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racial justice

Films in Full Colour #5 – SOUL

December 27, 2020 by Steve Norton Leave a Comment

We, at ScreenFish, believe that we are all created in God’s image and want to show our support where we can to those in the Black Community who continue to battle against systemic racism. While our team strives for diversity, we can always do better ourselves in giving voice to those who need the chance to speak out and be heard. 

In our series, ‘Films in Full Colour’, we examine films that explore issues specifically within the black community. For each episode, my co-host is Jordan Thoms, pastor of Warden Underground Church in Toronto and our hope is that, through the lens of film, we might be able to shine light on the issues faced every day by African Americans. This week, Jordan and I welcome Enrico back to the show to talk about lost souls and the spiritual power of music in Pixar’s Soul.

You can also stream the episode above on podomatic, Alexa (via Stitcher), Spotify or Soundcloud! Or, you can download the ep on Apple Podcasts or Google Play!

Want to continue the conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

Films in Full Colour #5: SoulDownload

Filed Under: Disney+, Featured, Film, Podcast Tagged With: Angela Bassett, Films in Full Colour, Jamie Foxx, Pete Docter, Phylicia Rashad, racial justice, Soul, Tina Fey

Mangrove – Demanding Justice

December 27, 2020 by Darrel Manson Leave a Comment

“We must become the shepherd of our own destinies”

Mangrove, the opening film of Steve McQueen’s Small Axe anthology, is a tale of racial struggle against police abuse. It is based on the true story of the Mangrove Nine, a group of men and women put on trial in London. (Yes, that’s right, racial prejudice is not the sole possession of America.)

The first half of the film focuses primarily Frank Crichlow (Shaun Parkes), a Trinidadian immigrant who in 1968 has just opened the Mangrove restaurant in the Notting Hill area of London. It serves the kind of spicy foods preferred by Caribbean people. Almost from the start the police, lead by Police Constable Pulley (Sam Spruell), begin harassing Crichlow and the restaurant. The restaurant becomes a gathering place for the immigrant community. In time they take issue with all the harassment and plan a protest. During the protest, the police attack the crowd. In the aftermath nine leaders of the community are put on trial for the serious charges of riot and affray.

The second half of the film is a courtroom drama. The defendants faced many years in prison. Their very lives were in the balance. And solicitors and barristers told them over and over to trust the system. But the defendants knew that the legal system was just as corrupt as the police. Two of the defendants chose to represent themselves, which allowed them the opportunity to cross-examine witnesses and address the jurors. On the whole, the defense was an attack of the status quo of racial animosity. The trial became the first time the courts made note of the racial discrimination by the police force.

Thereare some comparisons to be made to The Trial of the Chicago 7 in that they occur roughly at the same time, both involve police caused riots, and the trials took on a rebellious tone. But this is by far a much better film.

The Small Axe anthology is a collection of five films by McQueen that focus on the world he grew up in. His parents were from Grenada and Trinidad. At least four of the films are based on actual events and people. It shows the black immigrant society as a vibrant culture of music, color, language, and joyous celebrations—but also frequently hardship because of a racist system.

This film shows some of the different manifestations of racism. (And we need to note that these forms are as relevant in this country as they are in the UK of the film.) The racism that we see in PC Pulley is the kind of blatant racism that repels us. (“The thing about the black man is he has his place. He’s just got to know his place.”). He and other police officers regularly hassle random black people for no reason. In court they suggest that all blacks are “criminal, prostitutes, ponces, and the like”.

But when the film switches to being a courtroom drama, the entire system comes under scrutiny for the ways that racism has been institutionalized, such as the make up of the jury, the way defendants are supposed to put their trust in the “professionals”, and the ways the judge fails to allow them to have voice. This kind of racism can be even more injurious because the system gives the impression of fairness, but often that impression is an illusion.

The film also touches on the responsibility of both intentional and accidental leaders. Crichlow really did not aspire to being a community leader. He just wanted to run his restaurant. He told one of the more strident leaders, “It’s a restaurant, not a battle ground”. But when circumstances continued to escalate, he had to make choices that pushed him into leadership. We also see in Crichlow the struggle of facing the risk that leadership brings. He is torn at times between doing what would be safe and doing what is right.

To do the right thing often is a matter of faith. Throughout the film, the defendants are told to have faith—in the judicial process. They hear it so often it becomes a joke to them that they should expect the system to come through for them. Others suggest that the characters need to have faith in the community to stand in solidarity. But at a crucial time, Frank, unable to sleep, sits on his bed and opens his Bible to a picture of his parents. On the back it reads, “In God you must trust.” There he finds the strength to carry on with what is right.

