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James

Genius Ep. 7 – The Damage of Sin, Visualized   

June 8, 2017 by J. Alan Sharrer Leave a Comment

(National Geographic/Dusan Martincek)

Albert Einstein wasn’t in the greatest mood at the end of the sixth episode of Genius (Nat Geo; Tuesdays 9 PM/ 8 CT).  After seeing his life’s work on general relativity almost discredited due to an error on his part and his wife moving to Zurich with the kids, it’s easy to see why this might be the case. The question was a simple one: how would Albert react?

If you’ve watched the series thus far, the answer is a simple one: Albert simply plowed himself more and more into his work on the theory. He even went so far as to say, “General relativity is everything to me now . . . once I’ve solved it, the rest of life can rush in.” But he receives a surprise when he discovers a mathematician named David Hilbert (Adrian Edmondson) is trying to complete it first and claim credit for himself. Thus begins a rush to complete the computations . . . and Einstein loses the race.  However, Hilbert makes a mistake, allowing Einstein to correctly finish the theory.  There is even word a Nobel Prize could be in Albert’s future . . .

But director James Hawes reveals there are three other issues Einstein has to deal with.  One involves the other members of the Prussian Academy, who are asked by the German Army to sign a war manifesto committing them to helping the cause (see photo above). Everyone signs it . . . except Einstein. This becomes as issue when Fritz Haber (Richard Topol) creates a method to take out opposing forces using poison gas.  Einstein can’t justify Haber’s change of heart and has a falling out with him.  So does Haber’s wife, who kills herself.  Max Planck (Ralph Brown) lamented signing the manifesto when he discovers his son died on the battlefield.

The second issue involves Mileva.  It’s easy to see that Albert cares more about the kids more than her, but he still wants the divorce so he can finally be with his cousin Elsa. Mileva is incredibly stubborn, but she’s still trying to make ends meet for the kids by teaching piano (even though Albert is paying her monthly). Unfortunately, her health issues have caused Albert to visit—but the war is exacting its toll by closing the borders and denying Albert the visit.  Eduard is expecting his dad, but he never comes.

(National Geographic/Dusan Martincek)

A few years later, we see the long-awaited transformation of the characters to their older counterparts—Johnny Flynn gives way to Academy Award-winner Geoffrey Rush (Albert); Gwendolyn Ellis is replaced by Emily Watson (Elsa), and Samantha Colley’s fantastic portrayal of Mileva moves to Sally Dexter.  It gives Genius the feel that the events of the past have aged the main characters significantly (even if it feels jarring to the viewer).

Albert is finally able to get Mileva to agree to the divorce, but as he tells Elsa, “it comes at a high price.”  That price isn’t just in the form of money (including the significant sum earned if Albert was to win the Nobel Prize), but a permanent loss of seeing his kids.

Finally, Einstein’s theory is proven, but he has to deal with his own league of scientists, including Dr. Lennard, who, in the name of nationalism, attempt to discredit his work.  In a hilarious sequence, a major lecturer beats up on Einstein, not knowing Einstein is in the audience.  What the scientists will do next is for the final three episodes, but somehow Hitler will be involved . . .

One of the biggest takeaways of the episode involves the damages sin can cause.  The scientists’ decision to support the war effort resulted in significant loss of life—especially with Haber’s poison gas cloud.  Justifying that it saved lives still doesn’t diminish the fact that people were killed to make it happen. Haber lost his marriage (and his wife) in the process. Einstein also lost his marriage–and a whole lot more than he bargained for–as a result of his escapades. Even his cousin Elsa had to endure the humiliation and stigma of being singled out during the divorce proceedings by the judge. Sin can be hidden only for so long, but it will eventually be exposed (see Joshua 7 regarding Achan).  And the consequences can be significant.  It is best, as James 5:16 notes, to confess our sins to God (and others) so we can be restored.  After all, Jesus came to die and forgive us of all our transgressions to the Lord and others.  It doesn’t mean there won’t be aftereffects to deal with, but at least one’s consciousness can be cleansed for the future.

Filed Under: Current Events, Reviews, Television Tagged With: Achan, Divorce, Einstein, Elsa Einstein, Emily Watson, Fritz Haber, Genius, Geoffrey Rush, Gwendolyn Ellis, James, Johnny Flynn, Max Planck, Mileva Maric, National Geographic, Philip Lennard, Price of Sin, Relativity, Richard Topol, Samantha Colley, Science, sin, WWI

Genius Ep. 5 – A Tangled Web

May 24, 2017 by J. Alan Sharrer Leave a Comment

(National Geographic/Dusan Martincek)

“Of all the mysteries for me, people are the hardest to fathom.”

If there’s been one major revelation from the Genius series thus far (NatGeo, Tuesdays 9 PM/8 CT), it’s that Albert Einstein (Johnny Flynn) has a brilliant mind yet struggles with understanding others.  There are strained relationships all over the place—teachers, colleagues, even his own wife.  In the fifth episode, Einstein’s circle widens to include a new cast of characters who provide additional depth and complexity to the story.  But the same issues from his past continue to plague him.

The episode is broken into three interwoven sections. One continues to follow Einstein’s quest of becoming famous through his research and teaching.  Einstein’s not a great lecturer, but when he skips the formalities of academia, he flourishes.  His general relativity theory has become well-known and he jumps from university to university across Europe, spending time with other important scientists and researchers.  His role of a patent clerk is now but a distant memory. He’s warned by Max Planck (Ralph Brown) to not ruffle feathers in the scientific community, but Einstein doesn’t seem to care.  Pride goes before destruction, and that may or may not be the case here (see Proverbs 16:18).

