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Hacksaw Ridge

Elevation Pictures Lowers Prices in Response to Pandemic

March 17, 2020 by Steve Norton Leave a Comment

In response to the vast number of those under self-isolation, our friends at Elevation Pictures have generously taken the bold move to lower the cost of some of their most popular films on iTunes. Check out the information below.

HUSTLERS – Buy for $9.99 

 Best Actress, Golden Globe Nominee
Synopsis: Inspired by the viral New York Magazine article, Hustlers follows a crew of savvy former strip club employees who band together to turn the tables on their Wall Street clients.

SHAUN THE SHEEP: THE MOVIE – Buy for 4.99

Best Animated Feature, Academy Award Nominee
Synopsis: When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it’s up to Shaun and the flock to return everyone safely to the green grass of home.

MISSING LINK – buy for 4.99

Best Animated Feature, Golden Globe Winner
Synopsis: Mr. Link recruits explorer Sir Lionel Frost to help find his long-lost relatives in the fabled valley of Shangri-La. Along with adventurer Adelina Fortnight, this trio of explorers travel the world to help their new friend.

HACKSAW RIDGE – buy for 4.99

Best Picture, Best Actor and Best Director Acadamy Award Nominee
Synopsis: World War II American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.

IMITATION GAME – buy for 4.99

Best Original Screen Play, Academy Award Winner
Synopsis: During World War II, the English mathematical genius Alan Turing tries to crack the German Enigma code with help from fellow mathematicians.

THE BIG SICK – buy for $4.99

Best Original Screenplay, Academy Award Nominee
Synopsis: Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family’s expectations, and his true feelings.

Filed Under: News Tagged With: Elevation Pictures, Hacksaw Ridge, Hustlers, Imitation Game, Missing link, Shaun the Sheep, The Big Sick

Silence – A Deeper Faith

March 28, 2017 by Jacob Sahms Leave a Comment

Months after seeing Silence for the first time, I still find myself in engaging conversations about what it means for people of faith today. The ends of conversations always seem to trail off in a complicated way that demand we agree to disagree, or at least understand that we can’t quite line up our understanding of faith with each other – or exactly with Martin Scorsese. I might argue that this is one of the principle reasons for the director to make the film: faith in itself is not a one-for-one, paint by numbers game; we each come to faith in our own way, even when it’s situated around the same deity.

To explore the Blu-ray, which comes with its sole special feature, “Scorsese’s Journey Into Silence,” I found myself revisiting what I wrote after seeing it the first time – because the film entertained, distressed, and uplifted me all at once. My exploration was deeper than any film I watched this year (with the possible exception of Hacksaw Ridge) as I found myself comparing and contrasting it to other films that discussed faith – or the incredibly heavy decision regarding the safety of others. Films like The Mission (another Jesuit story about faith in the midst of danger that also featured Liam Neeson) and To End All Wars came to mind in terms of faith and doubt in the presence of one’s enemies; the decision that Zach Snyder’s Superman makes in Man of Steel against his own morality but in favor of others stands next to Rodrigues’ own dilemma. And the subject of Christians facing persecution continues to be timely with news out of the Middle East and other ‘closed’ countries.

With that in mind, I revisit portions of the review that I continue to wrestle with, almost weekly, months later:

Silence, Martin Scorsese’s adaptation of Shūsaku Endō’s 1966 novel, stands as one of the most faith-filled films I have seen in a long time. Here, Andrew Garfield (Hacksaw Ridge) plays the Roman Catholic priest Sebastião Rodrigues, who embarks on a journey to find his mentor, Father Cristóvão Ferreira (Liam Neeson), after Ferreira is accused of renouncing his faith. On his quest to find Ferreira in feudal Japan around 1633. Sprawling and beautiful in its perspective of both the landscape and the actors, Scorsese’s film will challenge the audience to consider the heavy theological conversation playing out on screen.

