Wake Up Dead Man: Benoit Blanc’s return is bloody great
Once again, Rian Johnson has whipped up a cacophony of murderous mayhem.
Once again, Rian Johnson has whipped up a cacophony of murderous mayhem.
JAY KELLY feels like Noah is trying his hardest to make life imitate art and also ensure that life is there for his actors.
With the release of Silent Night, Deadly Night, director Mike P. Nelson delivers a holiday horror that taps into the recent trend of violent Christmas stories yet still manages to entertain with vicious glee.
Much has been made in recent years over Disney’s interest in finding their own Harry Potter...
When it comes to fixing the past, everyone yearns for one more shot. In One More Shot, we’re...
Directed by David L. Cunningham, Kevin Costner Presents: The First Christmas is the latest project to explore the journey of Mary and Joseph as they navigate the challenges around the birth of Jesus.
The theme of legacy is hinted at in this film – continuing down the path that our parents laid out and breaking free from it.
In Still Single, Burger and Tateisi keep their film focuses primarily (though not exclusively) focused on two areas: the kitchen and the home. However, it’s Chef Saito himself that is more compelling than the magic of his cuisine.
I, personally, love the idea of this show. The whole life of these characters, told through Frank is both joyous and tragic. The way they imply so much with the performances, songs and dialogue about what happened in between scenes is astounding.
While the books had previously been adapted as a live-action family film franchise in the early 2010’s, it’s in the world of animation that Kinney’s series truly comes to life.
This is a film noir that has most of the film noir tropes that we all love.
This is one of those films where each performance feels like a standout role. Greyeyes, Thrush, Moore and Rice all absolutely deliver stellar work, creating characters who are confident in who they are and yet entirely unsure of who they’re supposed to be.
Backed by incredible work from Mescal and Buckley, Zhao has painted a picture of grief and healing that is remarkably engaging, especially in the film’s second half.