It has long been said that those who don’t know the past are destined to repeat it. However, knowledge of man’s history is not necessarily a precursor to change. And Orwell 2+2=5 proves it. Directed by Academy Award-nominated...
In this 1on1, we speak to Hopinka about balancing tradition with change and creating inclusive spaces.
In this 1on1, we speak to the cast and producer of Rise of the Raven as they tell us about bringing history to life and elevating strong women.
Set in late 1950s Paris, Nouvelle Vague follows Jean-Luc Godard (the positively stellar Guillaume...
The concept itself is very fun and explored pretty well. It delivers information about this world pretty efficiently allowing us to enjoy the quirks and irony of such a world.
The Napa Boys is less about plot than about comic invention, a wine soaked farce that skewers ego, nostalgia, and the ridiculousness of giving heroes multiple sequels.
Monkey in a Cage refuses easy binaries: predator and prey shift roles as characters navigate corruption, poverty, and survival.
Train Dreams resists melodrama, instead crafting a meditative film about memory, resilience, and the ghosts that linger in ordinary lives. It is earthy, intimate, and quietly devastating.
Degrassi: Whatever It Takes is a masterful documentary without an opinion that quietly exposes 35 years of child exploitation.
Beginning on February 8th, 1977, Dead Man’s Wire is the amazing true story of Tony Kiritsis (Bill...
Dog 51 moves with the pacing of a thriller but lingers on questions of justice and autonomy: who decides right from wrong when machines govern human lives?
Pizzolatto crafts the film as a blend of character study and showbiz satire, steeped in smoky lounges and neon drenched nights. It’s a love letter to second chances and the strange beauty of failure.
It’s worth noting that the film features some wonderful performances by its cast, especially Elordi who delivers a potentially award-worthy performance as Frankenstein’s monster. However, without question, the brightest star on display is del Toro himself.