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legal drama

Loving – When Marriage is a Crime

?You do know what?s right, don?t you? Maybe you don?t.?

There was a time when two people who loved each other could not be married in some states. Even if they were legally married in another state, some states would refuse to recognize that marriage and might even consider it a crime for those people to live together as a married couple. Yes, that sounds familiar. In recent years, it dealt with the concept of marriage equality for people in same sex marriages. But half a century ago, it also applied to mixed race marriages. Loving is the story of the two people whose marriage (and their case in the courts) put an end to what we now look at as an absurd practice. In many ways, it laid the foundation for the more recent issues surrounding marriage.

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Richard (Joel Edgerton) and Mildred (Ruth Negga) Loving were married in the District of Columbia in 1958 and returned to their home in Virginia. However, because Richard was white and Mildred was African-American, Virginia law would not recognize the union. Within a few weeks they were arrested for violating state law. Advised to plead guilty, they were sentenced to a year in jail, but the sentence was suspended on the grounds that they leave the state for a period of twenty-five years. Moving to DC and raising their children was a strain, since their families were still in Virginia. In time, they moved back, but were again arrested. Eventually the ACLU learned of the case and offered to help them. In time, the case went to the Supreme Court, which struck down such laws as unconstitutional.

The case, Loving v. Virginia, is considered one of the landmark civil rights cases of the 1960s. Yet this film is not a courtroom drama. We hear almost none of the legal arguments that were made as the legal case made its way through the court system. This is not the story of the battle to overturn an unjust law?that is merely a side issue in the story. This is the story of the two people whose name is the referent of the case. Richard and Mildred were quiet people who loved each other and their families. They didn?t marry to challenge the law. They married because they loved each other and wanted to raise their children together. They didn?t seek out publicity, yet they ended up with their pictures in Life magazine for the world to see.

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It should be noted that those who defended these laws were clear that they felt that they were carrying out God?s law. The judge who sentenced them, when asked to reconsider, wrote in his denial, ?Almighty God created the races white, black, yellow, Malay and red, and he placed them on separate continents. And but for the interference with his [arrangement] there would be no cause for such marriages. The fact that he separated the races shows that he did not intend for the races to mix.? How frequently we confuse the laws we make with the divine will. What makes matters worse is that often when we claim that God is on our side, we dehumanize the people involved. They are objects?sinners?criminals. Yet at the most basic level those involved need to first be recognized as beloved children of God. That is why it is important that the film focuses on Richard and Mildred?the people, who like so many others throughout history fell in love and just wanted to be married as they shared that love. Even though Loving v. Virginia is such an important case, the really important part of the case is the Lovings?and loving.

Photos courtesy of Focus Features

Special features on the Blu-ray/DVD/Digital HD Combo pack include ‘Making?Loving,’?a look at the cast and on location, and a look back at the court case in “Loving vs. Virginia.” Director Nichols also provides a feature-length commentary.?

Rectify: TV with Theological/Philosophical Chops

Rectify is my new all-time favorite TV drama. You haven?t heard of it? That?s understandable; it is a Sundance TV original series. But the first two seasons (of three so far) are streaming on Netflix. A fourth and final season is in the works. Lest you think I shift my favorites frequently, the TV drama it displaces as my favorite is Hill Street Blues (which went off the air in 1987).

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Rectify is the story of Daniel Holden (Aden Young) who was convicted as a teenager of raping and murdering his girlfriend. Having spent half of his life (and all his adult life) on death row, he is released after conflicting DNA evidence is revealed. He is not exonerated, but the court determines there is enough doubt that he should be released until a decision is made about retrying him. He returns to his childhood home where his mother still lives with her new husband (Daniel?s father died while Daniel was in prison). Also key parts of the story involve his sister Amantha (Abigail Spencer) who has believed in his innocence all these years, his step-father?s adult son Teddy (Clayne Crawford) who is a bit threatened by Daniel?s return, and Teddy?s wife Tawny (Adelaide Clemens), a very sincere, but somewhat na?ve, Christian.

He is very much out of step with the world, having spent the last nineteen years in a death row cell. As he tries to adapt to his new freedom, he is in a very awkward position. Most of the community still consider him a murderer. The prosecutor who sent him to jail is now a state senator and very powerful in the town. The current sheriff was a young officer when the crime occurred. He is suspicious of Daniel, but he really is concerned with justice being served?whatever that means in this case. Over the first two seasons Daniel begins to make his way through the obstacles of family, community, and his own understanding of the world.

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While in prison, Daniel read extensively?especially philosophy and theology, so he has a very different perspective on the world than most of the other characters. He doesn?t seem to harbor anger at the (possible) injustice that has been done to him. In his search for deeper meanings to what has happened, Tawny takes him to her church to meet her pastor, who is a bit uncomfortable in Daniel?s presence. Throughout the show, Tawny, while not perfect by any means, tries to model grace and acceptance in relationship to Daniel, even when that brings her into conflict with her husband.

What pushes this show to the top of my list is the way it allows us to think in a variety of ways about the situation. There are legal questions, but actually, those are more of a minor subplot most of the time. The real questions deal with family and community, with compassion and forgiveness, with justice and redemption, and even with the place of God in the lives of people. It is never preachy. It never makes things seem too deep. But it does take us out of the intellectual shallows that exemplify most TV fare.

Photos courtesy Sundance TV

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