ScreenFish

where faith and film are intertwined

Palestine

No More Masks; Israel Conflict; The End for the Church?; Resident Evil 8

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In this jam-packed, lightning round episode of the Your Sunday Drive podcast, we cover four fascinating topics in just one hour!

First, mask mandates go away as we seem to be approaching the end of the pandemic. What’s our experience so far and how do we handle the inevitable cultural friction of the moment?

Next we talk about the renewed conflict in Israel. What’s the history and context of the current violence and, most importantly, how can Christians respond?

Church membership is down and deconversion stories are on the rise. We dig in to these trends and how, counterintuitively, there may be good news afoot.

Finally, we spend some time discussing our current fave books, shows and games. Resident Evil Village (Resident Evil 8) is the focus, with a surprising connection made between fandoms and the church.

Come along for Your Sunday Drive – quick conversation about current events, politics, pop culture and more, from the perspective of a couple of guys trying to follow Jesus.

Hosts: Matt Hill and Nate Polzin. Presented by the Church in Drive of Saginaw, MI, as often as possible. Please visit churchindrive.com and facebook.com/thechurchindrive

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A Look at the Oscar® Nominated Live Action Shorts

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When it is time to award the best in films each year, the Academy of Motion Pictures Arts and Sciences include three categories of short films in their Oscar ® presentations. Most people don’t get to see many shorts. They play at festivals, and occasionally in front of a feature film. But short films are an art form worth attention. Many (probably most) feature filmmakers started out making short films. To tell a story in such a brief format takes skill. All the Oscar-nominated short films will be playing in theaters and on virtual cinema in special programs.

Let’s take a look at the Oscar ® nominated live action shorts.

Feeling Through (19 minutes, directed by Doug Roland). Tereek, a homeless teen helps Walter, a blind-deaf man (played by a deaf-blind actor), find his bus to get home. He learns to see the man as more than a problem, and also gets perspective on his own trials.  This is a very moving story. In just a few minutes of screen time, we see tremendous growth in Tereek’s character. For him this is truly a life changing experience.

The Letter Room (33 minutes, directed by Elvira Lind). When a sensitive prison guard gets transferred to the mail room, his job is to read all the incoming and outgoing mail. He is enthralled with the very personal letters sent to a death row inmate. But perhaps the reality is less than he imagines. Nice performance from Oscar Isaac as a man who strives to be kind, even in an unkind environment.

The Present (25 minutes, directed by Farah Nabulsi). This Palestinian film is the story of a man who sets off with his daughter to go into town to buy an anniversary gift for his wife. The way is complicated by checkpoints, hostile Israeli soldiers, and segregated highways. It becomes a trial by humiliation. Can the man get the gift home and still maintain his stature in the eyes of his daughter? This look at life within the occupied Palestinian territories shows some of the injustice that people must face, with no real rights or power. The Present is currently streaming on Netflix.

Two Distant Strangers (29 minutes, directed by Travon Free and Martin Desmond Roe). When a man wakes up in his girlfriend’s apartment, he sets off home to take care of his dog. But when he runs into trouble with a racist policeman, it ends tragically. Then he wakes up again…. This is something of a Black Lives Matter version of Groundhog Day. There are lots of different scenarios, but it always ends in the police killing of a black man.

White Eye (20 minutes, directed by Tomer Shushan). In Israel, a man finds his bike stolen weeks ago. It now belongs to a Somalian immigrant who bought it at bus station. When the police get involved it becomes far more complicated than the man wanted. The film moves from being about what rights a person might have to what is the right thing to do in a difficult setting.

My favorites among these are Feeling Through,because it brings hope out of darkness in a touchingly human way; and Two Distant Strangers, for the way it uses the time loop trope to emphasize the way the killing of black people seems be something we wake up to anew each day.

To see where you can see these shorts, go to https://shorts.tv/theoscarshorts/

Saturday at AFI Fest 2017

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The first full day for the festival took me on a trip around the world. That’s one of the values of film festivals, we get to see other lands and cultures without the expense and time of travel. (Not that I wouldn’t love being able to go to so many places.) We also get to see through different eyes. Four of the films for today were from women directors. Some have lived in more than one culture and so can compare and contrast. To see such films encourages us to see our own world and culture as others might.

From Spain comes Summer 1993 (New Auteurs section). Director Carla Simón tells a story based on her own childhood. After her mother’s AIDS-related death, young Frida moves into the Catalan countryside to live with her uncle and his family. She is surrounded by loving family members, but she has not yet come to grips with the enormity of the change in her life and discovered how to deal with the grief she holds inside. The beautiful, sunny countryside creates a contrast for the pain that Frida has. Summer 1993 is Spain’s official entry for Best Foreign Language Film.

