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todd phillips

6.02 Dancing with Danger in JOKER (100th Episode!)

October 4, 2019 by Steve Norton Leave a Comment

In a wild left turn for the DC film universe, director Todd Phillips’ latest film JOKER takes us back to Gotham City in order to witness the birth of the Clown Prince of Crime. When we first meet the titular villain, his name is Arthur Fleck, a failed comedian who has been isolated, bullied and disregarded by society. As things begin to unravel in his life (and his mind), Fleck begins a slow descent into madness as he transforms into the iconic DC villain known as the Joker.

This week, in our 100th episode, our SF team tells us what the site means to them, we announce a VERY special giveaway and Paul and Julie Levac stop by to talk about the dangers and brilliance of Todd Phillips’ foray into criminal madness.

You can also stream the episode above on podomatic, Alexa (via Stitcher), Spotify or Soundcloud! Or, you can download the ep on Apple Podcasts or Google Play!

GIVEAWAY! In order to enter our giveaway for a $100 gift card for the movies, please do the following:

  1. Answer the following question in the comments section: Who is your favourite DC Villain?
  2. Like/Share this episode on Facebook, Twitter and Instagram
  3. For a bonus entry, rate/comment on us on iTunes.

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

6.02 JokerDownload

Filed Under: DC Universe, Film, Film Festivals, Giveaways, Podcast, TIFF Tagged With: Batman, Bradley Cooper, DC, DCEU, Joaquin Phoenix, Joker, Robert DeNiro, todd phillips, WB, Zazie Beetz

Joker: Laughing on the Outside

October 3, 2019 by Steve Norton Leave a Comment

In Joker, failed comedian Arthur Fleck (Joaquin Phoenix) works as a clown to pay the bills and lives at home with his sickly mother. Beaten down by a society coming apart at the seams, Fleck struggles to maintain a positive outlook yet desperately wants to make people laugh. Struggling to find his way, Fleck soon begins to act out his frustrations in increasingly violent ways as he slowly transforms into the criminal mastermind known as the Joker.

Written and directed by Todd Phillips, Joker feels like an unexpected twist in his career trajectory. With films such as The Hangover trilogy and Old School leading his portfolio, an exploration of the dark underbelly of humour may seem like a vast departure from his previous work. In many ways, however, Joker also feels like a nature progression. Whereas many of his previous films have dealt with middle-aged men working out their emotional issues through the use of humour, Joker simply flips the switch by digging around in the psychology under the laughter instead of focusing on the gags themselves. While the film is bound to be divisive due to its dark themes and violence, Phillips has created a character arc so compelling that every scene feels like a vital piece to the most complicated of mental puzzles. 

Added to the mix is Joaquin Phoenix who absolutely shines as the hopeful but hurting Fleck. Over the years, the character of the Joker has provided multiple actors opportunity to push themselves and, thankfully, Phoenix carves out his own unique place in the canon. In an Oscar-worthy performance, Phoenix is simply mesmerizing as the failed comedian, giving him a likeable quality amidst his brokenness that makes you want to root for him (until you simply can’t anymore). Without question, Joker is very much the hero of his solo film—but the nature of that heroism eventually gets called into question.

Whereas the Joker has been often presented as a mysterious ‘force of nature’, here he is very much a product of his culture. Living in the slum-like Narrows of Gotham city Fleck’s life is a comedy of errors. Bullied for his job as a clown and living with his mother, Fleck has dreams of making other people laugh as a stand-up comic. His mother waits faithfully for a severance check from the wealthy Thomas Wayne that will never come. He’s in love with the beautiful tenant across the hall who may or may not be interested in him. Like the rest of those in the Narrows, success for Fleck is something that is constantly in view but just out of reach. While he’s constantly laughing on the outside, there’s little joy within him. (Interestingly, in one of the more intriguing story points for his character, his constant laughter stems from a medical condition that causes him to do so regardless of what’s happening around him.) For Arthur Fleck, life is no joke as his desire to matter in the eyes of others is consistently spat upon by the world. 

What’s more, this perspective echoes the film’s portrayal of Gotham itself, choosing to look at life through the eyes of those who are struggling to get by each day. Set years away from the arrival of the Dark Knight, Gotham is at a tipping point as the rich become richer and the poor more helpless. Anger and frustration run deep within those living in the Narrows as they become viewed as ‘troublemakers’ and yes, ‘jokers’ instead of people in need. Even Thomas Wayne, who has been painted in previous visions as a saint who wanted to see the city thrive, is skewed here as an irrelevant billionaire who remains out of touch with the common people. 

In Joker, hope remains out of reach for much of the city. In a city that mirrors the broken spirit of American culture, the 99% have grown angry with their way of life and want desperately for their voices to be heard. Then, when an unknown attacker kills three businessmen on a subway, tensions within the city begin to bubble over as talk of revolution hits the streets. 

