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Snoke

The Last Jedi: Identifying the Enemy

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I know who Snoke is.

Ok, I admit that I originally had that as the title, but could foresee the flood of “clickbait” accusations with the overall discontent surrounding Snoke’s identity, so I moved it. But in all seriousness, I do know who he is. In a way.

I know there are hundreds of articles on Star Wars: The Last Jedi, so what could one more hurt? I enjoy discussing and reading countless theories and thoughts because there is always something new in the Star Wars universe that may have been overlooked the first time around. I mean, it’s a timeless story that spans generations and galaxies, and bridges the past with the experiences of the present and with a hope for the future. The conversations after the credits are part of what makes Star Wars Star Wars.

I want to be sensitive to everyone’s personal definitions of “spoiler,” so if you are still avoiding all of the press and discussion until you see it, here is where I say “it’s better to be safe than sorry,” and perhaps come back later. For everyone else, I want to talk about Snoke.

Supreme Leader Snoke (Andy Serkis) has been an enigma since The Force Awakens gave us a holographic introduction of a seemingly larger-than-life villain with a mastery of the Dark Side of the Force. He not only controlled the First Order, but guided and influenced a young Ben Solo, a former Jedi-in-training under the tutelage of Luke Skywalker (Adam Driver and Mark Hamill respectively), and transformed him into Kylo Ren.

In The Last Jedi, Snoke is still in charge, and still pushing Kylo Ren to a deeper commitment to the Dark Side. Granted he isn’t as physically imposing up close and personal, but his power seems all but absolute, much like the villains that have come before him. In the prequels, Senator/Chancellor/Emperor Palpatine (Ian McDiarmid) seduces Anakin Skywalker (Hayden Christensen) with a promise that he can prevent the death of Padme Amidala (Natalie Portman). In epsidoes IV-VI, Darth Vader (voiced by James Earl Jones), uses the family connection between himself, Luke and Leia (Carrie Fisher) in multiple attempts to turn the young Jedi into following in his father’s footsteps.

Snoke uses those same external influencers and family connections but in a very pointed way, as he flips the relational dynamic between the “target” (in this case, Ben Solo) and the path of darkness. And this is what makes Snoke far more dangerous, and far more recognizable as a villain, than either Palpatine or Vader.

Instead of focusing on what the Dark Side can offer, Snoke uses the weaknesses he sees in Kylo, compares him to those he has admired (or hated), and twists a manipulating knife of self-loathing and doubt deeper into Kylo’s vulnerable soul. Snoke has taken hold of Kylo’s sense of self…who he is, his bloodline, his purpose, his talent…and poisoned it with talk of inadequacy and failure. It isn’t that the Resistance is too strong, or Rey too powerful for him to defeat, it’s that Kylo is too weak. His conflicting feelings keep him from doing what is necessary. Snoke feeds the doubt that is already inside of Kylo…that is inside of all of us…to maintain his control over him.

And this is why Snoke is such a dangerous enemy – not because of his skills with a lightsaber (apparently none), or because he has a connection to the villains before him (we actually get nothing of his backstory, which I think is what makes him even more dangerous) – but because of how he pulls the strings. His approach feels familiar because most of us have seen it or lived it in our own lives.

I mentioned that we get nothing on Snoke’s backstory. Maybe it will come later, but I don’t think it’s necessary. Snoke is more dangerous for the same reason Rey is more powerful – because they aren’t anyone “special.” Like the Force can choose anyone, so can the Dark Side. Snoke is a scarred, dangerous, hurtful person not because of who he may have been, but because of how he permits the Dark Side to work within him and in turn, helps him convince Kylo Ren that is an epic failure.

There are people in our lives that seem to have an unshakeable hold, and not because they are caring and supportive, but because they feed the small voice inside of us that whispers “you aren’t good enough, you aren’t smart enough, you aren’t pretty enough, you aren’t thin enough, you aren’t rich enough.” They poison our hearts with false declarations of our identities and leave no room for us to break free. Their power doesn’t come from a supernatural source or an inherently evil past (for most people anyway), it comes from the moment we accept their assessment of our weakness.

Snoke’s identity is clear: he is the abuser. He is the former boss, the ex-spouse, the controlling significant other, the overbearing parent, the toxic friend…Snoke is the manipulator in our lives that plants seeds of self-doubt and worthlessness, who cultivates a garden of thorns in our hearts, devoid of the warmth of the sun and relief of the rain. His sickening self-confidence that Kylo will strike down his “true enemy” solidifies his position as abuser. He is absolutely convinced that Kylo belongs to him. 

