When the world has gone mad, is it possible to remain Humane?
Directed by Caitlin Cronenberg, Humane depicts a world faced with global collapse. Under the threat of environmental disaster, the government resorts to extreme measures. By asking people to volunteer to die for the sake of financial remuneration, they hope to maintain control over Earth’s population. As pressure begins to mount, a recently retired newsman (Peter Gallagher) invites his adult children over for dinner with the intent of making an announcement of his own. But the shock creates division amongst the siblings, forcing them to make decisions that they would have once thought reprehensible.
There’s no question that the name Cronenberg brings certain expectations from the horror community. From David to Brandon and, now, Caitlin, their family is known for their penchant for body horror, disturbing psychology and so, so much blood. But, common to them all is the desire to break down the evils of man in their own ways. For her first feature, Caitlin taps into this family tradition but then takes the horror but chooses to unravel her characters psychologically before getting to the blood-letting. As the characters attempt to grapple with issues of life, death and family, we watch as their inner shadows gradually take control of their behaviours.
But, in light of this, it’s worth noting that the film is brutally funny in places. Led by strong work by Hampshire and Baruchel, Humane has a nasty sense of humour that undergirds the horrifying implications. Set within the confines of the mansion walls, Cronenberg gives the film the feel of a one-act play. Each one of these characters seems ill-prepared for the sort of moral quandaries with which they are faced. Gradually, arguments dig up family secrets that threaten their already unstable relationships.
But therein lies the darkest secret within Humane. For Cronenberg, no one is truly good. Even the most beloved character within this world has the potential of betrayal and murder. Under pressure to sacrifice one of their own, we watch as these siblings begin to weigh the value of their brothers and sisters against themselves. Suddenly, even the most broken believe that they’re the standard of righteousness. And what gives anyone the right to take their lives away from them?
“Is it so wrong to not want the new world to be filled with terrible people, like your family?” we’re asked.
And, as the tension between them begins to rise, the blood begins to spill. Although her emphasis may be on the psychology of her characters, there’s no question that the director is willing to let the carnage ensue. After all, for these characters, this evening is a life-or-death issue—and murderous mayhem must ensue. But, wisely, it’s only after the pieces are on the board that Cronenberg begins to finally cut them down.
In the end, Humane proves to be a fine first outing for the youngest Cronenberg. Smartly written and executed, Caitlin breaks the minds of her characters apart while still bringing the gore. Even so, the most horrifying aspect of if Humane remains the exposed darkness from within.
Humane is available in select theatres across Canada and on demand on Friday, April 26th, 2024.
