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Lesley Manville

Ordinary Love – Weathering a Storm

The snow is snowing and the wind is blowing
But I can weather the storm!
What do I care how much it may storm?
For I’ve got my love to keep me warm

The mood for Ordinary Love is set at the start as we hear Billie Holliday singing Irving Berlin?s ?I?ve Got My Love to Keep Me Warm.? We know that this is a story about love, and about storms. But it is not about a stormy relationship, as many relationship films are. It is about what love means in the midst of a storm so severe, it may destroy everything.

Liam Neeson (left) and Lesley Manville (right) star in directors Lisa Barros D?Sa and Glenn Layburn?s ORDINARY LOVE, a Bleecker Street release. Credit : Bleecker Street

Joan and Tom (Lesley Manville and Liam Neeson) are a couple who have been together for decades. They are comfortable around each other. Even their little spats seem to be little jokes between them. Theirs is a happy life. But then Joan finds a lump in her breast. When it turns out to be cancer, the couple finds themselves in a year-long storm. It is not so much that their love will be tested in this time, but more as in that opening song, it will be about whether that love is enough to sustain them.

The film follows the couple through doctor appointments, surgeries, chemotherapy and its aftermath, and months of uncertainty. But the focus isn?t really about all those things. In fact, as awful as some of those things are, the film glosses over some of the pain and suffering involved. The real point is to see the emotional struggles that these two loving people must navigate.

I should point out that I?ve lived this film. Nine years ago was the year that my wife and I refer to as ?The Year of Cancer?. As she went through breast cancer treatment, we did many of the same things that Tom and Joan do in this film. Screenwriter Owen McCaffery also lived this story along with his wife. That, no doubt, is why the film seemed so spot on for me. It isn?t a romanization of such a relationship. It is a frank depiction of the ways a relationship is consumed for that period.

It also shows us the ways this emotional journey is different for the two. In an early scene, when Joan is going to be having a mammogram, we see Joan in a room with other women also waiting for her procedure. They are all a bit apprehensive, but can smile at each other in their commonality. At the same time Tom in another waiting room filled with men. Theirs is a much more awkward silence, with a different set of worries and fears.

But my favorite scene in this vein is as Joan is having her lumpectomy, she dreams of being on a train pulling slowly out of a station. Looking out the window she sees a worried looking Tom watching her depart. This is a clear reminder that this is above all Joan?s story and journey. Tom may be along for the ride, but it is a much different experience than he will have.

Liam Neeson (left) and Lesley Manville (right) star in directors Lisa Barros D?Sa and Glenn Layburn?s ORDINARY LOVE, a Bleecker Street release. Credit : Bleecker Street

The different journeys also are displayed when Joan is able to talk to another cancer patient about his treatments. Peter (David Wilmot) has a terminal cancer. He is considering stopping treatment, which only delays the inevitable. But his younger husband Steve (Amit Shah) is distraught at the thought. For Peter and Joan, it is clear that they are the ones who have the final word here. For Steve and Tom, while they may have their own wants and desires, it is important to celebrate the time that they have?and find a way to make that time the best it can be.

I very much like the implication of the title. Because although we may think of this storm in Joan and Tom?s live as very severe, it doesn?t portray the love they share through it all as anything heroic. It is ordinary love. It is the way love is supposed to work. It is supposed to keep us warm no matter how dark clouds and how strong the winds.

Molly Moon and the Incredible Book of Hypnotism: You Can Go Home Again

Molly Moon - hypnotist The life Molly Moon (Raffey Cassidy) and her fellow orphans endure is one of fish head soup, extreme curfews, and attempts to sneakily find moments of joy. Headmistress Miss Adderstone (Lesley Manville) is into bossing others around, fashion, and bossing others around. She also has a sneaky enjoyment of causing other people to suffer: she causes live-in nanny Mrs. Trinklebury (Emily Watson) to take a nasty fall after Adderstone pushes her off the stairwell while changing a light. Adderstone also enjoys finding any reason to get on Molly, causing her to spend much of her free time at the library or hiding in the laundry room reading books. While at the library one day, Molly comes across a book on hypnotism that is also wanted by Nockman (Dominic Mongahan), a bumbling crook that would fit right in as a member of the Wet Bandits from Home Alone and is constantly upstaged by his mom (Joan Collins).

Molly attempts to hypnotize a dog named Petula first, and when that is successful, goes about setting to correct the wrongs at the orphanage?starting with the food. After Adderstone is reduced by Moon?s neon green eyes to desiring stuffed dolls, a potential foster family selection goes awry and sets in motion a journey to bring her best friend Rocky (Jadon Carnelly-Morris) back.? Molly becomes quite good at getting what she wants, hypnotizing people into giving her a bus ride to London, a penthouse suite in a swanky building, and an acting role in a major production on the West End (pushing out a teenage diva in the process).? However, it?s plainly evident that Molly has had an attitude change, has no acting or singing skills, and is about to ruin her life in front of millions of people. But her greatest attempt at hypnotism is yet to come . . .

Will she find Rocky in the massive metropolis of London? Will Rocky even want to come back?? Will Nockman get the book of hypnotism and make his mom proud? Is being a celebrity all that it?s cracked up to be?

Molly Moon - Good Food (for once)

With the star power, I was hoping the film would stay faithful to the children?s book by Georgia Byng yet provide the magic of films such as Annie, Matilda, and the Harry Potter series. Sadly, those hopes were dashed. Molly Moon and the Incredible Book of Hypnotism has a few good moments, but they?re sparse in a dark, drab film that?s mostly bereft of humor, includes a number of glaring plot holes (how does the librarian and concierge fit into all of this?), has lackluster music (especially in the West End sequence), and wastes the talent given to director Christopher Rowley. When Molly arrives in London, the film manages to finally get going, but it takes forty minutes for that to happen.

Molly Moon -- Diva

Even though I wish the film was better than it turned out to be, there?s still some truth to be found.? At its heart, Molly Moon is a modified parable of the prodigal son told in Luke 15:11-32. Molly didn?t want to be at the orphanage due to losing Rocky, so she took all she had and headed into the big town. Once there, she found fame and success, but circumstances eventually brought her to her senses where she said (in essence), ?Hypnotizing my way to the top isn?t the life for me. I know what I?ll do: I?ll return to the orphanage.? When she did, everyone accepted her back.

Fame is fleeting and can be quite deceiving (just ask Andy Warhol)?it makes us look to ourselves and abilities instead of God, the One who provided the talents and opportunities in the first place. As a result, sometimes a person or situation has to knock us back to reality. But when we come to our senses, we have the opportunity to become more like Jesus?through the whole experience. ?Is it time to go home again? God?s at the front door, just waiting for you to arrive.

And you don?t need to be hypnotized in order to see that.

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