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John Cleese

Clifford, the Big Red Dog: #LoveBig

Clifford the Big Red Dog?understands how important it is to #LoveBig.

Set in the urban jungle of New York City,?Clifford, the Big Red Dog?tells the story of Emily Elizabeth (Darby Camp), a young girl who is finding it hard to fit into her new school. Cared for by her Uncle Casey (Jack Whitehall) while her mom is away on business, Emily Elizabeth meets a magical animal rescuer (John Cleese) who changes her world when he gives her a little red puppy. Emily Elizabeth quickly falls in love with her new pet and names him Clifford. However, when the tiny pup grows into a giant, 10-foot hound overnight, her tiny New York City apartment?and the neighbourhood?suddenly becomes too small to contain her beloved pet and they must figure out what they’re going to do with him.

Directed by Walt Becker, Clifford, the Big Red Dog is adorable children?s fare that feels reminiscent of John Hughes? later family classics, such as Beethoven and Flubber. Produced by Jordan Kerner (George of the Jungle, Inspector Gadget), Clifford is certainly an unenviable challenge to bring to life on the big screen. With countless books over the decades, Clifford the Big Red Dog holds a certain place in kid?s pop culture. Telling stories of love and helpfulness, this literary franchise is one which has helped build up children for generations and that also brings expectations. Thankfully, filled with a big heart and a certain silliness, Clifford will appeal to younger viewers but also has a charming warmth that should appeal to their parents as well. 

While Clifford features a solid cast, it?s also fair to say that very few of them are given much to do within the film, other than the always affable Tony Hale. With experience in numerous other kid-focused franchises like Alvin and the Chipmunks and Toy Story, Hale understands the assignment in playing the mustache-twirling villain and he fully indulges in the role with glee. (The other notable exception is John Cleese who somehow manages to improve every film he?s involved with simply by being onscreen.) However, in all honesty, any perceived issues with character depth aren?t really the issue in a film like this. 

What matters most in Clifford is the big red pup, himself.

As one would hope, Clifford is an absolute delight. Bounding onscreen with playful energy, his innocence and charm bring the character to life. In recent years, there has been an interesting challenge with creating CGI animals. Beginning with Disney?s recent live action remake of The Lion King, we have seen how hard it can be for the audience to suspend their disbelief when beloved characters are translated on screen with a more realistic look. There?s a certain expectation that beloved animated characters like Clifford carry with them about the way that they look and this can cause issues with the audience. (The Lion King especially is a great example of how more taking realistic approaches can throw off the relationship between the viewer and the material.) Having said that, the CGI on the big mutt works relatively well. While he may not appear like the beloved character from the books, the details on him are surprisingly good when you look at them. What?s more, Clifford?s character is so heart-warming that he manages to break through any supposed expectations or presuppositions about his appearance.

It is interesting in some ways that Clifford?s giant size is directly related to love. Whereas the books gave no reason for his gargantuan form, the film focusses on the fact that Emily Elizabeth?s immense love for the puppy is what makes him grow. While the explanation feels unnecessary in some ways, there?s also something truly magical about its truth. In a congested city like New York, people need things to be small in order to fit their over-packed lives. However, love makes things bigger… and that breaks down boundaries and walls. Clifford may not fit into the traditional mold (or even in their living room) but the love that he and Emily Elizabeth share is so massive that it changes the neighbourhood and everyone in it.

Further, this theme anchors the film?s belief that ?the unique things are the ones that change the world?. Because of her relationship with her new pup, Emily Elizabeth finds the courage to stand up for herself and assert herself. Bullied and pressured to confirm at the beginning of the film, she is speaking to large crowds about Clifford?s importance by its conclusion. What?s more, whereas Uncle Casey begins as somewhat of a broken man suffering from loss, his time with Clifford helps him rediscover a sense of purpose and a second chance at life. Built up by love, these characters realize how much they truly matter and find the courage the change their world around them.

While it is not necessarily the most memorable children?s film of the year, Clifford the Big Red Dog is certainly both entertaining and charming enough to make it worthy family fare for the holiday season. By leaning into the impact of love, Becker has managed to tell a story that should comfort and inspire children to step out with courage when others make them self-conscious about fitting in. After all, like Clifford himself, the unique things are the ones that change the world.

To hear our interview with director Walt Becker and producer Jordan Kerner, click here (YouTube) or here (audio).

To hear our interview with Clifford the Big Red Dog himself, click here.

Clifford the Big Red Dog debuts in theatres and on Paramount+ on Wednesday, November 10th, 2021.

Comfort Films #3: LEBOWSKI AND [THE HOLY] [GHOSTBUSTERS]

When times are tough, what stories do you turn to? Our new series, Comfort Films, is designed to look at the films that are important to us and why they help bring us up with everything feels down. This week, Nathanael Draper and David Peck?(Face2Face Live) drop by to chat about the charming nihilism of The Big Lebowski, the comedic edge of Ghostbusters and community through quotability in Monty Python and the Holy Grail.

You can also stream the episode above on podomatic, Alexa (via Stitcher), Spotify or Soundcloud! Or, you can download the ep on Apple Podcasts or Google Play!

Elliot the Littlest Reindeer: Move Over, Rudolph

When Blitzen suddenly announces his retirement from Santa?s elite team of reindeer, Santa needs to find a replacement. Filled with dreams of pulling the famed sleigh, Elliot the pony and his best friend, Hazel the goat, set out to prove that he is the horse for the job. As Elliot and Hazel take on the North Pole reindeer try-outs, Hazel learns that Christmas, as we know it, may be?headed for disaster. When he discovers that a villainous woman is threatening the family farm back home, Elliot is faced with the biggest decision of his life.

Written and directed by Jennifer Westcott, the film?s sense of wonder and adventure ensures that it will fit nicely into any family?s rotation of annual Christmas. Animated in a style reminiscent of such Christmas classics as The Polar Express, Elliot the Littlest Reindeer?has a timeless feel from the outset. Featuring a stellar cast from Martin Short, Josh Hutcherson, Samantha Bee and more, the script also offers them opportunities to shine in each of their various roles. (This is particularly true of Short who voices two different villains in the film.)

At its heart, Elliot the Littlest Reindeer?is a tribute to believing in what someone can achieve, even if others don?t believe it?s possible. Though he yearns to pull Santa?s sleigh, Elliot is consistently looked over by those around him simply because he isn?t a reindeer. Although he has the drive, the heart and the ability, he is consistently told that he doesn?t measure up to the others because of his species. By viewing him through only one lens, his peers stereotype him in a way that continues to be limiting. In fact, only after dressing in a reindeer disguise is he respected enough to be included in serious conversation about whether or not he has the talent to achieve his dream. (Interestingly, as he becomes increasingly accepted as a reindeer, Elliot also must struggle with his views of others as he begins to take on the personality traits of the bullies that once intimidated him.) In doing so, the film serves as a reminder of the importance of knowing who we are and the dangers of limiting others with stereotypes.

In the end, Elliot the Littlest Reindeer is an entertaining children?s film that speaks to more than believing in Santa Claus and leaving presents under the tree. By looking at what happens when we view others through one set of lenses, Elliot?speaks to the importance of accepting ourselves?and one another?for who we are.

 

For audio of our interview with CG Supervisor Sumira Dhawan, click here.

Special featurette on the Blu-ray is “Meet Eliot.”

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