Shelby Oaks’ Chris Stuckmann talks about positive obsession
In this 1on1, we speak to director Chris Stuckmann about positive obsession and his fear of having kids.
Read MoreIn this 1on1, we speak to director Chris Stuckmann about positive obsession and his fear of having kids.
Read MoreIn this 1on1, the three directors/stars discuss the realities of parasomnia, working with Eli Roth and the influence of classic horror.
Read MoreThe genius of Rebuild is that it really gives itself the freedom to upend the table. This ability to play new games with their own pieces has truly brought a fresh energy to the (surprisingly stagnant) Star Wars franchise. Seriously, I didn’t see it coming.
Read MoreCinema can’t seem to resist the story of a high stakes gambler. From Leaving Las Vegas to Casino...
Read MoreRichard Linklater’s Blue Moon is a study in contradiction. From the title card that opens the films with two contrasting comments about Lorenz Hart, it pushes and pulls viewers various directions at the same time. But it is only through that frenzy that we can appreciate the chaos that makes up this conflicted person.
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