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Danny Boyle

Yesterday: Timeless Musical Truth

September 24, 2019 by Steve Norton Leave a Comment

Yesterday tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter who feels like his opportunities at success will never come, despite the devotion of his best friend and manager, Ellie (Lily James). However, after a freak bus accident during a mysterious global blackout, Jack awakens to realize that he is the only person alive that remembers the music of the Beatles. As he begins to play songs that the world has never heard by one of the greatest bands in history, Jack quickly gains notoriety as one of the great song-writers of his generation. Although, as his popularity explodes, soon questions mount as to whether he’s doing the right thing—and if he’s going to be exposed.

Directed by Danny Boyle (Slumdog Millionaire), Yesterday is a charming love song to the magic of the Beatles’ discography. Fun and lighthearted, the film comes in the middle of somewhat of a renaissance for films about classic rock icons. With films like Bohemian Rhapsody, Rocketman and more making their way to the big screen in the last 12 months, Yesterday ran the risk of becoming a forgettable entry in the midst of the overflow. However, thanks to an entertaining script that swerves in another direction than other more traditional biopics, Yesterday manages to sing a different tune. Relative newcomer Himesh Patel (Eastenders) is a joy to watch onscreen as the overwhelmed Jack, playing him with both humility and ambition. With a suitable backup band of supporting players including Kate McKinnon, Lily James and, most notably, a hilarious Ed Sheeran, the film weaves a story that is whimsical and enchanting.

Of course, the real star of the film is the Beatles discography itself and Yesterday showcases the talent of the Fab Four in a way that desperately wants to prove that their relevance in today’s music scene. Though one would hardly think that the Beatles had moved into obscurity, it could be argued that their impact isn’t recognized as much by younger fans. As such, Yesterday seeks—almost to a fault—to remind us of the enduring importance of songs such as ‘A Day in the Life’ or ‘Hey Jude’ (or ‘Hey Dude’, as Sheeran suggests). In fact, the film even uses Sheeran, one of today’s biggest stars, to validate the music by stating that he thinks the songs are the best he’s ever heard. 

As such, Yesterday speaks to the enduring power of music and its importance in a world looking for modern prophets. While using the Beatles as a backdrop, the film shows the impact of words written by those that have come before and how they continue to resonate in our modern culture. Held in high regard for his song-writing ability, Malik is constantly reminded that his own writings cannot compare to the classics that he’s giving to the world. Interestingly, the film also reinforces this when Malik has the opportunity to finally meet one of the Fab Four. In yet another testament to the words of the previous generation, the unexpected ‘cameo’ speaks to Jack about the power of truth and love in a way that leaves him changed and helps him decide on his future. In a poignant scene, yet again the past informs the present. 

The disc release features several notable special features including a surprisingly beautiful alternate ending, featurette on Sheeran’s role and deleted scenes. However, the most fun may be a few performances of Beatles tunes by Patel at Abbey Road Studios in London. By including these simple songs, the disc suitably bookends the sense of reality about the film by moving it beyond the narrative.

Entertaining, engaging and sweet, Yesterday is a feel-good comedy that speaks to the power of love and the value of those that came before. However, in the end, the greatest love song is the film itself, giving the music of the Beatles the power to change the world.

Yesterday is available on iTunes and Blu-Ray beginning Tuesday, September 24, 2019. 

Filed Under: DVD, Film Tagged With: Bohemian Rhapsody, Danny Boyle, Ed Sheeran, Himesh Patel, lily james, Rocketman, The Beatles, Yesterday

GIVEAWAY! Yesterday in 4K!

September 18, 2019 by Steve Norton 7 Comments

Bring home Yesterday tomorrow by voting today!

In Yesterday, Jack Malik (Hamish Patel) is a struggling singer-songwriter in an English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie. After a freak bus accident during a mysterious global blackout, Jack wakes up to discover that The Beatles have never existed. Performing songs by the greatest band in history to a world that has never heard them, Jack becomes on overnight sensation with a little help from his agent.

The winner will receive a copy of the Yesterday in 4K Ultra HD/Blu-ray Edition.