Our hardest battles aren’t fought with weapons and epic cinematic throw-downs (although the tag team of Rey and Kylo was majorly epic in my opinion), but in quiet determination, with a few key people pulling us through – both past and present.

I find it no accident that Kylo cuts the tie to his abuser with the Skywalker lightsaber when he strikes down Snoke. Kylo has been unsuccessful in the past at retrieving that lightsaber, yet in this scene he wields it effortlessly. You can’t convince me that Rey’s presence in Kylo’s life isn’t fueling his already conflicting soul, encouraging him to break free, making it possible for the lightsaber to respond to his command. And for me, having it seem such a simple act is what makes it so poignant and powerful.

Now Kylo did identify his true enemy and take him out, but the remnants of Snoke’s power still run deep. We see this play out for the remainder of the film. At first this really bugged me, as I was so ready for him to turn light. But it can’t be that way. It hardly ever is. When we take that first step away from a toxic presence, we are simultaneously at our strongest and weakest points. The journey is just beginning, which makes it vital to surround ourselves with people of light, like Rey and the fledgling remainder of rebels, as opposed to dwelling on our anger and sense of injustice and pouring our energy into violent revenge. Snoke’s role is far from removed because Kylo still reels and responds to his influence.

But there is hope! There is always hope, and in true Star Wars fashion, we are left with an image of resiliency, inspiration, and dare I say it…grace for the ones fighting a battle deeper than we may ever know.

 

Star Wars The Last Jedi: Why Episode VIII is the Best Star Wars Film to Date

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I know, I know….just the title itself sounds sacrilege or over hyped. But bear with me. For years, The Empire Strikes Back has been the staple. Most fans I’ve come in contact with would agree that Empire stands out head and shoulder above the rest. So trust me when I say that The Last Jedi is the best. I don’t say it lightly.

Ever since The Force Awakens, the fear has been that episode VIII would be a retelling of Empire. As good as The Force Awakens was, it was for all intense and purposes A New Hope all over again. It felt sort of fresh because the new characters truly did stand out, but it continued to feel like Episode IV and it brought many questions: Who is Rey? Where is she from? Who are her parents? Where’s Luke? Why is the Jedi Master in hiding when we need him to turn the tide? Droids wandering in the desert with an important message only to be found by a scavenger and said scavenger is thrust into this fight and helps the rebels (or in this case the resistance) strike a major blow to the dark enemy. Even in minor details, it was a direct parallel to Episode IV.

However, The Last Jedi seems to accomplish what Lucas tried to do with the prequels, what was completed with Rogue One, and what should have been done with The Force Awakens. It took risks and dared to change all we think we know, and frankly it is for the better.

FROM HERE ON OUT PARTS OF THE FILM MAY BE SPOILED. YOU HAVE BEEN WARNED.

 

Let’s dispell the fanboy complaints for a second. Where The Force Awakens was a direct parallel from beginning to the end of A New Hope, The Last Jedi is not a parallel to The Empire Strikes Back. A broad stroke approach would tell you: “New Jedi leaves to train with old master hiding away, and the Empire finds the rebel base and attacks.”

That is about as close as these two movies get.

While Luke was sent by Obi Wan to find Yoda and train so that he can fight Vader, Rey had no such mission. She didn’t seek out Luke to train; she seeks him out to bring him back. The resistance needed the legendary hero, only he wasn’t so legendary (more on that later). It was her mission. It wasn’t until the Force calls her to the library that Luke asks her what it was that she wanted. You see, in The Empire Strikes Back, Luke was seeking Yoda out so that he could learn how to stop Vader. Rey wasn’t looking to stop Kylo–she just wanted someone to help her understand what was going on with her. Think of it as a teen hitting puberty and trying to find out what is going on with the changes in their body, voice, hygiene, etc. Rey is going through a change, so even though she’s looking for Luke to save the resistance, she’s also wanting him to tell her what exactly has awakened in her. Both Luke and Rey, in their young selves, may have gone to see an old teacher, but they were for very different reasons. All movie franchises are built from the same foundation, but not all are parallel. They may interconnect in a way, but that doesn’t mean one is exactly like the other.