A second section chronicles his marital relationship with Mileva (Samantha Colley).  Not acknowledging her role in his scientific research seems to have triggered a poisonous atmosphere at home (not that it was great to start with). Mileva is genuinely unhappy in the relationship, as her dreams of fame have been reduced to cooking, cleaning, and taking care of their two kids. When she has a conversation with Marie Curie (Klara Issova) about science, a real sense of joy exudes from her.  But there is a palpable distance between her and Albert, causing her to become almost paranoid about what he’s doing and the mail he receives.  Albert knows there’s a problem as well and discusses it with his mother and cousin Elsa (Gwendolyn Ellis).  This leads to Albert and Elsa taking a stroll in the woods, then sharing a romantic kiss.  By running away from his problems at home, he’s only creating more in the long run.  Asking for forgiveness is a difficult thing to do, but is incredibly important for healing (see James 5:16).

(National Geographic/Dusan Martincek)

The final portion of the episode revolves around Eduard, Einstein’s second son (Caspar Griffiths). He’s in a mental hospital as a young adult, having jumped out of a window.  Carl Jung (Rod Hallet) talks to him while there and gets Eduard to reveal that he hates Albert.  Perhaps there will be an attempt at forgiveness and reconciliation between the two in a future episode.  Basically, Einstein needs to stop being so egocentric and become humble for a good while.  But will he actually do it?

Albert must make a decision that will affect his career and family in a multitude of ways as the credits roll.  A solitary rose will provide the answer.

Filed Under: Current Events, Reviews, Television Tagged With: Carl Jung, Caspar Griffiths, Eduard Einstein, Ego, Einstein, Elsa, forgiveness, Genius, Gwendolyn Ellis, Humility, James, Johnny Flynn, Klara Issova, Marie Curie, Max Planck, mental hospital, Pride, Ralph Brown, Relativity, Rod Hallet, Rose, Samantha Colley

Origins Ep 1 — Fire is Life

March 6, 2017 by J. Alan Sharrer Leave a Comment

If you try to play with fire, you get burned.  Or your city burns down, as London learned in 1666. (photo credit: National Geographic)

It’s quite difficult to imagine living life without fire.

Go on; give it a try.

Staying warm would be an issue on cold evenings.  Food would have to be consumed in its natural form—raw (okay; fruits and veggies might not be that bad, but carnivores would probably not like the idea). There wouldn’t be any steel for buildings or even weaponry to protect oneself. In a lot of ways, humankind would become primitive.  The saying on the show Survivor is true—fire is life.  Lose it, and the game is over.

But over the centuries, people have learned to harness the power of the red flower (quoting Kipling’s Jungle Book) for good. As a result, we are able to live the modern lives we so enjoy, with our towering skyscrapers, gleaming knives for cooking over stoves, and even the creation of the cell phones we use to communicate with others.  A new series on National Geographic Channel is set to explore the important innovations and moments that helped to bring modernity to our society. Called Origins: The Journey of Humankind, it will air on Monday nights at 9 PM (8 CT).  It’s hosted by Jason Silva (Brain Games) and is a fast-paced journey that is worth a look if you’re into science and how things came to be.

Guess what this led to. (photo credit: National Geographic)

The first episode is on the aforementioned fire and is fascinating in both its scope and context. John Boswell (known as Melodysheep) handled the audiovisual sequences, which are rapid-fire and bring immediate clarity to the topic at hand.  Silva’s narration is interspersed with various dramatic portions, such as when London learned the hard way that fire can be difficult to control—as a result, there was a huge fire in 1666 that destroyed much of the city.  But we learned to harness it (somewhat), when Robert Goddard created the first rocket.  Overall, the show is fairly well conceived and presents numerous opportunities to consider how we got to where we are today.  I think Silva repeats himself too much, but that may just be a matter of personal taste.

Just as Silva notes that fire plays a role in the modernization of mankind, we can see similar ‘moments’ in the Bible. Moses saw a burning bush where he first encountered God (see Exodus 3). The Israelites were led by a pillar of fire on their journey to the Promised Land (see Exodus 13:2-22).  The fire on the Temple altar was never to go out (see Leviticus 6:12-14). Peter began the process of denying he was a follower of Jesus while staying warm at a fire (see Luke 22:54-56). Jesus cooked a meal over fire, after his return to life, before he restored Peter after the above-mentioned denial (see John 21). The Spirit passed over the new believers in Jerusalem, granting them the ability to speak in other languages when tongues of flame landed on them (see Acts 2:1-12). James even likened the tongue to a fire—it can start forest fires of problems if not checked consistently (he also notes that no man can tame it, but we should certainly give it our best try—see James 3:5-7). And there are plenty more to consider.

Fire is life.  Without it, we cease to be what we are.  It would be wise to consider that as we go through our day—and as we think about God.

Filed Under: Current Events, Reviews, Television Tagged With: Acts, Bible, Burning Bush, Fire, Goddard, James, Jason Silva, Jesus, Jin Dynasty, Jungle Book, London, London Fire, Melodysheep, Moses, National Grographic, Origins, Pentecost, Peter, Pillar of Fire, Red Flower, Tongue

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