Never discount the power of blood lines.
Written and directed by Gail Maurice, Blood Lines tells the story of Beatrice (Dana Solomon), a young Metis woman whose life is upended by the return of her mother, Lenore (Maurice). Having abandoned her daughter as a child, Lenore’s mysterious return allows old wounds to resurface within Beatrice. However, those feelings of rage are supplanted by the arrival of Chani (Derica Lyn Lafrance), a beautiful stranger who is searching for her roots. Chani immediately catches Beatrice’s eye and a relationship seems possible that is, of course, if her mother’s secrets don’t ruin everything they’re beginning to build.
Having written and directed 2022’s stellar Rosie, Maurice continues to show her skill both on and off the camera. With a steady hand, Maurice confidently weaves a story that is both endearing in some moments and controversial in others. While the tone is more melodramatic than her previous effort, Blood Lines still has something to say that resonates beyond its family issues. Maurice’s historical subtext adds something special to the film beyond the family drama and young romance. By inserting conversations about the stealing of children, Blood Lines becomes brazenly honest about the traumas of the past, adding a heartbeat of injustice to its storytelling that sets it apart from other melodramas.
Although Blood Lines leans more into the realm of soapy relationship drama, the film absolutely has something to say that makes it worthwhile. Backed by some good performances by its leads and strong direction from Maurice, the film’s willingness to take risks is admirable and makes for some strong moments. But it’s the film’s subtext that stands out most, putting the power in its Blood.
Blood Lines is playing at TIFF ’25. For more information, click here.
