Devotion, for me, is an enviable thing. I think that a person who is able to give everything to sticking to their morals should be applauded. In The Testament of Ann Lee, Mona Fastvold paints a portrait of the total devotion of Ann Lee (Amanda Seyfried), founder of the Shaker movement, to her religious beliefs, and their formation.
The film takes us from Ann’s early years to her finding her community with the Quakers, whose dance was a part of their worship, to her marriage, and her ultimate creation of the Shakers sect on the grounds of celibacy for all members. She carries this message, along with that of pacifism and equality for all, throughout her home of Manchester, and eventually, North America.
Fastvold incorporates a lot of movement in this film, fitting for the Shakers, so that it feels like a ‘grounded musical’. It is not flashy or polished, but guttural, emblematic of any sound or movement borne out of pain, especially in religious circles. The movement is however, organised, and very much done in one voice, lending itself well to the spiritual and almost ritualistic nature of these kinds of worship. Fastvold also leans into the etherealness of Ann Lee’s story visually, with some moments in the film having a whimsicality about them.
I feel like at this point, it is no surprise that Seyfried embodies Ann Lee exceptionally. She gives all of herself to the character, and her voice is perfect for the songs this film requires of her. Seyfried’s portrayal brings such a warmth to the character that, no matter how absurd you find some of her beliefs, you’re with her every step of the way.
The Testament of Ann Lee is showing at TIFF ’25. For more information, click here.
