TIFF ’25: My Father’s Shadow
Dìrísù, and the Egbo brothers give beautifully layered performances, exploring brotherhood, fatherhood, childhood, and masculinity, each with strength and a depth of understanding.
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Year: 2025
TIFF ’25: The Eyes of Ghana – The best film that I’ve ever seen
The Eyes of Ghana is an inspiring piece for Africans and cinema lovers alike, conveyed beautifully by Proudfoot’s intimate directing, and an incredible, incredible score from Kris Bowers.
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TIFF ’25: Sacrifice – Finding Purpose in a Doomed World
While director Gavras has many funny and interesting satirical elements in Sacrifice, these don’t always mesh with the characters journey.
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TIFF ’25 Review: Exit 8 – Kawamura’s game movie has levels to it
Operating as a psychological puzzle box, Exit 8 manages to keep itself compelling, despite its repetitive nature.
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TIFF ’25 Review: No Other Choice – Park Chan-wook does it again
Chan-wook thinks like no other director in the best way, delivering a story full of lively detail.
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