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Claire Foy

The Electrical Life of Louis Wain: Caring and Connecting Through Cats

November 4, 2021 by Steve Norton Leave a Comment

Whether or not you consider yourself a ‘cat person’, there’s something electrical about the life of Louis Wain.

Set in Victorian London of the 1880s, The Electrical Life of Louis Wain tells the story of Louis Wain (Benedict Cumberbatch), an academy-trained artist who earns his keep by drawing portraits of animals from the county fair. Living with his mother and five younger sisters, Wain was committed to supporting his family yet constantly seemed to find himself at odds with the rest of society. However, his demeanor changes when he hires Emily Richardson (Claire Foy), a loving and inquisitive governess to care for his sisters. Despite their class differences, romance blooms between them. As such, their relationship frustrates his sister Caroline (Andrea Riseborough), causing tension within the family structure.

Directed by Will Sharpe, The Electrical Life of Louis Wain is an engaging and heart-warming piece that celebrates one of arts most unique voices in the last 150 years. While the structure follows standard biopic structure, Sharpe’s use of colour helps give the film a very different style that blends reality with the art world itself. Backed by another all-around solid performance by Cumberbatch, Louis Wain feels surprisingly earnest for a film that focuses on a man that spent much of his life painting cats. Nevertheless, there’s something joyful embedded within the film that simply charms (and even makes you appreciate cats a little bit more).

It’s worth noting that Cumberbatch is having somewhat of a moment in his career this year. With Oscar buzz regarding his performance in The Power of the Dog and his upcoming appearance in this December’s Spider-man: No Way Home, his name is everywhere right now. However, in Louis Wain, Cumberbatch gives one of his most delightful performances in recent years. When given the opportunity, Cumberbatch can either sparkle or simmer and Sharpe’s script gives him the opportunity to do both. Although the subject matter may seem odd at first, the story allows him to show his range from silliness and flamboyance to idiosyncratic to quiet pensiveness. In light of this, while Dog is gaining much of the awards attention thus far, Louis Wain may be a better showcase for his incredible talents.

There’s simply a beauty in this story that blends the energy of art leading into the everyday. Through his use of brightly coloured matte paintings and filtered shades, Sharpe plays with reality consistently and thoroughly throughout the film. There is a moment early on where light hits a prism, allowing colour to burst forth everywhere. As this blast of colour brightens up the room, so too does Sharpe use this to become an accurate depiction of the life of Louis Wain himself. In many ways, he was a man who saw the ordinary and extraordinary ways. Although social conventions forbid it, he decided to marry a woman who is both older than him and of a lower class. At a time when cats were seen as common trash, he viewed them as treasured pets. His life was one that sparked a unique flavor of joy, even if it went against the customs of the day.

At the same time though, Louis Wain was a man who carried an incredible burden underneath the surface. Although those around him primarily focused on his idiosyncrasies, there was a much deeper resonance within his soul. Despite the fact that much of his art focused on cats, he himself had a profoundly unique way of viewing the culture of his day. Primarily, Louis Wain saw the world through relationship. It’s worth noting that the ‘electricity’ to which the title refers is not about a scientific experiment but instead points to those things that bind and connect us. Wain could feel the energy in the room and believed that that was the currency of life. In fact, his love of cats stemmed from his belief that they were creatures of energy and eclecticism that was a spark to the human experience. Like his feline artistic muses, he too carried an energy that was misunderstood by those around him. Even if he was the only one in the world who felt this way, Louis Wain understood the power of relationship and the vibrancy that can enliven people who are loved by others.

With a strangely cryptic title and enthusiastic adoration of cats, The Electrical Life of Louis Wain is an unexpected joy that speaks to the value of everyone, especially the outcasts. By giving himself the freedom to bring Wain’s art to life, Sharpe creates a world that is energized by its style and invigorated by its star. In the end, Louis Wain becomes a film which begins with a love of cats and ends with a deeper appreciation for those around us. 

The Electrical Life of Louis Wain is be available in theatres on Friday, November 5th, 2021.

Filed Under: Amazon Prime Video, Featured, Film, Film Festivals, Reviews, TIFF Tagged With: Andrea Riseborough, Benedict Cumberbatch, cat lovers, cats, Claire Foy, Louis Wain, The Electrical Life of Louis Wain, TIFF, TIFF21, Will Sharpe

TIFF ’21: The Electrical Life of Louis Wain

September 13, 2021 by Steve Norton Leave a Comment

Set in Victorian London of the 1880s, The Electrical Life of Louis Wain tells the story of Louis Wain (Benedict Cumberbatch), an academy-trained artist who earns his keep by drawing portraits of animals from the county fair. Living with his mother and five younger sisters, Wain was committed to supporting his family yet constantly seemed to find himself at odds with the rest of society. However, his demeanor changes when he hires Emily Richardson (Claire Foy), a loving and inquisitive governess to care for his sisters. Despite their class differences, romance blooms between them. As such, their relationship frustrates his sister Caroline (Andrea Riseborough), causing tension within the family structure.

Directed by Will Sharpe, The Electrical Life of Louis Wain is an engaging and heart-warming piece that celebrates one of arts most unique voices in the last 150 years. While the structure follows standard biopic structure, Sharpe’s use of colour helps give the film a very different style that blends reality with the art world itself. Backed by another all-around solid performance by Cumberbatch, Louis Wain feels surprisingly earnest for a film that focuses on a man that spent much of his life painting cats. 

