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TIFF ’19: Saban Films acquires Aaron Eckhart’s LINE OF DUTY

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TIFF is known for the film’s… but it’s really about business. And today, the news begins!

Saban Films announced today that they have acquired U.S. rights to Steven C. Miller’s (Escape Plan 2: Hades, First Kill) Line of Duty.  Penned by Jeremy Drysdale (Grand Theft Parsons), the action thriller stars Golden Globe® nominee Aaron Eckhart (London Has Fallen, The Dark Knight), Courtney Eaton (Mad Max: Fury Road), Dina Meyer (Starship Troopers, Saw), Emmy® nominee Giancarlo Esposito (“Breaking Bad,” Maze Runner franchise) and Ben McKenzie (Gotham).  The film was produced by The Solution Entertainment Group’s Myles Nestel & Craig Chapman, Skip Williamson, Scott LaStaiti, Martin Sprock, Tiffany Stone, Renee Tab and Christopher Tuffin.

Line of Duty follows a disgraced cop (Eckhart) who finds himself in a race against time to find a kidnap victim whose abductor he accidentally killed.

Saban Films’ Bill Bromiley commented, “This fast-paced thriller is action-packed and bound to captivate audiences and keep them on their toes. It’s a testament to Steven’s skills as a filmmaker and the cast, led by Aaron, give stunning performances.”

Solution’s Nestel added, “We are excited to continue our long-standing relationship with Saban as our US distributor on the title.  Steven knocked the film out of the park and Aaron gives a tour-de-force performance as Frank Penny.”

Jonathan Saba negotiated the deal for Saban Films along with Myles Nestel & Lisa Wilson (who also executive produced the film) on behalf of The Solution.  The Solution represents worldwide rights, with Lisa Wilson selling the remaining international rights at this year’s TIFF.

Saban Films continues to grow its presence in the industry, remaining active in the acquisition, production and distribution space. The company’s successes have run the gamut from critically acclaimed theatrical films such as The Homesman starring Hilary Swank, to one of the biggest Fathom events in 2016 with Rob Zombie’s horror thriller 31.   Its upcoming slate includes: Kevin Smith’s highly-anticipated Jay and Silent Bob Reboot, the sequel to the 2001 comedy Jay and Silent Bob Strike Back which the company is partnering on after coming onboard at script stage; horror icon and heavy metal mastermind Rob Zombie’s 3 From Hell; Cannes hit Vivarium starring Imogen Poots and Jesse Eisenberg; the heartfelt baseball drama Bottom of the 9th starring Joe Manganiello and Sofía Vergara; Darren Lynn Bousman’s Death of Me starring Maggie Q and Luke Hemsworth; Casey Affleck’s directorial debut Light of My Life; and Derrick Borte’s American Dreamer starring Jim Gaffigan.  

Line of Duty marks the fourth in-house production over the last two years from leading film distribution, finance and sales company, The Solution Entertainment Group. Founded in 2012 by Myles Nestel, Lisa Wilson and Craig Chapman, The Solution has also produced Wheelman starring Frank Grillo, Killerman starring Liam Hemsworth and is currently finishing up Honest Thief starring Liam Neeson.   This in addition to a robust third-party sales slate, which includes Nicholas Jarecki’s Dreamland, currently in post and the upcoming Liam Neeson actioner, Ice Road.

Dr. Seuss’ The Grinch Announces its Release on Digital… and it’s Sooner Than You Think!

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Christmas may seem over… but the holidays can continue!
Families everywhere can ring in the New Year with Dr. Seuss’ The Grinch on Digital on January 22, 2019, and on 4K Ultra HD, 3D Blu-ray™, Blu-ray™, DVD and On Demand on February 5, 2019. From Illumination and Universal Pictures Home Entertainment, the film based on Dr. Seuss’ beloved tale about a cynical grouch who goes on a mission to steal Christmas from others only to feel his own heart grow three sizes larger through unexpected friendships is one “the whole family can watch and enjoy,” (Kidsday/Newsday).

