A pair of US narrative films from Sundance 2026
Here’s a quick look at a pair of US narrative films from Sundance 2026. Take Me Home, directed by...
Here’s a quick look at a pair of US narrative films from Sundance 2026. Take Me Home, directed by...
Even though it borrows from other films of the genre, Whistle still has a life of its own.
After the year they’ve had, almost 10 years after their debut, it seems Stray Kids is just getting started.
My wife and I picked well when we chose our films from the offering of international dramatic...
Drac is back and, this time, he’s hungry for love. Directed by Luc Besson, Dracula tells the story...
I don’t cover Sundance Film Festival as a journalist, but my wife and I do buy an online package...
Admittedly, Shelter feels very familiar. But, somehow, Statham sells the film in just the right way.
In Send Help, Raimi is allowed to unleash his freakish sense of humour with gory results.
Double features are from times past, when going to a movie meant two movies, plus a cartoon, maybe a newsreel. My double features have some sort of thematic connection (even if you think I’m straining.)
Mercy is often surprisingly fun. However, the film can’t escape the truth that its weaknesses overcome its strengths.
Dead Man’s Wire proves that Gus Van Sant knows how to build a killer thriller.
Brilliantly brought to life by Nia DaCosta’s detailed visual style, Bone Temple is a raw and eccentric experience.
There are great movies every year and, depending on who you are, some years have more great films than others.