In his initial quest, Rodrigues is joined by another Jesuit priest, Francisco Garupe (Adam Driver), as they travel from Macau to Japan, enlisting the aid of an alcoholic Japanese fisherman, Kichijiro (Yōsuke Kubozuka), to lead them to Ferreira. Along the way, the two priests discover a pocket of underground Christians whom they minister to until persecution falls upon the village at the hands of an “inquistor,” or a shogun samurai intent on eradicating Christianity. Kichijiro is the only one of the Japanese to commit apostasy, denouncing his faith for a second time; the priests escape and leave the village, believing their presence brings more danger to the villagers.

“The weight of your silence is painful.”– Rodrigues

Rodrigues and Garupe split up, and in the interim, Rodrigues wrestles with the appropriate way for a priest to lead his people in response to torture and persecution. Should someone hide? Should someone renounce their faith verbally to protect themselves and their family, all while continuing to believe? Can faith be held onto while verbally denying it? In the situations presented in the early going, apostasy amounts to simply putting one’s foot on an icon, or plaque, with a Christian scene. But as Rodrigues prays, he feels the weight of the silence because he doesn’t, at that time, hear God speak back to him.

“We find the doctrine you bring to be of no use to Japan, and a danger to us.”– Inoue Masashige

In time, Rodrigues is captured, and the images of his life as echoes of the lives of Jesus and the Apostle Paul are played out across the screen. His imprisonment is the result of betrayal, and that comes with a bag of silver literally thrown at the now repentant betrayer; Rodrigues is regularly dressed in royal/priestly robes and walked through town on a donkey; Garfield himself grows to look more and more like Jesus as the film develops over its nearly three-hour run time. All of this is at the hands of the governor of Nagasaki, Inoue Masahige (Issey Ogata), who instructs his lieutenant, The Interpreter (Tadanobu Asano), to break Rodrigues’ spirit. We see this through the nefarious, devil-like tone of the Interpreter, through the way Rodrigues’ European identity (clothes, beard, etc.) are stripped from him, and through the way he will be given a new name, spouse, family, and place to live (an altered mirror image to his entry into the priesthood).

“If the gospel has lost its way here, it is not the fault of the church.”–Rodrigues to Massahige

In the face of verbal abuse and physical persecution, Rodrigues continues to debate the power of God’s providence in the face of persecution. Initially, he and Garupe debated the reality of apostasy, defined as “an act of refusing to continue to follow, obey, or recognize a religious faith” (Merriam-Webster). But the majority of the film revolves around simply stepping on the icon, or fumi-e, until the final third. Throughout the first two-thirds, Rodrigues and Garupe held to their strong belief that Ferreira would not have apostacized, would not have taken a Japanese wife and children, would not have abandoned his faith. Their belief in what they believe about him allow them to believe in something tangible about God – even while God seems silent in the midst of suffering.

“It is not necessary to persuade someone to one side or another, when there is so much to share.” –The Interpreter

I would be remiss to discount that the Church, made up of Christians, have had our own ‘inquistors,’ whether it’s the Crusades of the Middle Ages, the Salem Witch Trials of early America, or some current judgment handed down from one subset of the church against each other or unbelievers. But in Silence, Scorsese shows how Christians find different responses to persecution, reminding us that the terrifying pain these priests and villagers experienced is more akin to the suffering of those in the Middle East today or various communist countries not what we sometimes fool ourselves into thinking is being persecuted in the United States.

And still, I find myself focusing on the way that the Japanese leaders believed they were eradicating a disease from their country, often talked about in terms of a swamp. Christianity was a young tree (given the ancient history of China) or a weed that could not survive out of its European context. In fact, the Interpreter and Massahige believe that they are liberated, that Rodrigues is confused because he doesn’t understand his cultural context or the meaning of truth; he recognizes that their cruelty (which is shown in a wide variety of creative, pain-inducing ways) veers into the extremist territory of cults and power-hungry rulers, turning aside from religion.

