Reviews

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Blue Moon: Exuberent sorrow

Richard Linklater’s Blue Moon is a study in contradiction. From the title card that opens the films with two contrasting comments about Lorenz Hart, it pushes and pulls viewers various directions at the same time. But it is only through that frenzy that we can appreciate the chaos that makes up this conflicted person.

Black Phone 2: Answering for Lost Souls

What Phone seems to offer is a contemplation on trauma and the effects of PTSD on those who the traumatized person leaves behind. For the victims of The Grabber, there is a question of whether or not they can ever rest and so, the film offers a piece of comfort for lost and troubled souls.

Frankenstein: Guillermo del Toro’s reimagining is very much alive

It’s worth noting that the film features some wonderful performances by its cast, especially Elordi who delivers a potentially award-worthy performance as Frankenstein’s monster. However, without question, the brightest star on display is del Toro himself. Here, the Oscar-winning director’s visual sensibilities are so stunning that one cannot help but be swept away by its massive scope.

Tron: ARES – The Grid has never looked better

There’s no doubt that Tron: ARES wants to continue this reimagining of the Grid in future entries. And, you know what? Bring it on. Yes, it’s far from perfect. But with almost childlike wonder, Tron: ARES is such a blast to the senses that one can’t help but want to go back for more.

Roofman: Tatum’s dramedy will steal your heart

Generally, Roofman tackles this inner conflict with a light touch. Built around the romcom structure, Roofman is one of those films that feels accessible to anyone. It’s funny, earnest and fueled by charisma. Yet, despite its charm, Roofman also knows that life isn’t a fairytale.

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