Mangrove (and the other Small Axe films) are streaming on Amazon Prime.

Photos courtesy of Amazon Studios.

Filed Under: Amazon Prime Video, Film, Reviews Tagged With: anthology, based on a true story, Caribbean diaspora, courtroom drama, protest, racial justice, UK

Films in Full Colour #2: JUST MERCY

June 13, 2020 by Steve Norton Leave a Comment

We, at ScreenFish, believe that we are all created in God’s image and want to show our support where we can to those in the Black Community who continue to battle against systemic racism. While our team strives for diversity, we can always do better ourselves in giving voice to those who need the chance to speak out and be heard. 

In our new series, ‘Films in Full Colour’, we will be examining films that explore issues specifically within the black community. For each episode, my co-host will be Jordan Thoms, pastor of Warden Underground Church in Toronto and our hope is that, through the lens of film, we might be able to shine light on the issues faced every day by African Americans. This week, Jordan and I welcome film analyst Chris Utley to the show to talk about justice and its relationship to hopelessness, and what it means to tell a new story through Destin Daniel Cretton’s Just Mercy.

You can also stream the episode above on podomatic, Alexa (via Stitcher), Spotify or Soundcloud! Or, you can download the ep on Apple Podcasts or Google Play!

Want to continue the conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

Films in Full Colour 2: Just MercyDownload

Filed Under: Featured, Film, Podcast Tagged With: Black Lives Matter, Jamie Foxx, Just Mercy, Michael B. Jordan, racial justice, racism

Films in Full Colour #1: QUEEN & SLIM

June 5, 2020 by Steve Norton Leave a Comment

We, at ScreenFish, believe that we are all created in God’s image and want to show our support where we can to those in the Black Community who continue to battle against systemic racism. While our team strives for diversity, we can always do better ourselves in giving voice to those who need the chance to speak out and be heard. 

In our new series, ‘Films in Full Colour’, we will be examining films that explore issues specifically within the black community. For each episode, my co-host will be Jordan Thoms, pastor of Warden Underground Church in Toronto and our hope is that, through the lens of film, we might be able to shine light on the issues faced every day by African Americans. This week, Jordan and I welcome Enrico and Lauren Kabongo on the show to delve into spinning narratives, racial stereotyping and leaving a legacy in Melina Matsoukas’ Queen & Slim.

You can also stream the episode above on podomatic, Alexa (via Stitcher), Spotify or Soundcloud! Or, you can download the ep on Apple Podcasts or Google Play!

Want to continue the conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

FFC1: Queen & SlimDownload

Filed Under: Featured, Film, Podcast Tagged With: Black Lives Matter, Daniel Kaluuya, Films in Full Colour, Jodie Turner-Smith, Melina Matsoukas, Queen & Slim, racial justice, systemic racism

When Justice Isn’t Just – Racial Justice Still Eludes

August 30, 2016 by Darrel Manson Leave a Comment

In case you haven’t noticed, there are still race issues in America. The most recent way this has flared up revolves around the number of African Americans killed by police—often unarmed. But there is much more to the problem than that. When Justice Isn’t Just tries to show a few of the issues around the question of race. However, its forty-two minutes is not nearly enough to truly be effective.

The film proves three chapters for consideration: Unarmed, focusing on the police killings of various African American; Black on Black Crime, speaking of the way that issue is often a deflection of real consideration of the problem; and The Legal System¸ which looks at the ways African Americans and poor people face uphill battles in court. The film is clear in its presentation of the core issues.

I think most people will have seen a good deal of the news video footage built around the police shootings and the protests that often followed. The first half of the film almost feels like a Black Lives Matter commercial. I know that comment will attract some people and repel others. I would hope that those who may be averse to that concept would be willing to watch and hear just what those involved with BLM have to say. Sadly, I think this film will mostly be preaching to the choir—a not uncommon problem for documentaries trying to speak to social ills.

For me, there is not much new information here. But then, then as a part of a Pro-Reconciliation and Anti-Racism denomination, I have been in discussions about these ideas frequently. For many others who may not have really stopped to consider the ways justice is often denied to many people in our society, this film might serve as a first step in your consideration.

Filed Under: DVD, Film, Reviews Tagged With: Black Lives Matter, criminal justice system, David Massey, documentary, justice, racial justice, racism

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