“If Christ was here, he would’ve apostasicized for their sake.” — Ferreira

The film circles back to what it means to apostacize, and what it means to be a person of faith. We know that Kichijiro has given up his belief system over and over again to save himself, shedding it like a skin; we see Rodrigues rebuff attack after attack, often at the cost of some Japanese villager. In the end, he must make decisions that echo Superman’s decision at the end of The Man of Steel, showing the universal Christ-figure element to each of those films, and asking, “what must we do for the greater good, both in and outside of the faith community?” But we recognize that there’s a certain amount of “God vision” that we take on ourselves when we judge another person’s actions in a situation in which we’ve never been. What would you or I do if faced with being hung upside down to bleed to death, or if our family was threatened with being set on fire? I find it hard to judge another person’s faith by how they respond in that moment.

“Laudate Eum.”– carved inside a prison cell

One of the most head-scratching, gospel-infused moments occurs when Mokichi returns grace to Rodrigues. Even though Kichijiro is a habitual apostate, a repeat offender on a religious and personal scale to Rodrigues, the priest continued to provide confession for Kichijiro, although Rodrigues himself struggled with how to show grace, to love the wretched. As he deals with his own understanding of his wretchedness, his own reception of grace comes through Kichijiro, two sinners recognizing the beauty of God’s love. While the inquistors have been hellbent on eradicating Christianity from Japan, the audience recognizes that there will never be a “last” Christian in Japan because community rises where two or more are gathered together. At the very least, the audience walks away wondering how they hear God and if they are being faithful in their faith walk in the face of much less adversity.

In the end, Silence is better than you might have heard, and more layered than I can cover in a few words. With echoes of the real-life experience of Louie Zamperini’s life as depicted in Unbroken (or the memoir-turned-film To End All Wars), Silence is based on a novel, but revolves historically around “apostate priests” who lived out their faith more complexly than many of us will ever be challenged to. It is often slowly building and occasionally gruesomely violent (earning the R rating), but even moreso, it’s a testament to how faith and doubt work in the crucible of persecution. This is the kind of film I want for the church – to challenge, to encourage, and ultimately, to inspire to follow Jesus’ steps more closely. Whenever you see it, it will leave you with questions – and hopefully, it will bring you closer to God in prayer and in action.

Filed Under: Current Events, DVD, Editorial, Featured, Reviews Tagged With: Adam Driver, Andrew Garfield, Hacksaw Ridge, Liam Neeson, Martin Scorsese, Silence

The Best Films of 2016 (Updated)

December 15, 2016 by Jacob Sahms 1 Comment

deadpool
This year, there are no blockbusters, no Marvel superheroes, on my list of my favorite films. This year, the films that caught my eye – and held onto my imagination, days later – weren’t the ones with the biggest budgets, or even always the most-known cast and crew. This year, the films were films that captured my heart thanks to the power of their story, the visual presentation of their message, and the size of heart that that they conveyed.

Film criticism is a lot like politics in the media – everyone has an opinion, but they think they’re objective. [Seriously, Trolls holds a better Rotten Tomatoes score than Allied, Fantastic Beasts & Where to Find Them, and Collateral Beauty? C’mon, people. Trolls are just little plastic guys from a 1980s fad – or are we rating Justin Timberlake and Anna Kendrick?]

So, with apologies to Benedict Cumberbatch, and that unkillable antihero Deadpool, here are my top ten for 2016, trimmed down from the 135 films I saw. We won’t all agree, but we have to start somewhere.

hf

Hidden Figures is the best film I didn’t see coming. Thanks to solid performances and an incredibly bold story about faith, race, power, dreams, and engineering, it left me in tears – laughing and crying at the same time. When several women dream about breaking the glass ceiling of race and gender, they literally put a man on the moon. Octavia Spencer, Tariji B. Henson, and Janelle Monae provide a film that inspires and entertains.

 

unknowns

At Arlington National Cemetery, Tomb Guards or Sentinels keep watch over the Tomb of the Unknown Soldier twenty-four hours a day, 365 days of the year, regardless of weather. In Ethan Morse’s film, The Unknowns, we were treated to an inside look at how the men of The Old Guard, a select unit from the U.S. Army, serve. With simple interviews, ‘live’ shots of the work these men do in front of the public and behind closed doors, the film carries with it a reminder that our flag still waves thanks to the bravery of some whose names will never be known. Months later, I am still reminded of its beauty, both in pure patriotism but also in faith – faith that one day, war will end and all people will be free.