The other broad stroke myth is the idea of the Empire finding the rebel base and attacking it. I mean, we knew going into this film that the First Order knew where the resistance base was. This is something Empire slowly builds to. Instead, here we are thrown already into the action because it is where we left off. Yeah, the resistance destroyed the Starkiller Base, but they also knew they couldn’t stay. What takes place is what happens in most films of this type. Sometimes the enemy finds your hideout and you have to fight and flee. But this was different. The battle didn’t take place on the surface, but rather in space. And for some, the idea of a slow chase seems boring and lame, but boy did it bring about a real story and real character development. For those upset or those who wanted more action, go watch a Transformers movie that is nothing but explosions. It’s like biting into a burger with all the fixings and the meat is barely there. No, The Last Jedi took the aspect of battle and war and showed us that sometimes patience is key.

But enough about that. The question you have is (while you are screaming at me and calling out blasphemies) why I believe Episode VIII is the best to date.

Simply put, it’s because it let the past die.

The Last Jedi is the best film in the saga because it dared to show that heroes such as Luke, no matter how legendary, can fail. I’m sorry fanboys: that this isn’t the legendary hero you love. Luke is a failure and didn’t know how to deal with it. And that is totally logical and rational. Luke wasn’t in hiding because he was waiting for the next great Jedi to train. He was in hiding because he wanted to die alone and ashamed. He couldn’t confront his guilt or his failure. He allowed the ‘legendary’ title to lead him to his biggest failure. He (like fans) needed to let the past die. Luke had to find self redemption and, with that, we get another great moment in the Skywalker saga. When Luke arrives to the final battle–the last stand of resistance and what was left of it–we see what self sacrifice and leadership means. Fans are outraged that the legendary Luke didn’t go have an epic battle and go down in some great fashion.  This misses the entire point. What Luke showed was much more powerful than simply wielding a lightsaber in some great fashion. He projected himself from lightyears away and with all his self will and the power of the Force, found forgiveness from his sister. He then outwitted Kylo by showing him that even when he felt he was winning, he was really losing. Luke gave a performance that should make us all cheer and accept the truth and change. The past needed to die so that the future could live. Hope was dying and the end of the resistance was at hand. It was either Hope or the past, and rightfully so, the past sacrificed itself so that Hope can live. His death was beautiful and symbolic.

We all call out for the films to be new and take risks, yet when they do, some people get mad. You can’t have both. The Last Jedi is great because it finally felt like a changing of the guard. It was all about the new characters and their ‘purpose in all this.’ Rian Johnson took risks with this film, which spans a period of probably 48-72 hours in their time. It was kept grounded (so to speak) in that with so little happening on the outside, it was what was happening on the inside that mattered. Heroes learned to be leaders, nobodies learned to be heroes, and nothing was as it seemed. The film allowed itself to be lighthearted at times, serious and dark in others, yet blended it well with story and enough action scenes that made it come together in a well put together package. Everyone was finding their purpose in all of it, and when hope seemed lost, the past gave us one last moment to believe again before fading into the sunset(s).

I will agree with some of the naysayers. Captain Phasma is a huge letdown through two films. But she’s no different than fan favorite Boba Fett, who really didn’t do much. It’s his history and background that is more intriguing than anything he did in the films. A great character that didn’t do much–that was Phasma . . . and I’m okay with that because it wasn’t needed.

Vulptex > Porgs.  Enough said.

With all that, here’s the real reason why I loved the big risk taken . . . because everything we expected and hoped and wanted did not happen. The film dared to make the Force so much different than what we knew. It isn’t something that is inherited from a strong bloodline. It is around us, in us, between us. It binds all. And when great darkness arises, the Force brings forth a great light, but it is the Force that chooses the person, but also provides the person a choice to accept the light or the dark. We all wanted Rey to be from a great bloodline of Jedi, but she isn’t. She’s a nobody who was cast off. Her parents were scavengers, just like her, who sold her to pay off debts. Yet, the Force chose her. It’s just like when God chose David, a shepherd boy, to be Israel’s next great king. It wasn’t about his bloodline or how great his father or mother was; it was all about what was inside him. The Force chose Rey because when confronted with the darkness, no matter how big the pull was, she chose the light. It showed us that you don’t need to be a Skywalker to be great.