Joachim Trier’s Thelma (World Cinema) is a nicely creepy film coming out of Norway. Thelma has grown up in a religious family, but has now set off to university, where she finds new ideas and experiences life in new ways. She is strangely attracted to another student, Anja. But when she starts having unexplained seizures strange things begin to happen. There are secrets from her past that come to bear on her life and a chance for her to find happiness. Thelma is Norway’s official entry for Best Foreign Language Film. It is slated to open in theaters on November 24.

Wajib (World Cinema) is a father/son story from director Annemarie Jacir. Shadi, an architect living in Rome, returns to Israel, to help his father Abu Shad hand-deliver wedding invitation for Shadi’s sister’s wedding. As the two men drive around Nazareth and visit friends and relatives, their differences create tensions. For Shadi, a Palestinian living an affluent life abroad, there is a culture clash in returning. The relationship between the two is very complex, at once loving and fractious. Has Shadi abandoned his family and people (as his mother did many years ago)? Has Abu Shadi compromised his principles to advance his career? As a father and a son, I found this a very universal reality of the difficulty in understanding a generational difference, yet being bonded by a lifetime of love. Wajib is the official Palestinian entry for Best Foreign Language Film.

In Iram Haq’s What Will People Say? (New Auteurs) a 1.5 generation Pakistani immigrant lives a dual life: the perfect Pakistani daughter at home, but a normal Norwegian teenager among her friends. But when Misha’s father discovers her with her boyfriend in her room late one night, everything changes. The story is a clash of important values. For the West, where Nisha has grown up, freedom is perhaps the highest value. But for her family, both in their new country and back in Pakistan, honor is paramount. It may seem that her parents are only concerned with how they are perceived, but at the same time it seems they are acting out of love for their daughter, trying to provide her with a life that fits their worldview. Of course, I watched this through western eyes, so some of the responses by her family seem extreme, but at the same time I could empathize with their desire to raise their daughter in what they considered a proper life. Mark this down as one of my favorites of the festival.

I traveled to South Africa with Jenna Bass’s High Fantasy (New Auteurs). Four friends (three women, one white, one colored, two black) go to an isolated farm for a camping trip. But when they wake up in the morning, they have somehow swapped bodies. This is more than Freaky Friday. As they struggle to understand what happened, they must also struggle with the difficulty of what it means to live in a “rainbow nation”. The racial and sexual differences are not something that can be covered up by just “walking a mile in another’s shoes”. The resentments of generations of apartheid and oppression are too deep. South Africa continues to be a country that struggles with racism—as does the U.S. This film is not about finding easy answers for how we live together in racist societies, but rather it raises some questions that need to be addressed if we are ever going to find ways to move forward.

 

Colliding Dreams – The Evolution of Zionism

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The root of the Israeli-Palestinian conflict can be found in the history and development of Zionism. Colliding Dreams is a documentary that traces that history “as seen through the eyes of the inhabitants of the land.” It provides a good introduction to some of the issues that drive both peoples and the way those issues have shifted through the decades.

The film is organized into chapters that show various stages in the development of Zionism. Chapter I is entitled “The Jewish Dilemma.” It shows the ways Jews in Eastern Europe really had no place in society. When pogroms began in the 1880s some suggested moving to Palestine and resettling. The first such settlers began going there in 1882. Bu the end of the 19th Century a Zionist Congress began meeting to promote this as a political idea.

Kibbutznik_Picnic

Chapter II, “One Land, Two People,” begins with the 1917 Balfour Declaration by the British Government supporting a Jewish Homeland in Palestine. (It is of note, that Britain did not possess Palestine at that point.) Immigration of European Jews continued, and it began to create some friction with the inhabitants of the region. This chapter continues through Israeli Independence and the War of Independence, which set the boundary between Israel and the Arab areas. At this point talk of Zionism went away because its goals had been accomplished.

Chapter III, “Another Zionism,” begins following the Six Day War in 1967. After that war, when Israel began occupying the West Bank, some more conservative religious groups began to talk of Zionism in messianic terms. They proposed that Israel should settle all the lands of ancient Israel (which reached well into Iraq). This is a time of a political shift within Israel.

Three_Arab_men_in_front_of_cafe_AlBirra_WestBank

Chapter IV, “Recognition,” focuses on the ongoing hostilities that grow out of the dispossession of the Palestinian people, starting with the First Intifada. The film ends with a Coda, “The Zionist Dilemma” which outlines the basic reality that the occupation has been a major transformation from original Zionist principles and that there seems no just and politically acceptable way of dealing with the issues that Israelis and Palestinians face.

As the film says at the beginning, all of this is related by “the inhabitants of the land,” both Jewish and Palestinian. It includes people whose families were among the early settlers to come from Europe, soldiers from various wars, academics, and people from all walks of life. They have wide ranging understandings of the problem that Zionism has created, even though they may recognize the need for the original idea of Zionism. The film is balanced in its approach and brings insight that bring the current situation in Israel and the Palestinian Territories into focus in ways some may not have considered.

Photos courtesy of International Film Circuit