 

rogue-one-jyn-ersa-geared-up

Bumping The Accountant from the list, Rogue One, a Star Wars Story proved to be the best film I’ve seen from the Rebel Alliance in thirty years. While the field has been increased – we finally have a non-Skywalker family drama – the power of the Force remained strong. With ample banter about faith, a wildly diverse cast, and a story that squeaks in at Film #3.5, we had a prequel to A New Hope with plenty of time to spare.

 

kubo

Startling in its animation, thanks to the beauty of Laika’s stop-motion  capture, Kubo & the Two Strings spins a fantasy adventure around a one-eyed boy and his epic adventure to thwart his grandfather’s evil plan. Accompanied by a giant beetle (Matthew McConaughey) and a snow monkey (Charlize Theron), the young boy goes questing. With fewer laughs and more intensity than you might expect from a ‘kid’s cartoon,’ Kubo asks us to consider how we forgive, and what it means to care for our ancestors as they age. In a wonderful way, the fantastical road trip morphs into deeper explorations about life, death, and where we go from here.

 

birthofanation

While it was impossible to watch The Birth of a Nation without considering the allegations against the story’s creators, Nate Parker and Jean McGianni Celestin, it was equally impossible to watch the film blind to the racial unrest in the United States almost two hundred years after the Nat Turner rebellion. Powerful in its simplicity, poignant in its relational dynamics, and spiritual in its evaluation of the use of religion to control, direct, and comfort, Parker’s film is haunting in its violence, and its awareness of the latent power of racism. While Turner was himself a preacher, the film’s use of Scripture from both sides stirred and troubled my soul.

 

insanity

This year, two documentaries captured my attention, with The Insanity of God shining a light on the family of missionary Nik Ripken as he struggled with his faith after great tragedy. While this is Ripken’s story, it is also the story of others who bled and died for the gospel, told unflinchingly. I’ll never forget Ripken’s own admission, after interviewing others persecuted for their faith: “Now, I’m in deeper danger, because the Bible is coming alive. Satan had tricked me into believing that the Bible was an old book, with things that God used to do. And here I was experiencing the Bible in the present tense, with the things God did coming alive.” A movie that will surely ask you to consider what you believe, and what you would do to pursue your faith.

 

midnightspecial

What would you do to protect your child? What sacrifices would you make if you saw how beautiful, special, or powerful they were that no one else understood? Those are the questions that Midnight Special poses, thanks to writer/director Jeff Nichols’ emotionally wrestling with his own son’s mortality. In a stripped-down sci-fi exploration that would make Philip K. Dick or Steven Spielberg proud, the director of Loving gives us another chance to unpack our own humanity.

 

hellorhighwater

On the surface, Hell or High Water is a Jesse James/Butch Cassidy & Sundance kind of Western lark, set in the present. But thanks to Taylor Sheridan’s script, we explore the aging process of Jeff Bridges’ senior Texas Ranger and the us-against-the-system dynamics of two brothers, Toby and Tanner (Chris Pine and Ben Foster). [Ironically, I don’t always enjoy Foster’s movies, but he always impresses with his performance.] While there’s a bit of clever banter and action/adventure, the film’s heart is driving at the financial crisis of America and the futility for some when trying to improve themselves. Who is the villain here in this spiritual parable about love and grace? The bank and its overarching line of credit.

 

zootopia

It was a good year to be animated, and Zootopia was the crown jewel. I declared it a candidate for Best Film of the Year when I walked out of the debut, and it didn’t miss by much. Disney’s film about a ‘utopia’ where animals are divided into different boroughs, showed kids and adults alike what it meant to fight and get along. While the struggle was real, it also blended in some lessons about what it means to follow your dream – and be who you’re supposed to be even when others say you shouldn’t. In our bipartisan day and age, Zootopia asked us to consider whether we could love each other for what we brought to the table, rather than manipulating each other for what we could get out of it.