The connection the force made between Kylo and Rey was a big risk filled with twists as well. Was Kylo’s conflict real or just manipulated? But what I liked about it is that Rey, without knowing much about him, still felt empowered to try to redeem him. I don’t view this as she fell in love with him, but it was the Force and the light she chose to accept. She didn’t just accept that Kylo was bad.  To her, he had everything she ever wanted, and he gave it up. She needed to understand why. In the midst of it all, she became stronger within the Force (no thanks to Luke). I believe Kylo’s conflict was real, but he’s not strong enough to reject the pull of the Dark Side like Rey is. That is what makes her special. But to give the audience this dynamic between the dark and the light interacting and not just fighting, it changed the game on how the Force can work.

Then there is Snoke. Snoke, as powerful and menacing as he was, didn’t last. And I’m okay with that. To me, that was one of the most dramatic scenes ever in a Star Wars film. I was watching the scene, expecting Luke to drop in and save the day, but it was Kylo. You think that wow, she really did manage to reach him because he took Snoke out. He used Snoke’s manipulative move against him. And then seeing Rey and Kylo work together to fight the Praetorian Guards was nothing short of epic. But then we are given another great scene. Kylo has been driven in his dark ambition not to join Rey, but to try to reign. Let the past die; start a new chapter with him and her as the most powerful rulers of the galaxy. The tension, the splitting of the saber, her choice again to serve the light no matter her past, was a great moment. The film dared to take someone who we all found mysterious and large to be an after thought because in the end, he represented the past, and the past needed to die.

The Last Jedi is the greatest film in the Star Wars saga to date because it dared to be different. It dared to challenge us. It dared to change. We may have wanted Snoke to be greater than he was. We may have wanted Phasma to be more relevant. We may have wanted Luke to go out in a blaze of glory with an epic lightsaber battle between Kylo or Snoke. But all of that would have just given us everything we’ve seen before. Instead, The Last Jedi dared to tell us that the Force is more, the past needs to stay in the past, and that the future is bright. Because we have all that we need, right here.

Star Wars: The Last Jedi Trailer Breakdown

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With the release of the new trailer last night, you either fall into three categories:

A) I’m not watching.

B) I can’t believe what I just saw.

C) I don’t care about Star Wars. (you are lame)

So for those in category B….this is for you.

Ok, I will admit, I’ve seen this trailer more than ten times. There are so many questions and so much to unpack. I’ve already had several conversations with many who have watched it. As my cousin told me, “I think Disney loved all the different theories and made the trailer to both enhance and debunk at the same time which just left you even more confused and anticipating even more” That is true. There are other things that some of us here at ScreenFish have discussed as well.

So let’s get to it, and in the end, I’ll give you my theory:

“When I found you, I saw RAW untamed power…and beyond that…something truly special”
–Snoke

I believe that this beginning will bring us the flashback of Kylo turning to Snoke and the Dark Side. We know from the first film that Snoke calls him back to finish his training. Kylo was already powerful enough to send Luke into hiding (more on that later), so the real question is what will it look like to finish his training? Snoke is ancient so there is something to him that we haven’t seen in films and just maybe he will share that with Kylo. This part finishes with, again, what I believe is the flashback of Kylo receiving his now famous lightsaber from Snoke.

The next set of scenes bring us to the island where Rey gives Luke his lightsaber. Luke doesn’t seem to be happy to have it. It is possible that Luke either doesn’t want her there or wasn’t ready for her yet. Anyway, I believe that most of these scenes are the process of Rey getting her crystal for her lightsaber, which appears to be more white than light blue (or just a very light blue).

Rey is discovering that her whole life she’s known something has been there, and now it’s awake (a nod to the first film). As we see this montage, we realize just how powerful she is.

“I’ve seen this raw strength only once before. I didn’t scare me enough then, it does now”
-Luke

I believe Luke is referring to Kylo and, at this point, we get a glimpse of why I believe Luke was in hiding. It was fear. Luke knows he isn’t powerful enough to take on both Kylo and Snoke. If Snoke is truly ancient, then the clues to defeating him are in the temple. It also explains why he wasn’t happy to see Rey because he’s not ready. He hasn’t found the answers and now he must train someone but, likely, that fear creeps back in. In Rey, he sees his failure of Kylo and thinks that things are happening all over again. Luke is terrified.

From there we get the typical montage of action scenes, some Porg, exciting confrontations, and a heart-wrenching left-to-the-imagination scene featuring Kylo and General Leia.

