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Ben Stiller

Comfort Films #8: Meet the [Caddyshack]

When times are tough, what stories do you turn to? Our new series, Comfort Films, is designed to look at the stories that are important to us and why they help bring us up with everything feels down. This week, author Troy Kinney and Screamfish?s Jason Norton return to chat about family humour in Meet the Parents, community through quotability in Caddyshack and being able to change the past in Back to the Future.

You can also stream the episode above on podomatic, Alexa (via Stitcher), Spotify or Soundcloud! Or, you can download the ep on Apple Podcasts or Google Play!

The Meyerowitz Stories (New and Selected)

The Meyerowitz family has spent their lives talking past each other. How can they find ways to say the important things that must be said? Noah Baumbach?s The Meyerowitz Stories (New and Selected) is a comic, yet painful look at a family that must struggle to get past a lifetime of the barriers they have built between each other.

The film is an ensemble piece with a strong cast. Family patriarch Harold (Dustin Hoffman) is a little-known sculptor and retired art teacher. He is defined by his outsized sense of importance. His son Danny (Adam Sadler) is moving in with him after Danny?s daughter heads off to college and Danny and his wife separate. Danny?s sister Jean (Elizabeth Marvel) leads a peaceful suburban life. Danny?s half-brother Matthew (Ben Stiller) is a well-off West Coast money manager. (Others rounding out the cast are Emma Thompson, Judd Hirsch, Grace Van Patten, and Candace Bergen)

All three of the children have issues with Harold. They also have issues with each other. As the film progresses these issues become apparent, but when Harold?s health fails, they must learn to bridge the emotional chasms that have grown through the years. Many of the problems involve Harold?s self-absorption. His ego seems to believe that all the world should revolve around him. He notices almost nothing about those around him. Because of this, conversations are often two people talking about different topics, never hearing what the other person is saying.

These scenes are comic, but they make for a painful comedy, because they grow out of the suffering that each person has buried for so long. Hoffman, Sadler, and Stiller are all accomplished in comedy, and it serves the film well to have them in these roles, even though it is much more somber than we are used to seeing them.

This focus on lack of the ability to communicate with each other is the foundation for the most powerful section of the film in the last third, after Harold?s health suddenly becomes a serious concern. The siblings, each in their own way, must find their paths to say goodbye to the father that has been such an aggravation to them. As it so often the case, the animosity is interwoven with the love they each feel for their father. That complexity creates a struggle far more difficult to deal with than the frustrations they felt when Harold was healthy. The struggle with impending grief adds yet another layer of pain to the dynamic. As the closing credits roll, Randy Newman?s song ?Old Man? plays, which provides an excellent coda to this tragi-comedy.

The film is showing in select theaters and also streaming on Netflix

Photos courtesy of Netflix

 

Zoolander No. 2: Blue Steel is Back, Right?

zoolander2

Fifteen years ago, Ben Stiller and Owen Wilson delivered?Zoolander, a film that ridiculously satires our thoughts on beauty, modeling, and humanitarian inclinations. It was dumb – but it seemed to be dumb on purpose. In fact, it was critically and commercially a success! But fifteen years later,?Zoolander No. 2?comes across much like the signs that Derek and Hansel are forced to wear early in the film, “old” and “lame.”

After everything about Derek Zoolander’s life comes crashing down, he and Hansel escape into isolation. But when they are lured out of hiding for a big payday (and to avoid Hansel’s ten partners’ pregnancies), they discover that Zoolander’s son isn’t ‘pretty,’ that Mugatu (Will Ferrell) is still out for power, and that the world thinks they’re over the hill. Thanks to Penelope Cruz’s Interpol agent, they have some chance of fighting against the forces of evil fashion.

Expecting the film to be funny, I was reasonably disappointed. Sure, it boasts a list of celebrities unseen outside of, well, anything: Sting, Katy Perry, Jerry Stiller, Kristen Wiig, Neil deGrasse Tyson, Kiefer Sutherland, Benedict Cumberbatch, Justin Bieber, Ariana Grande, John Malkovich, Alexander Skarsgard, MC Hammer. MC Hammer! But it feels like an extended SNL skit aimed at incorporating all of these people, rather than a plot that is intentionally funny – or coherent.

Hopefully, there won’t be a third film, because Zoolander’s character has been stretched as creatively (and mentally) as he can. He still thinks his kid is a mistake but he recognizes beauty isn’t just being skinny (even if he does have to categorize him as “plus size”). And we’ve got the strangest rewrite of the Genesis story ever – even if it literally doesn’t make any sense from a storytelling (or religious) perspective.

Instead, maybe you should go back to “helping people who need help.” It’s a good start.

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where faith and film are intertwined

film and television carry stories which remind us of the stories God has woven since the beginning of time. come with us on a journey to see where faith and film are intertwined.

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