TIFF ’25 Review: Exit 8 – Kawamura’s game movie has levels to it
Operating as a psychological puzzle box, Exit 8 manages to keep itself compelling, despite its repetitive nature.
Operating as a psychological puzzle box, Exit 8 manages to keep itself compelling, despite its repetitive nature.
Chan-wook thinks like no other director in the best way, delivering a story full of lively detail.
By using Orwell’s own journal entries from the mid-1940s as the film’s narration, 2+2=5 weaves together its narrative through the use of modern new footage in order to prove the prophetic nature of his writing.
[Little Amelie], among other things, highlights the beauty and charm of the small pleasures of life as seen through the eyes of a child.
By tweaking a few of the film’s key elements, Davis manages to breathe new life into the story, making this remake relevant once again. And, in doing so, he makes sure that Youngblood hits when it needs to do so.
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