it’s time to come out of the darkness and into the light.

But that light only shines when we, as humanity, come TOGETHER.

That’s the one area in the real world where all of mankind needs to stay woke.  It’s not about White Supremacy or Black Pride reigning on the throne of society.  There is only one Throne and only one Kingdom in which every knee will bow to. And that King will be glorified when He sees all of His creation – all races, creeds and colors – united together to shine His light on our broken world.

Black Panther gets 2 fists up from me! ✊🏿✊🏿 May its record breaking success cause studio execs to GET WOKE about the abilities of Black filmmakers handling big budget blockbuster material.  I’ll say it loud!  BLACK PANTHER MADE ME PROUD!

 

 

 

Filed Under: Editorial, Film, Reviews Tagged With: Black Panther, Chadwick Boseman, Killmonger, Marvel, Marvel Cinematic Universe, MCU, Michael B. Jordan, T'Challa, Wakanda

3.25 Coming Home to SPIDER-MAN HOMECOMING

July 20, 2017 by Steve Norton Leave a Comment

http://screenfish.net/wp-content/uploads/2017/07/3.25-Spiderman-Homecoming.mp3

This week, Steve teams up with Peter Percival (YouTube’s Bearded Movie Guy) and Jeff Baker (Geek Orthodox podcast) to talk about SPIDER-MAN: HOMECOMING!  Peter Parker has swung back into theatres (and the Marvel Cinematic Universe) with his 6th film in the last 15 years.  Have his web-fluid gotten stale?  Or should our spider-sense be tingling to get to the theatre?  In a fun conversation, the guys get to talk about coming-of-age, the importance of the ‘small’ and their favourite ‘Spider-Moments’.

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

3.25 Spiderman Homecoming

A special thanks to Peter and Jeff for coming on the show!

 

Spider-Man theme song composed by winner Paul Francis Webster and Robert “Bob” Harris.  Copyright 1967

Filed Under: Film, Podcast Tagged With: Action, action film, film, Kevin Feige, Marvel, Marvel Cinematic Universe, MCU, Michael Keaton, New York, spider-man, Spider-Man: Homecoming, superhero, The Vulture, tom holland

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