But it’s the ending that has the Star Wars community going crazy.

“Fullfill your Destiny!”
-Snoke

Is he talking to Kylo…or is he speaking to Rey? I believe based on the next scene it was definitely Rey, but what was he doing to her? Is that a simple death grip, or is the rumor of Snoke’s ability to feed off of force wielders to gain strength true and he feels the force within her was awakened to feed him? If you look carefully in the background of the photo below, you can see that Snoke has Rey. But what is he doing to her?

And then…finally…the moment of shock, anger, confusion, sadness, and what the?

“I need someone to show me my place in all this”
-Rey

Those words, followed by Kylo and then his hands extended, have sent a shock wave. What does it mean? Well, here’s what I think. I believe it’s safe to assume that this trailer leads us to believe that Luke abandons her after he sees how much raw power she possesses. Luke is so terrified and has convinced himself that she will turn also that he leaves her, forcing her to return before she is ready.

I believe that Kylo couldn’t go through with killing his mother and that Snoke eventually does. I believe that no one force wielder can bring balance to the force; rather, it has to be a combination of dark and light. Kylo isn’t fully dark; there is light in him. Rey and Kylo will bring about the true balance together. Kylo will realize that Snoke was leading him astray and the above scene is a combination of Rey joining him and Kylo leaving Snoke.

Snoke is ancient and I think a) Anakin turning and b) Order 66 shifted the balance so much that it awoke him. He stayed hidden, gaining strength while the Empire went from its beginning until its ultimate end. I believe in order to bring true balance back, Kylo needed to turn to give way to the Force awakening in Rey. Combined, Rey and Kylo bring about the embodiment of the Force and will defeat Snoke in Episode IX together. Where Luke factors in to this equation, however, is the biggest question. Does he come back after he feels that Leia is gone? Maybe he has a renewed hope when he sees Kylo and Rey together, not embracing the dark side or the light side, but embracing the balance knowing both are truly needed.

What say you? If you made it this far, you’ve watched the trailer, so what do you think?

 

Star Wars The Last Jedi: Latest Snoke Rumor and Where Disney May be Heading

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With the next Star Wars film nearly two months away now, and a new trailer set to come out tonight, the rumor mill is picking up steam again. The latest is one that claims to have good sources and possibly more legit than just theories (of course, we take this with a grain of salt). So be warned, if you don’t want to be spoiled, leave now. Otherwise, below the adorable Porg, we shall resume with the spoiling…

Still here? Don’t say I didn’t warn you…

The latest rumor/theory comes from the YouTube channel Star Wars Theory. I will be honest, a lot of this is very far-fetched (in terms of I don’t think Disney/Lucasfilm will go that route), but I will focus on what I believe makes the most sense. My belief has always been that Snoke is ancient Sith, someone we may have not heard of but links old legends to new canon. Having Snoke serve as the bridge for Disney would bring the Old Republic together with the new canon. The theory is that Snoke was entombed or imprisoned a long time ago and has made his return. There is quite a few other things, that as I said, feel far-fetched so I’ll just focus on Snoke and the Old Republic.

Disney loves to plan ahead, so for them to already be thinking beyond Episode 9 and their anthologies. With the success of Rogue One, many fans want more new fresh stories with new characters never seen on film. Although the Old Republic will see old characters brought into canon, many aren’t well known unless you truly followed the series. Having Snoke bridge that gap and starting a new series that focuses on the Old Republic makes for the perfect break between Episode 9 and the eventual Episode 10. The question still surrounding this is if Snoke is ancient Sith, then how did Palpatine not know about him? In the canon Aftermath book Empires End, we know that Palpatine made some sort of contact with Snoke without actually knowing who he is. So is Snoke really ancient Sith, or is far worst than that? If he was imprisoned, at what point did he escape and how long has he been observing the galaxy from where he was. And if he feeds on the Force and Force-wielders, wouldn’t Order 66 have made that difficult for him to have the strength to turn Ben?

So as I said…the theory has holes but the most important part I think is we should take merit that Disney plans to do something with the Old Republic and that Snoke is that bridge. What say you? Do you want Disney and Lucasfilm to delve into the Old Republic? Do you prefer Snoke to be that bridge? Do you think Snoke is something or someone different? Let us know.

