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Damien Power

No Exit: Though the Weather Outside is Frightful…

Though the weather outside is frightful? it?s probably more terrifying to stay inside.

No Exit?tells the story of Darby (Havana Rose Liu), a young woman who currently resides in an addiction treatment centre. When she hears of her mother?s hospitalization, Darby decides that she needs to see her immediately and breaks free from her facility. En route, a terrible blizzard forces her to find shelter in a highway rest area with a small group of strangers. However, when she soon discovers a young girl trapped in one of parked vehicles outside, she finds herself caught in the midst of a terrifying race to uncover the identity of the kidnapper and set the young captive free.

Directed by Damien Power,?No Exit?is an energetic ride suitable for a night of at-home streaming on a cold night. As the director of?Killing Ground, Power has experience in the thriller genre and he puts those tools to good use here. Taking place over the course of one evening, the film has some legitimate twists and keeps the viewer engaged throughout. Set in an offramp conservation station during an intense blizzard, Power uses its confined space to build an atmosphere of claustrophobia. Tight camera work keeps us focused on the faces of the players involved, making their interactions feel like a chess match between potential adversaries. What?s more, with only two or three rooms in use, Powers keeps the characters in each other?s way, forcing them to be involved in their lives for the time being.?

While the film doesn?t break any new ground for the genre,?Exit?s energy and pacing keep the viewer interested and makes for some light fun. Despite the fact that the film does address multiple issues ranging from drug abuse and child trafficking, none of them are explored in any real depth and merely provide some background to the characters. As a result, though?the film?seems not to have any particular social agenda,?Exit?remains propped up by its liveliness. Clocking in at a mere 90 minutes, it?s pacing and brevity keep the film moving quickly and the viewer engaged.

As her first film in a lead role, Liu does a particularly good job conveying an inner strength within her character. As the broken but determined Darby, Liu carries the film with vivacity that never allows the film to drag. While the rest of the cast seem fairly engaged with the material, the other most notable cast member is veteran Dennis Haysbert, who?s calm demeanor provides the film with a much-needed. 

Underneath the criminal exploits,?No Exit seems interested in asking the question of what defines who we are. Having been all but abandoned by her family due to her past drug addiction, Darby lives a life of isolation. When she hears of her mother?s hospitalization, she is determined to reach her family, despite the fact that they have essentially disowned her. During her time in the off-ramp facility, the motley crew that she encounters do not appear to know anything about one another yet they all seem to believe that they know who she is. Whether she?s referred to as military child or drug addict, numerous labels are thrown around to describe her, both positive or negative. As such, these pieces of her story instantly become identifiers to her new acquaintances. Even so, she refuses to be defined by these moments of her past. Although she may have struggled with addiction, she is more than an addict. Although her father?s military background is a key part of her life, she is more than a ?military kid?. In this way,?No Exit?points out that who we were does not necessarily mean that that is who we are. Darby?s story is her own and she will chart her own path forward.

While?No Exit?may not be particularly memorable, it still delivers the goods for an evening of thrills and entertainment. Despite its flaws, there’s something instantly likeable about the film that keeps you watching. (Any film that can make a simple game of cards feel high stakes must have something going for it.) As such, when this stop on the streaming highway becomes available, this remains an?Exit?worth taking.

No Exit?streams on Hulu in the US and on Disney+ in additional territories on Friday, February 25th, 2022.

SUNDANCE 2017: Killing Ground (dir. Damien Power)

Debuting at Sundance this weekend, Killing Ground tells the story of Ian and Samantha, a young couple who arrive at an isolated campsite for a weekend getaway, only to find an abandoned SUV and an abandoned tent. ?As night falls and the campers fail to return, Ian and Sam grow increasingly uneasy. When they discover a distressed child wandering in the woods, the young couple unwittingly find themselves in the midst of a terrifying chain of events that will test them to their breaking point.

Written and directed by Damien Power, Killing Ground?is a striking and ambitious film, especially considering that this is his feature-length debut.? By unravelling the story through a fractured narrative, Power manages to both honor and subvert many of the tropes that inherently come within other ?campers in the woods? thrillers.? By splitting the narrative into three distinct but intersecting pieces, Power allows himself to reveal information to the viewer without forced exposition.? In doing so, he is able to continue to develop an element of mystery into the story for the key players, but also providing enough insight to the audience.

In addition to its unique style, Killing Ground also offers us some truly memorable performances by its cast, and especially its villains, Chook (Aaron Glenane) and German (Aaron Pederson).? While Chook nervously relishes the role of killer, his mentor German dominates the screen, prowling around like an angry lion.? By giving us minimal backstory into the motivations of these characters, Power manages to make their ferocity more powerful, portraying them as unpredictable forces of nature.

The most interesting thing about Killing Ground, however, is its commitment to wrestling with the relationship between control and evil.? In Killing Ground, the most powerful characters are those who are willing to unleash their inner beast, consuming anyone in their path.? It is this pervasive stain of evil that seeks to destroy the innocence of our heroes (who aren?t always that heroic, even when doing the ?right thing?).? In many ways, this thriller feels like a survival film and seems interested in asking what sinful beast lies beneath.? Is it possible to do right in a world that?s overwhelmingly dark?? If so, can someone retain their innocence in the process?? In the end, Power?s screenplay allows for hope, but not necessarily without its consequences.

As a film, Killing Ground is an intense thriller that unravels its story in unique and fascinating ways that makes it worth your time.

As a director though, Damien Power just became someone to watch for.

WEDNESDAY, JANUARY 25TH, 2017 UPDATE: Killing Ground was purchased today by IFC Midnight at Sundance 2017.? No word on a released date at this time? but keep an eye out.

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