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Seth Rogen

On Starbucks, Hollywood, & “Defending The Faith”

November 9, 2015 by Jacob Sahms 7 Comments

starbucks

What do Starbucks, Seth Rogen, & Jesus have in common?

I’m all for apologetics, the “reasoned arguments or writings in justification of something, typically a theory or religious doctrine.” In their place and in their time. But why do people of faith find themselves hung up on apologetics when it comes to films made by those who don’t believe the same thing, or, as recently as this weekend, when it comes to the design of Starbucks’ holiday cups?

While there is a time to wrestle with issues of theology, I think that sometimes we get so carried away in society’s “us versus them” banter, that we lose sight of what we’re really doing here. We arrive at the point of faith with an understanding of how much we need Jesus’ grace and forgiveness through his death on the cross, and before long, too many of us think that Jesus needs us to argue for him, pontificate about him, and angrily protest in defense of his honor.

Puh-lease. Jesus died on the cross, crucified between two thieves when he could’ve hopped down, flown away, or blasted all of the Romans off of the planet. Do you really think he is offended by some people who doubt his existence?

Jesus loved – and we should, too. Jesus forgave, and we should, too. Jesus lived sinlessly, and we should (try), too. Jesus cared about and not or, but or instead of. Jesus brought grace into fragmented situations, to draw people to himself and together.

So, instead of apologetics, I would like to apologize.

-To Starbucks, who makes mighty fine coffee and decent chocolate croissants, but who has no ‘platform’ by which they’re expected to determine what is morally appropriate or theologically correct about the celebration of Jesus’ birth. I’m sorry we Christians turned all bull-like at the sight of those red cups. Sorry we tried to tell you how to run your megazillion dollar business… although I’m sure Howard Schultz will laugh this bonanza the whole way to the bank. You all stick to grinding the beans, and let preachers and pastors everywhere meditate and teach on the word of God.

-To filmmakers who make films that are “irreligious” or conflict with what the majority of people believe about Jesus and Christians (like The Night Before), thanks for sharing your story. [In the trailer and interviews I’ve seen about Seth Rogen’s new Christmas Eve film, a group of friends get together for their last Christmas Eve night together – expressing their loss of community but Rogen’s character throws up in church after he’s drunk. I can hear some folks sharpening their knives — instead of recognizing the opportunity to share what real community looks like.] I’m sorry that we Christians forget that film is storytelling, that not everyone thinks or sees things the same way. I’m sorry we fail to recognize the inconsistencies in the Gospels – even the synoptic ones – and the thoughts that don’t jive between the Old and New Testaments. You all stick to making films of quality that stretch our hearts and minds, and let …preachers and pastors everywhere meditate and teach on the word of God.

Hey, while I’m at it –

-To the poor, the homeless, the hungry, the marginalized, the forgotten about, the abandoned, the abused, the sold-into-slavery, the hopeless, the ignored, I’m sorry. I’m sorry that we, The Church, get so bogged down in defining who is not with us, that we forget we were once not with Christ, and that no matter what, there’s a spot at the table, at the barista line, at the cinema for each of you. Because there’s space here for us doesn’t mean that there isn’t space for someone else. You all keep fighting – and know that God loves you, even when The Church fails to. Know that God is bigger than prayer in school or “season’s greetings” or whatever nonsense the church makes it about because God cannot be kept out.

One day there’s a kingdom coming, where all of this will be wiped away, and there’ll only be ONE.

One God, one Lord, one Savior of us all.

Oh, wait, that’s what Christmas is really about.

Instead of being a Christian who boycotts Starbucks or throws a fit over the color of a cup, why not be the Christian who doesn’t flip out when your drink isn’t exactly like you hoped it would be? Or better yet, if you were the kind of Christian who overtips your barista? Christianity’s revolution isn’t in what it’s against but what it’s for. 

Filed Under: Current Events, Editorial, Featured, Film Tagged With: barista, boycott, Christians, Christmas, culture, Hollywood, Jesus Christ, josh feuerstein, red cups, Seth Rogen, Starbucks, The Night Before

Steve Jobs: Computers and Relationships

October 23, 2015 by J. Alan Sharrer Leave a Comment

Steve Jobs About a year ago, I was on the way home from church and decided to grab dinner from a local restaurant. Upon walking inside, I was greeted by a very strange comment by the manager on duty.

“Oh my goodness!  Steve Jobs!”

Quickly, I took a look at what I was wearing. A black turtleneck, blue jeans, glasses, and sneakers could give off that impression (along with the fact that I hadn’t shaved in a few days).  So before she could say anything else, I replied, “I hope not; he’s dead,” to which we both laughed.  Even to this day, she brings it up whenever I stop in for something.

During his life, Jobs was the symbol of Apple, a tech individual whose ingenuity, personality, and oversight helped bring a floundering computer company to worldwide prominence through products such as the iPhone, iPod, and Macintosh (well, maybe not the latter; more on that later).  Director Danny Boyle sets out in the film Steve Jobs to portray him through a rather unconventional approach—before the launches of three major products.  It doesn’t exactly sound like something that would work at first glance, but what we see in those chaotic moments brings Jobs’ character traits to the forefront—a man obsessed with detail, control, and a very simple attitude about life: “Be reasonable; do it my way.”  But pride doesn’t always bring about the results we might want.