The new home entertainment edition contains more than 60 minutes of bonus content, including three mini-movies: “Dog Days of Winter” starring the Grinch and his heroically loyal dog Max; and “Yellow is the New Black” and “Santa’s Little Helpers,” both starring the lovable Minions. It also includes stunning featurettes, a how-to-draw tutorial and much more. Narrated by Grammy Award® winner and Oscar® nominee Pharrell Williams, Dr. Seuss’ The Grinch stars Academy Award® nominee Benedict Cumberbatch (Dr. Strange, “Sherlock”) as the infamous Grinch, who lives a solitary life inside a cave on Mt. Crumpit with only his loyal dog, Max, for company. The incredible voice cast includes Rashida Jones (“Parks and Recreation,” The Muppets) as Donna Who, Kenan Thompson (“Saturday Night Live”) as Bricklebaum, Cameron Seely (The Greatest Showman) as Cindy-Lou Who, and featuring legendary actress Angela Lansbury (Anastasia, Beauty and the Beast) as the mayor of Whoville. Funny, heartwarming and visually stunning, Dr. Seuss’ The Grinch is a perfect night in for the whole family!


BONUS FEATURES EXCLUSIVE TO 4K ULTRA HD, 3D BLU-RAY™, BLU-RAY™ AND DVD:
  • Who’s Who in Who-ville (interactive map) – There are so many interesting characters that call Who-ville home that it’s hard to keep track of them all. This “Who’s Who” pop-up book uses animation to create a virtual storybook that takes us from Who-ville to Mt. Crumpit.
  • “You’re A Mean One, Mr. Grinch” Lyric Video – Tyler the Creator puts a modern spin on the Seussian Christmas classic.
MINI-MOVIES ON 4K ULTRA HD, 3D BLU-RAY™, BLU-RAY™, DVD & DIGITAL: 
  • Yellow is the New Black – Before they all make their big escape from prison in Despicable Me 3, a couple of lucky Minions get a taste of freedom as they break free with the help of one of their fellow human inmates.
  • Dog Days of Winter – Max braves the harsh winter weather and an uncooperative Who to bring a sick Grinch his favourite hot tea.
  • Santa’s Little Helpers – Fan favourites – the Minions – are back for another adventure! Having been accidentally dropped off at the North Pole, our Minion pals make the most of the situation by trying to become elves.

BONUS FEATURES ON 4K ULTRA HD, 3D BLU-RAY™, BLU-RAY™, DVD & DIGITAL:

  • The Making of the Mini-Movies – Mini in size but not in heart, these short films are fan favourites. From the Grinch and Max to the Minions – you’ll explore the themes of each of the mini-movies through the eyes of the filmmakers who made them.
  • From Green to Screen – It takes a lot to bring grumpy green to your home screen. This inside look at the making of Illumination’s Dr. Seuss’s The Grinch features interviews and behind-the-scenes moments with the cast, filmmakers and artists whose hearts have all grown three sizes bringing this classic tale to life.
  • Illuminating THE GRINCH – Using filmmaker and cast interviews, concept art and progression reels, we take a behind-the-scenes look at how the characters evolved from initial sketches to fully realized characters.
  • My Earliest GRINCH Memories – The cast and filmmakers of Dr. Seuss’s The Grinchreveal their earliest memories of the grumpy green character and the enduring appeal of this Christmas curmudgeon’s journey to redemption.
  • Grinchy Gadgets – From his body-size blow dryer to his moving mechanical chair, from his catapult to his dog drone-rig and more… you’ll get to explore the wondrous world of Grinch’s gadgets.
  • “I Am The Grinch” Lyric Video – A stylized look at Tyler, The Creator’s original song created just for the film.
  • Songs From His Little Heart – Take a deep dive into the toe tapping beats of Dr. Seuss’s The Grinch. From score to specialty songs, you’ll hear from the film’s A-list musicians on what it took to create the music behind the movie.
  • X-mas Around the World – Every culture practices Christmas in a slightly different way. We’ll highlight some of the more fun permutations of the holiday around the globe.
  • Cindy-Lou’s Yule Log – Nothing says the holidays quite like an animated fireplace blasting fake heat from your living room television. Just in time for winter, we’ll recreate Cindy-Lou’s living room on Christmas Eve for all to enjoy.
  • Production Babies – A celebration of the babies born to the filmmakers during the production of Illumination’s Dr. Seuss’s The Grinch.
  • Any Who Can Draw – Hosted by an Illumination artist and head of story Mark O’Hare, you’ll see step-by-step how to draw some of your favourite characters from this beloved holiday classic; Grinch, Max and Fred!