To enter, simply like or share our post on Facebook and answer the following question in the comment section: What is your favourite Beatles song and why?

For a bonus entry, like or share the post on Twitter and Instagram.

All entries must be completed by 11:59pm on Monday, September 23rd, 2019.

Yesterday will be released on Blu-Ray on Tuesday, September 24th, 2019

Filed Under: Reviews Tagged With: Danny Boyle, Hamish Patel, The Beatles, Yesterday

5.22 A Day in the Life of YESTERDAY

July 14, 2019 by Steve Norton Leave a Comment

In Danny Boyle’s YESTERDAY, it’s just another day in the life for struggling musician Jack Malik (Himesh Patel)… until he’s suddenly hit by a car. With a little help from his friends, Jack wakes up to discover that he is the only person left alive that remembers the music of the Beatles. Realizing that this music is his ticket to ride, Jack’s fame increases to global proportions… but will this paperback writer be revealed as a fraud? Or will he be able to let it be? This week, Steve, ScreenFish’r Shelley McVea and musician Dave Frazee come together to talk about whether the world really is better off with the music of the Beatles and what Jack really did wrong.

You can also stream the episode above on podomatic, Alexa (via Stitcher), Spotify or Soundcloud! Or, you can download the ep on Apple Podcasts or Google Play!

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

5.22 YesterdayDownload

Filed Under: Film, Podcast Tagged With: Danny Boyle, Ed Sheeran, Himash Patel, james corden, John Lennon, kate mckinnon, lily james, music, The Beatles, Yesterday

Steve Jobs: Computers and Relationships

October 23, 2015 by J. Alan Sharrer Leave a Comment

Steve Jobs About a year ago, I was on the way home from church and decided to grab dinner from a local restaurant. Upon walking inside, I was greeted by a very strange comment by the manager on duty.

“Oh my goodness!  Steve Jobs!”

Quickly, I took a look at what I was wearing. A black turtleneck, blue jeans, glasses, and sneakers could give off that impression (along with the fact that I hadn’t shaved in a few days).  So before she could say anything else, I replied, “I hope not; he’s dead,” to which we both laughed.  Even to this day, she brings it up whenever I stop in for something.

During his life, Jobs was the symbol of Apple, a tech individual whose ingenuity, personality, and oversight helped bring a floundering computer company to worldwide prominence through products such as the iPhone, iPod, and Macintosh (well, maybe not the latter; more on that later).  Director Danny Boyle sets out in the film Steve Jobs to portray him through a rather unconventional approach—before the launches of three major products.  It doesn’t exactly sound like something that would work at first glance, but what we see in those chaotic moments brings Jobs’ character traits to the forefront—a man obsessed with detail, control, and a very simple attitude about life: “Be reasonable; do it my way.”  But pride doesn’t always bring about the results we might want.

Apple Intro - Macintosh The film begins a few days after the iconic Apple ad that aired during Super Bowl XVIII in 1984. Jobs is nearly ready to introduce the Macintosh to a rabid crowd (even doing the wave in the auditorium beforehand).  But there’s a problem: the demonstration is supposed to have a voice that simply says “hello,” but it’s not working and Jobs (Michael Fassbender) is up in arms about seemingly everything. There’s not enough time to fix the problem, so his aide Joanna Hoffman (Kate Winslet) tries to talk him out of it; after all, it’s only a 20-second portion of a 2 hour presentation. Jobs replies, “Pull the voice demo . . . and then cancel the launch.” He then goes off on software engineer Andy Hertzfeld (Michael Stuhlbarg), threatening to introduce everyone on the development team in his presentation, leaving Andy in the unenviable position of being embarrassed among his peers and the media unless the voice problem is fixed.

Jobs has unrealistic expectations about sales of the Macintosh (1 million in the first 90 days) and then forces Joanna to find a white dress shirt with a pocket for him to wear 15 minutes before going on stage (she has to get it from one of the attendees).  Add into this powderkeg partner Steve Wozniak (Seth Rogen) wanting him to acknowledge those who worked on the Apple II computer (he won’t), his former lover Chrisanne Brennan (Katherine Waterston) trying to figure out why he’s unwilling to admit that he has a daughter named Lisa, and it’s pretty amazing that everything doesn’t blow up in his face.