Apple Intro - Macintosh The film begins a few days after the iconic Apple ad that aired during Super Bowl XVIII in 1984. Jobs is nearly ready to introduce the Macintosh to a rabid crowd (even doing the wave in the auditorium beforehand).  But there’s a problem: the demonstration is supposed to have a voice that simply says “hello,” but it’s not working and Jobs (Michael Fassbender) is up in arms about seemingly everything. There’s not enough time to fix the problem, so his aide Joanna Hoffman (Kate Winslet) tries to talk him out of it; after all, it’s only a 20-second portion of a 2 hour presentation. Jobs replies, “Pull the voice demo . . . and then cancel the launch.” He then goes off on software engineer Andy Hertzfeld (Michael Stuhlbarg), threatening to introduce everyone on the development team in his presentation, leaving Andy in the unenviable position of being embarrassed among his peers and the media unless the voice problem is fixed.

Jobs has unrealistic expectations about sales of the Macintosh (1 million in the first 90 days) and then forces Joanna to find a white dress shirt with a pocket for him to wear 15 minutes before going on stage (she has to get it from one of the attendees).  Add into this powderkeg partner Steve Wozniak (Seth Rogen) wanting him to acknowledge those who worked on the Apple II computer (he won’t), his former lover Chrisanne Brennan (Katherine Waterston) trying to figure out why he’s unwilling to admit that he has a daughter named Lisa, and it’s pretty amazing that everything doesn’t blow up in his face.

Jobs comes off as out-of-touch, dictatorial, and ultra-controlling with enough hubris to sink the Titanic. Even after the Macintosh spectacularly fails, he calls a meeting of the Apple Board of Directors when confronted with a no-confidence vote—and asks for a vote on his position even when he’s told what will happen if he does by CEO John Sculley (Jeff Daniels).  He’s fired, but still sets out to create the next best thing, an educational computer called NeXT.  In the presentation for this system, all the previous characters show up and add increasing levels of complexity to the film. Jobs delivers a bombshell statement to a media member about the new system (they aren’t ready to sell it; it doesn’t even have an operating system to use), then acts like it’s no big deal.  Before he goes on, he’s handed a satirical article written by Guy Kawasaki that says Apple will buy NeXT and make him their CEO.  At this point, Joanna begins to think that the article is actually going to happen (and sure enough, it does).

The final product launch happens a decade later with the iMac (you know; those candy-colored all-in-one systems that Derek Zoolander couldn’t figure out how to turn on). Because he hasn’t dealt satisfactorily with his past problems, they spring up on him once again. Wozniak’s still upset the Apple II team hasn’t received due credit, bringing about a tense argument in front of stunned and horrified Apple staff.  Jobs chose not to pay for his daughter Lisa’s tuition to college; Andy secretly does, infuriating him even more. And when he’s finally convinced by Joanna that he needs to make up with his daughter, it’s almost too late to undo the damage he’s caused.  But has he changed?

Joanna and Jobs Considering that Steve Jobs only takes place in three locations, the characters and writing have to be excellent for the film to work. Thankfully, both of them are. Aaron Sorkin’s screenplay is lively and full of incisive dialogue. Fassbender completely immerses himself in the role of Jobs, displaying a commanding and imposing presence on the screen (you’ll hear his name mentioned for Best Actor at the Academy Awards—bank on it). Winslet does a fantastic job as Joanna, trying to balance Jobs’ obligations while keeping him in check. Bridges, as the CEO of Apple in the early portion of the film, is able to establish authority while standing up to the tirades of Jobs. Rogen’s Wozniak is a one-note character I wish had been expanded a bit more, especially since the two of them essentially created the computing revolution out of a garage south of San Francisco. The character of Lisa (played by three different actresses) is probably a bit controversial, as she is the pivot point on which any change in Jobs’ personality must happen.  In many ways, when he looks at her, he sees a reflection of himself.

Can faith be found in an individual called an “unconscious coward” by his daughter?  Even under his hardened exterior, change is possible. The Bible makes it clear that “Pride goes before destruction, and a haughty spirit before stumbling” (Proverbs 16:18 NASB), and Jobs faces this not once, but twice.  He gets back up and is able to continue again, but it’s only when he’s confronted by his past adoption and his daughter Lisa (the only person in the film that is able to stand up to him and never waver) that he shows small signs of getting it.  He puts his time-honored practice on starting exactly on time on hold as he confesses to Lisa, “I’m poorly made.”  Not quite, since God did the creating thing, but it’s a start.  We weren’t intended to have the word ‘poorly’ in our vocabularies, as God make things perfect from the outset.  It’s the mistakes we make along the way that have allowed the word to take on a life of its own.  But even then, God sent Jesus to bring about eternal life and changed lives to those who claim Him, so that the word ‘poorly’ can be something more, something significantly better.

As Steve Jobs walks on stage to demonstrate the iMac with flashbulbs going off, it’s difficult to tell what happens next. It provides a way for the viewer to take a breath at the end of an emotionally powerful, gripping drama that is more about relationships than it is about computers. It’s definitely worth taking a look at.

Steve Jobs is rated R, mainly for some strong language.

 

Filed Under: Film, Reviews Tagged With: Aaron Sorkin, Apple, Danny Boyle, iMac, iPhone, Jeff Bridges, Kate Winslet, Katherine Waterston, Macintosh, Michael Fassbender, NeXT, Seth Rogen, Steve Jobs, Steve Wozniak

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