Star Wars: The Force Awakens–Thoughts to Consider (SPOILERS)

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Kylo RenSince a large chunk of the population has donated a portion of their disposable income to a movie theater in order to see Star Wars: The Force Awakens, we’re getting to the point where spoiler-free reviews are going to be unnecessary. If you haven’t seen the film yet and want to be surprised when you get to the theater, I’d recommend taking a look at my earlier review first, since it contains no spoilers.   Otherwise, read on, as I go into some of my personal ponderings regarding the movie.

Scroll past the picture below to read on.  Otherwise, it’s okay to return later and read when you’ve had a chance to see the film for yourself.

Fighter battleAre we all here? Good.  Here are a few personal thoughts after seeing Star Wars: The Force Awakens twice (Thursday PM and Friday PM):

I am not a Star Wars fanboy, but I have always had an interest in the series.  Perhaps it’s because George Lucas wanted to change some sequences in the preexisting films to make a plot point more noticeable (Greedo shooting first instead of Han Solo), more detailed (all the CGI with Jabba the Hutt in A New Hope) or look more unified (the horrific revised ending to Return of the Jedi that seems a bit ironic, seeing as it shows the folks on Corcuscant celebrating freedom, not knowing they’ll suffer the same fate as Alderann thirty years later). Maybe it’s because I wanted to leave a theater with a sense of awe and wonder—something I didn’t get when seeing The Phantom Menace back in 1999.  It could be due to the fact that I saw Peter Jackson succeed mightily in the Lord of the Rings trilogy (The Hobbit?  Not so much.). Regardless, I went in wanting something more, something dynamic, something post-worthy.

I got that—and much more.

The film’s first portion centers on the planet of Jakku, as BB-8 takes the map portion with him a few seconds before Kylo Ren’s Bat Cruiser (not trademarked, but it should be) shows up and annihilation occurs.  Rey, a scavenger in those parts, wants little to do with the droid when she encounters him and eventually has to make a decision about whether to sell him.  BB-8’s loyalty reminds me, in a non-speaking way, of the loyalty of Ruth to Naomi in the Old Testament (see Ruth 1:16-18).  Rey decides not to, and it’s a good choice on her part, as the droid introduces her to Finn, a Stormtrooper gone AWOL. The two make quite a formidable pair, and I have a feeling we’ll be seeing more of this pair in future films.

As for Kylo Ren, it’s revealed that he’s the son of Han Solo and Leia.  He’s definitely a force (pun intended) to be reckoned with (notice the Force stop of Poe Dameron’s blaster shot in the opening sequence). In fact, the only folks who can fight him off are Snoke, General Hux, and (later on) Rey. But he’s got some serious issues. He has no control over his temper, slashing massive streaks into a computer wall when he finds out Rey was not captured. In another sequence, the Stormtroopers on duty just turn around and walk away. This probably explains why his lightsaber fizzles, pops, and looks so different than the ones we’ve come to know in the past. He wants to be good, but can’t seem to fight his way out of the Dark Side. We see this in play on numerous occasions, notably when taking to Han Solo on the bridge at the end of the film.  He knows what he needs to do, but can’t do it—does that sound eerily like the struggle Paul talks about in Romans 7:15-25?  As a result, he is a wretched man.  It looks like we’ll get to see more of this struggle in future episodes.

The last scene location of SW: TFAIn the end, Starkiller Base is destroyed, Han Solo is taken out by his son, Finn is on life support after a nasty lightsaber slash up the back from Kylo Ren, and Rey travels with Chewbacca to a planet full of islands.  Atop one of the islands, she meets up, for the first time, with Luke Skywalker.  Luke on the island reminded me of John on the island of Patmos in the book of Revelation. He had vanished (remember the opening screen crawl?) after seeing one of his Jedi trainees go rogue (in this case, Kylo Ren).  Perhaps he was waiting for a revelation of his own.  In John’s case, he came across Jesus himself, who told him to write some letters to a group of churches that needed a wake-up call badly (except for Philadelphia) and provided an amazing look at what will eventually come to pass. We’re not sure about Luke yet, but Rey holds his lightsaber out to him as the camera pans around them and the film ends (one of the best shots I’ve seen in a film in quite a while, I might add).  Perhaps it’s the wake-up call Luke needs to hear.  Sadly, we’ll have to wait a few more years until director Rian Johnson shares Episode VIII with us.