In light of this, the most terrifying aspect of the film stems from its realism. Instead of chemical transformations or superpowered villains, Joker shows what can happen when a city loses its grace for the downtrodden of humanity. Although Fleck’s actions become reprehensible, they stem from his inability to process the abuse of a culture that has turned its back on him. “I used to think my life was a tragedy,” he moans, “but now I know that it’s really a comedy.” Light becomes lost in a world that has succumbed to the shadows and Joker gleefully dances into the darkness. (Is it any wonder that the film has been referred to by Phillips as a ‘cautionary tale’?)

Despite its bleak outlook on the world, Joker truly is one of the years best and most creative films. Phoenix’ performance as the Clown Prince of Crime may take him to dark places but there remains a brokenness within him for much of the film which humanizes him. Pressure from all sides to succumb to a culture of despair, Arthur Fleck’s journey is less of a comic book film and more about what happens when a world fails to listen to those who need it most.

And the outcome of that is no laughing matter.

Joker laughs its way into theatres on Friday, October 4th, 2019. 

Filed Under: Film, Film Festivals, Reviews, TIFF Tagged With: Batman, DC, Joaquin Phoenix, Joker, Robert DeNiro, TIFF, TIFF19, todd phillips

TIFF ’19: Joker

September 17, 2019 by Steve Norton Leave a Comment

In Joker, failed comedian Arthur Fleck (Joaquin Phoenix) works as a clown to pay the bills and lives at home with his sickly mother. Beaten down by a society coming apart at the seams, Fleck struggles to maintain a positive outlook yet desperately wants to make people laugh. Struggling to find his way, Fleck soon begins to act out his frustrations in increasingly violent ways as he slowly transforms into the criminal mastermind known as the Joker.

Written and directed by Todd Phillips, Joker feels like an unexpected twist in his career trajectory. While the film is bound to be divisive due to its dark themes and violence, Phillips has created a character arc so compelling that every scene feels like a vital piece to the most complicated of mental puzzles. Added to the mix is Joaquin Phoenix who absolutely shines as the hopeful but hurting Fleck. In an Oscar-worthy performance, Phoenix is simply mesmerizing as the failed comedian, giving him a likeable quality amidst his brokenness that makes you want to root for him (until you simply can’t anymore).

Despite its bleak outlook on the world, Joker truly is one of the years best and most creative films. Phoenix’ performance as the Clown Prince of Crime may take him to dark places but there remains a brokenness within him for much of the film which humanizes him. Pressure from all sides to succumb to a culture of despair, Arthur Fleck’s journey is less of a comic book film and more about what happens when a world fails to listen to those who need it most.

Joker had its North American premiere last week at the Toronto International Film Festival and laughs its way into theatres on Friday, October 4th, 2019. 

Filed Under: Film, Film Festivals, Premieres, Reviews, TIFF Tagged With: DC, Joaquin Phoenix, Joker, Robert DeNiro, TIFF, TIFF19, todd phillips

War Dogs: War is Money

November 22, 2016 by Jacob Sahms Leave a Comment

wardogs1

This isn’t about being pro-war. The war is happening. This is about being pro-money.–Efraim

In his latest film, The Hangover trilogy director Todd Philips dramatizes the unlikely rise of Efraim Diveroli (Jonah Hill) and David Packouz (Miles Teller), who found loopholes in the military’s use of privately-owned weapons to build a gun-running empire. As international arms dealers, the two high school friends are highly successful financially, but the ethical (or unethical) decisions they make, and the secrets they keep, threaten to undo them.

Packouz longs to be successful after failing at his various career attempts, and feels pressure when his girlfriend, Iz (Ana de Armas), ends up pregnant. When his slick friend rolls back into town, he ends up being sucked into the casual violence Diveroli inhabits regularly. They deceive Iz, who is specifically anti-war, and make deals with the U.S. government that make them richer, Still, their plans are complicated when a deal is jammed up by new legislature. Flying to the Middle East, the two end up delivering the guns on their own, leading them deeper and deeper into the arms race. When they end up teaming with legendary dealer Henry Girard (Bradley Cooper), their company’s downward spiral begins.

wardogs2

When does telling the truth ever help anybody? — Efraim

In this Warner Bros.’ release, the ‘based-on-a-true-story’ film gets a few special features on the home media Blu-ray/DVD, with Phillips’ “General Phillips: Boots on the Ground”, “War Dogs: Access Granted,” and “Pentagon Pie.” Fans of the film may find these helpful in seeing how the film came together, and may consider doing a bit of research on their own in breaking down how the strange story came to be – and how Hollywood made it even wilder.

Whether you approve of the Hollywood ‘take’ on the film or not, it’s clear that dishonesty catches up with our two antiheroes. It’s also abundantly clear that Diveroli’s influence leads Packouz down a dark and dangerous path (he does cameo in the elderly home concert scene). While the cover might make one think of Scarface, it may be more appropriate to consider this The Devil’s Advocate. Where we focus our time and attention tends to lead us – even when we say our heartfelt conviction believes otherwise.

Filed Under: Current Events, DVD, Film, Reviews Tagged With: Bradley Cooper, Jonah Hill, Miles Teller, todd phillips

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