If I was to describe Julian to a friend, I would say that it is just a very nice film. It takes the archetype of a Western, usually white, person going to experience a different culture and coming to appreciate it, and replaces that Western person with a child whose family comes from the culture. Julian goes to stay with his grandmother in Brooklyn, and the cultural differences between them create tension, but slowly they come to understand each other.
It’s a hangout film where we see Julian and his grandmother go through their daily routine. Julian discovers some new friends who invite him into their world of mermaids, and that’s when the magical realism begins. Julian discovers a supernatural connection to the ocean that gives the film both more complications and more whimsy.
The film has very nice music choices and a great soundtrack. Percussive electronic beats and drum work carry a relaxed but lively tone. Different scenes also have their joys communicated well through the music. The film has really good animation that focuses a lot on capturing the details. While it’s not the most unique style you see today, it is admirable for its use of creative shots that wouldn’t be possible in live action.
Julian’s grandmother taking care of him affects her, and Julian living in his grandmother’s house, eating her food, and living near her friends is an adjustment for both of them. As their personalities collide, we become worried about their connection and want it to work out. It is both the heart and the tension of the movie, and the film works well to balance the tension and warmth found in this dynamic between Julian and his grandmother.
It is beautiful how they use animation and sound to capture sensory experiences like the food, the heat, the colours and atmosphere, and the music and sounds of this Brooklyn neighbourhood. It’s a beautiful movie that nails exactly what it’s going for.
Julian is playing at TIFF ’26. For more information, click here.
