It’s time to put on make up. It’s time to light the lights. One might have been skeptical about Seth Rogen’s 70th anniversary revival of The Muppet Show but it’s entirely unnecessary. Serving as executive producer, Rogen’s...
When a film tackles real-world trauma, the stakes for sensitivity and truth are impossibly high.
In Arco, Bienvenu offers us a futuristic fairytale that matters now.
We’re giving away a double ROE pass to see Atropia!
We’re giving away double passes to an advance screening of GOAT!
Admittedly, Shelter feels very familiar. But, somehow, Statham sells the film in just the right way.
In Send Help, Raimi is allowed to unleash his freakish sense of humour with gory results.
Jim Jarmusch doesn’t give any easy answers about relationships
Honey Bunch feels like the fractured fairytale of a bygone era.
Beginning in the 1980s, Long Way Home ultimately giving Grebenshchikov a proper ending to his journey.
Marvel’s new series is a wonder that I never saw coming.
Double features are from times past, when going to a movie meant two movies, plus a cartoon, maybe a newsreel. My double features have some sort of thematic connection (even if you think I’m straining.)
Mercy is often surprisingly fun. However, the film can’t escape the truth that its weaknesses overcome its strengths.