Jobs comes off as out-of-touch, dictatorial, and ultra-controlling with enough hubris to sink the Titanic. Even after the Macintosh spectacularly fails, he calls a meeting of the Apple Board of Directors when confronted with a no-confidence vote—and asks for a vote on his position even when he’s told what will happen if he does by CEO John Sculley (Jeff Daniels).  He’s fired, but still sets out to create the next best thing, an educational computer called NeXT.  In the presentation for this system, all the previous characters show up and add increasing levels of complexity to the film. Jobs delivers a bombshell statement to a media member about the new system (they aren’t ready to sell it; it doesn’t even have an operating system to use), then acts like it’s no big deal.  Before he goes on, he’s handed a satirical article written by Guy Kawasaki that says Apple will buy NeXT and make him their CEO.  At this point, Joanna begins to think that the article is actually going to happen (and sure enough, it does).

The final product launch happens a decade later with the iMac (you know; those candy-colored all-in-one systems that Derek Zoolander couldn’t figure out how to turn on). Because he hasn’t dealt satisfactorily with his past problems, they spring up on him once again. Wozniak’s still upset the Apple II team hasn’t received due credit, bringing about a tense argument in front of stunned and horrified Apple staff.  Jobs chose not to pay for his daughter Lisa’s tuition to college; Andy secretly does, infuriating him even more. And when he’s finally convinced by Joanna that he needs to make up with his daughter, it’s almost too late to undo the damage he’s caused.  But has he changed?

Joanna and Jobs Considering that Steve Jobs only takes place in three locations, the characters and writing have to be excellent for the film to work. Thankfully, both of them are. Aaron Sorkin’s screenplay is lively and full of incisive dialogue. Fassbender completely immerses himself in the role of Jobs, displaying a commanding and imposing presence on the screen (you’ll hear his name mentioned for Best Actor at the Academy Awards—bank on it). Winslet does a fantastic job as Joanna, trying to balance Jobs’ obligations while keeping him in check. Bridges, as the CEO of Apple in the early portion of the film, is able to establish authority while standing up to the tirades of Jobs. Rogen’s Wozniak is a one-note character I wish had been expanded a bit more, especially since the two of them essentially created the computing revolution out of a garage south of San Francisco. The character of Lisa (played by three different actresses) is probably a bit controversial, as she is the pivot point on which any change in Jobs’ personality must happen.  In many ways, when he looks at her, he sees a reflection of himself.

Can faith be found in an individual called an “unconscious coward” by his daughter?  Even under his hardened exterior, change is possible. The Bible makes it clear that “Pride goes before destruction, and a haughty spirit before stumbling” (Proverbs 16:18 NASB), and Jobs faces this not once, but twice.  He gets back up and is able to continue again, but it’s only when he’s confronted by his past adoption and his daughter Lisa (the only person in the film that is able to stand up to him and never waver) that he shows small signs of getting it.  He puts his time-honored practice on starting exactly on time on hold as he confesses to Lisa, “I’m poorly made.”  Not quite, since God did the creating thing, but it’s a start.  We weren’t intended to have the word ‘poorly’ in our vocabularies, as God make things perfect from the outset.  It’s the mistakes we make along the way that have allowed the word to take on a life of its own.  But even then, God sent Jesus to bring about eternal life and changed lives to those who claim Him, so that the word ‘poorly’ can be something more, something significantly better.

As Steve Jobs walks on stage to demonstrate the iMac with flashbulbs going off, it’s difficult to tell what happens next. It provides a way for the viewer to take a breath at the end of an emotionally powerful, gripping drama that is more about relationships than it is about computers. It’s definitely worth taking a look at.

Steve Jobs is rated R, mainly for some strong language.

 

Filed Under: Film, Reviews Tagged With: Aaron Sorkin, Apple, Danny Boyle, iMac, iPhone, Jeff Bridges, Kate Winslet, Katherine Waterston, Macintosh, Michael Fassbender, NeXT, Seth Rogen, Steve Jobs, Steve Wozniak

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