Nevertheless, there’s something joyful embedded within the film that simply charms (and even makes you appreciate cats a little bit more). In many ways, Wain was a man who saw the ordinary and extraordinary ways. His life was one that sparked a unique flavor of joy, even if it went against the customs of the day. With a strangely cryptic title and enthusiastic adoration of cats, The Electrical Life of Louis Wain is an unexpected joy that speaks to the value of everyone, especially the outcasts. 

The Electrical Life of Louis Wain premiered at TIFF ’21 on Sunday, September 12th, 2021.

Filed Under: Film, Film Festivals, Premieres, TIFF Tagged With: Andrea Riseborough, Benedict Cumberbatch, Claire Foy, Louis Wain, The Electrical Life of Louis Wain, TIFF, TIFF21, Will Sharpe

First Man: Man on a Mission

January 22, 2019 by Steve Norton Leave a Comment

Directed by Oscar-winner Damien Chazelle (La La Land), First Man tells the story of one of the most iconic moments in history as it tracks NASA’s quest to be the first to put a man on the moon. Following the journey of Neil Armstrong (Ryan Gosling), the film explores the human side of the mission, without shying away from the sacrifices and losses that came as a cost for their victory.

In the development of First Man, Chazelle has stated that he wanted to show the intense risk undertaken by the crew and staff in order to make this historic event possible and he certainly accomplishes his mission. Told over the span of 1961-1969, the film does not shy away from the highs and extreme lows that NASA endured during their journey. Through his use of editing and sound design, each launch sequence is equally thrilling and terrifying. Ranging from the noise of the launch to the limited view from the cockpit of the shuttle, Chazelle has sought to help his audience to experience the sheer peril in every moment of the experience.

However, rather than focus entirely on the moon landing itself, Chazelle instead allows the Armstrong’s personal battles to inform the narrative. Interestingly, unlike other ‘space race’ films (is that a genre?), First Man spotlights the journey to the moon through the eyes of Armstrong himself, as opposed to the entire team. Although their impact is never ignored, Chazelle is most concerned with Armstrong himself, both for his contribution and the emotional struggles he suffered after a family tragedy.

Gosling handles himself admirably, portraying the legendary astronaut as heroic for his efforts yet struggling with grief and loss. By juxtaposing his family struggles with his passion for the mission, First Man allows one to inform the other. Faced with insurmountable odds, Armstrong is still a man whose soul has been damaged by tragedy and is looking for answers. Is he driven to reach the moon to avoid his pain through achievement? Or does he seek to achieve the impossible in order to stare down the darkness inside him? While his motivations remain somewhat ambiguous in the film insofar as Armstrong rarely speaks from his soul. Still, First Man clearly believes that the two issues are linked in a such a way that the answers impact one another.

With this in mind, First Man also begs the question of whether or not the sacrifices are worth the glory in the end. Although their quest ends (um… spoiler alert?) on the surface of the moon, there still remains issues at home that need to be confronted. Despite the glory associated with their historic victory, there are personal losses at home along the way that must be weighed in the balance. In midst of global celebrations for their achievement, the challenges of parenting and maintaining a happy marriage with his wife, Janet (Claire Foy, whose performance steals the film) remain very much in the forefront. Armstrong may be a hero to the masses but he is simply a man with responsibilities when he’s at home. As such, First Man serves as a reminder that there can be failures in the midst of successes when we deny the pain of our soul in the process.

In the end First Man walks a thin line between thrill ride and grounded dramatic piece. Wildly different than his previous two films, Chazelle continues to prove his skill and creativity behind a camera by shedding new light on a familiar story. As intense as it is compelling, First Man challenges the nature of heroism in a way that also humanizes the men and women who helped make such a significant moment possible.

First Man is available on 4K, Blu-ray, and Digital HD now. The special features include deleted scenes, and feature commentary by Chazelle, Josh Singer, and editor Tom Cross. Featurettes behind “Shooting the Moon,” “Preparing to Launch,” “Giant Leap in One Small Step,” “Shooting at NASA,” and “Recreating the Moon Landing” take you into the cinematic undertaking, while “Putting You in the Seat” and “Astronaut Training” are featurettes which show the audience what went into the preparation.

Filed Under: Film, Film Festivals, Reviews, TIFF Tagged With: Claire Foy, Corey Stoll, Damien Chazelle, First Man, grief, Kyle Chandler, Neil Armstrong, Ryan Gosling, TIFF, TIFF18

5.03 Goals and Grief in FIRST MAN

October 21, 2018 by Steve Norton 1 Comment

http://screenfish.net/wp-content/uploads/2018/10/5.03-First-Man.mp3

In FIRST MAN, Oscar-winner Damien Chazelle (LA LA LAND) gives new life to the story of the Apollo 11 moon landing by looking at the iconic moment through the eyes and experiences of astronaut Neil Armstrong. In doing so, he creates a unique style of ‘space film’ that spends just as much time with the people on the ground as it does in the shuttle itself. This week, Steve welcomes back Wade Bearden (Seeing and Believing) and Matthew Cimone (Chasing Atlantis) to delve into what drives us to do great things and whether or not its worth it in the end.

Want to continue to conversation at home?  Click the link below to download ‘Fishing for More’ — some small group questions for you to bring to those in your area.

5.03 First Man

Thanks Wade and Matthew for joining us!

Filed Under: Film, Film Festivals, Podcast, TIFF Tagged With: Claire Foy, Corey Stoll, Damien Chazelle, First Man, Jason Clarke, Kyle Chandler, Oscars, Ryan Gosling, TIFF, TIFF18

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