Once you?ve created the wheel, why invent a new one? That?s what big and small screen producers seem to be thinking. Those of us who remember the 70s and 80s have been feeling a sense of d?j? vu. Planet of the Apes, Star Trek, and even The Muppets are back on the scene.
Lindelof’s “Lost” and Bird’s “The Incredibles” meet in a forward-thinking adventure about exploration, technology, and how tomorrow can influence today.
At it’s core, it’s a film about choices. Casey reminds her dad of a story he used to tell her as a child. There are two hungry wolves fighting. One is darkness and despair while the other is hope and light. So the question is, which one wins? The answer…the one you feed the most.
I remember watching John Wayne films with my grandma, a longstanding tradition from all of the John Wayne films she watched with my grandpa.
Foxcatcher is as difficult to write about as it was to watch. I have seen it three or four times now, and it does not lessen the difficulty of watching such a tense and dramatic film.
Rudderless Chris Kyle sees footage of the 1998 U.S. Embassy bombings and goes from thrill-seeker to U.S. Navy Seal.
When we meet Mad Max, he is wrestling with a vision of the past. He hears cries for help, and sees those he has lost along the way.
DeSanctis plays the role of Produce with a childlike exuberance often missing in Hollywood today.
If you are a child of the 80?s, these words are likely forever burned into your grey matter: ?Two men enter, one man leaves.?
The Road Warrior outshines its predecessor, an uneasy feat for most sequels. It evolves and expands its protagonist well past the final glimpse of the revenge killer left at the end of chapter 1.