 

hacksawridge

My most anticipated film of the year – Hacksaw Ridge – did everything I hoped it would. Challenging patriotism, courage, and pacifism, the film asked us to consider the stances we take, and that others make, and how we respond to them. While faith was front and center, it still felt subtle – and somehow, more powerful. Andrew Garfield’s portrayal of Desmond Doss tied the legend of the Medal of Honor winner to a story that felt real and grounded. Mel Gibson’s direction plus Terry Benedict’s research? This is one I hope to hear talked about next spring.

What did I miss? What do you need to see now? What criteria would you use instead? Post below and share your thoughts.

[Editor’s note: I still haven’t seen Collateral Beauty, Loving, Rogue One, or Sing as I write this. Edits pending?]

Filed Under: Current Events, DVD, Editorial, Featured, Film Tagged With: accountant, Birth of a Nation, Deadpool, Desmond Doss, Dr. Strange, Hacksaw Ridge, hell or high water, insanity of god, Jeff Bridges, kubo and the two strings, Marvel, Mel Gibson, Midnight Special, Moana, Rogue One, storks, the unknowns, Walt Disney, zootopia

1on1 with Terry Benedict (producer, HACKSAW RIDGE)

November 20, 2016 by Steve Norton Leave a Comment

hacksaw ridge

HACKSAW RIDGE tells the story of Desmond Doss, a conscientious objector in WWII who earned the Congressional Medal of Honour by  rescuing 75 men as a medic. This week, Steve has the privilege to speak with the film’s producer Terry Benedict about Doss’ life and the relationship between faith and war.

http://screenfish.net/wp-content/uploads/2016/11/Terry-Benedict-Producer-HACKSAW-RIDGE.mp3

A very special thanks to Terry Benedict for joining us for the conversation this week!

hacksaw1

Filed Under: Film, Podcast Tagged With: Andrew Garfield, Conscientious Objector, Desmond Doss, documentary, Hacksaw Ridge, Lionsgate, Mel Gibson, Remembrance Day, Terry Benedict, Vince Vaughn, war

Most Intriguing Films of Fall 2016

September 5, 2016 by Jacob Sahms 4 Comments

magnificentseven
Here’s my annual preview of my most anticipated films for the fall. The beauty of a list like this is that that everyone will agree – especially my cohorts here at ScreenFish! So check out my list, and consider what I’ve missed – and let us know.

deepwaterhorizon
In the disaster film category, there are two major options for your consideration: Sully (out Sep. 9) and Deepwater Horizon (out Sep. 30). The first stars the incomparable Tom Hanks as Chelsea Sullenberger, the airline pilot who safely landed his commercial plane in the Hudson River in 2009, and the second stars Mark Wahlberg as Mike Williams, a worker on the oil rig that caught fire in 2010. Of the two, Sully looks more intriguing based on the grand inquisition Sullenberger experienced after safely landing the plane.

storks

The first of two animated films that I have my eye on, Storks (Sep. 23) is a funny, family-oriented lark that captures more amusement than the trailer and asks us to consider how families work. [Editor’s note: I’m cheating a bit, because I’ve already seen that one.

sing

The other animated flick is Sing (Dec. 21) features a vocal ensemble aimed at small town’s American Idol-like competition. But it’s an animal town a la Zootopia, with the likes of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly, Tori Kelly, Taron Egerton and Nick Kroll providing the voices. It’s all about finding your gift and following your call…

queenofkatwe

Speaking of finding your gift, The Queen of Katwe (Sep. 23) stars one of my favorite actors, David Oyelowo, as a missionary with the Sports Outreach Institute, alongside Lupita Nyong’o. Give me a sports story (yes, it’s about chess) and a strong cast any day.

birthofanation

There’s controversy surrounding Nate Parker, but his film, The Birth of a Nation (Oct. 7) is bound to make waves. I know that The Girl on the Train stars Emily Blunt and is the “buzz” movie of October, but I’ll take a film about Nat Turner named after a KKK promotional piece. That takes guts.

monster

On October 21, we’ll have our mandatory Liam Neeson sighting in A Monster Calls. Well, we’ll hear his voice as the monster, the visual realization of twelve-year-old Conor’s emotional state. There’s something spiritual about the imagination personified, and the film is shooting up my list of ‘must see’ films this fall. The rest of October, hello, Jack Reacher: Never Go Back and Inferno, are entertaining, but not blowing my mind.

hacksaw ridge

For all of his problems, Mel Gibson makes good films. Hacksaw Ridge (November 4) is the real life story of a conscientious objector, Desmond Doss, who refused to take up a weapon but won the Medal of Honor for his efforts during World War II. The second Spiderman, Andy Garfield, stars as Doss, but Vince Vaughn, Sam Worthington, and Hugo Weaving guest star. This one smells like an award winner – and is the one I’m most excited about this fall. Yes, I said it.

doctorstrange

But I might have to pull a double feature that day because Scott Derrickson’s Doctor Strange arrives the same day. Benedict Cumberbatch plays another curmudgeon, only this time it’s one of Marvel’s heroes who is a surgeon-turned-magician with a big ego and damaged hands. Tilda Swinton guest stars, which of course, has caused a whole set of controversy because the Ancient One is supposed to be an old Asian dude.

fantasticbeasts

Can Harry Potter, er, J.K. Rowling’s, world make it in America? Oscar winner Eddie Redmayne will try and discover the answer in Fantastic Beasts and Where to Find Them (Nov. 11). It’ll be eye-popping, and probably well scripted.

thefounder

On December 16… The Founder comes out. You were expecting something else? Michael Keaton stars as the guy who gets credit for McDonald’s. There’s something going on there though – and it’s not just about how they make the fries so addictive.

rogueone

I’m actually more excited about this one, Rogue One, than I was about The Force Awakens. In some ways, that one made me a believer. Now, with an eclectic, diversely ethnic cast, behind a female lead, I think the Star Wars universe is going where no man has gone before. See what I did there? While The Space Between Us and Passengers may explore AI questions and bigger pictures, my money will most likely get spent in George Lucas’ universe.

spacebetweenus

Have I convinced you? I doubt it. So tell me what I got wrong!

Filed Under: Editorial, Featured, Film Tagged With: Benedict Cumberbatch, Birth of a Nation, David Oyelowo, Doctor Strange, Hacksaw Ridge, Katwe, Liam Neeson, Mark Wahlberg, Nate Parker, Rogue One

Faith-Based Coming Attractions

August 10, 2016 by Darrel Manson Leave a Comment

One session at the recent Variety PURPOSE Family Entertainment and Faith-Based Summit featured some of the faith-based projects that are in various stages of development. It began with a clip from The Preachers, which recently had a three week test run on the Fox Network with the possibility of being picked up. It is a daytime talk show with four African-American megachurch pastors. It was described by Stuart Krasnow of Warner Bros. Television as “essentially The View with four preachers”.

Perhaps best known of the projects discussed is Ben-Hur, the remake based on the Lew Wallace novel that opens later this month. Then in September Hillsong – Let Hope Rise will be released. Angela Jollivette of the Grammy Awards noted that this is the Australian bands crossing over into film and expanding its brand into new categories.

They screened a trailer for Vanished: Left Behind – Next Generation. It is a renewal of the Left Behind franchise with very clear targeting of a young adult audience. The films’ producer, Dave Alan Johnson, described the concept as “Twilight meets The Walking Dead and Revelation”.

A film coming out soon that may well be below people’s radar (even though it is a Disney film with a very strong cast) is Queen of Katwi, the true story about a girl in Uganda who becomes a chess champion.

Perhaps the project that appealed most to me was Hacksaw Ridge, directed by Mel Gibson and coming out later this year. It is the story of a conscientious objector who served as a medic in World War II and won the Medal of Honor at the Battle of Okinawa.

Among other projects mentioned were Same Kind of Different than Me coming out in February, the film version of The Shack, and an animated nativity story, The Star.

Filed Under: News Tagged With: Ben-Hur, Hacksaw Ridge, Hillsong, Left Behind, Queen of Katwi, Same Kind of Different than Me, The Preachers, The Shack, Vanished

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