The film will be available on 4K Ultra HD in a combo pack which includes 4K Ultra HD Blu-ray™, Blu-ray™ and Digital. The 4K Ultra HD disc will include the same bonus features as the Blu-ray™ version, all in stunning 4K resolution.

  • 4K Ultra HD is the ultimate movie watching experience. 4K Ultra HD features the combination of 4K resolution for four times sharper picture than HD, and the colour brilliance of High Dynamic Range (HDR) with immersive audio delivering a multidimensional sound experience.
  • Blu-ray™ unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6X the picture resolution of DVD, exclusive extras and theatre-quality surround sound.
  • Digital lets fans watch movies anywhere on their favourite devices. Users can instantly stream or download

The Fishing Hole: The Pros and Cons of Netflix

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Our staff has been involved in a heated discussion about the impact of Netflix on the world of cinema. While many of our staffers are pro-Netflix, Chris Utley remains decidedly anti-Netflix. Read the latest episode of our ongoing debate as we discuss Bird Box, Roma’s theatrical release strategy, and whether or not the label Streaming Cinema will catch on.

J Alan Sharrer: I’m just going to leave this here . . . an article about Netflix telling people to cut it out with all the Bird Box challenges.

Arnaldo Reyes: (facepalm) So much hype for a meh movie.

Alan S: Amen.

Chris Utley: And you’d rather I stay home and watch this (Bird Box) on Netflix?” (GIF of Tyler Perry’s “Madea” shaking her head)

Alan: Her swan song is March 1.

Chris:  . . . till his non-Madea movies flop. Brace up for that.

Steve Norton: No, we’d rather you stay home and watch quality television . . . lol

Chris: You lost me at “stay home.”

Steve: Ha. Well, I’m sure you could watch Netflix on your phone… 😛

Chris: It seems Netfixerization now has a name . . . STREAMING CINEMA. I love it. It differentiates. As it should.

Steve: Until Roma wins Best Pic?

Alan: I don’t know. If that goes too far, movie theaters are going to cry foul. Or they’ll have to change their names . . . Edwards Movies; Regal Movies; Maya Movies . . .

Arnaldo: Streaming Cinema . . . movie theaters “don’t call it Cinema.” (includes GIF telling us to get off his lawn)

Chris: Um . . .there are cinemas in LA LA LAND that proudly call themselves CINEMAS! And there’s Alamo . . . as in Alamo Drafthouse CINEMA.

Steve: That’s weird. They must show Netflix. That’s streaming cinema. The others are the talkies . . .

Chris: And . . . Roma has played in CINEMAS too. Netflix caved. 70MM prints to boot! (Oh my emoji)

Steve: Well, it played in theatres. That’s streaming cinema. I’ve seen movies on Netflix too.

Arnaldo: Netflix didn’t cave . . . they found another way to have their cake and eat it too.

Steve: I like cake.

Arnaldo: Smart business.

Chris: I can assure you that they did not stream a 70MM print.

Steve: Sorry. I’m in a mood.

Chris: Caving.

Steve: My tv is 52’’. That’s bigger than 70mm. I know that’s metric, to be fair. (NOTE: Steve lives in Canada)

Chris: They went from playing all their crap in 2 theatres unadvertised to striking 70MM & Dolby Atmos prints for theatres nationwide.

Arnaldo: They don’t need to stream it that way . . . they stream 4K. That’s what streaming is for. They also said, “Hey, let’s make some more money and show it in a different format.”

Chris: Caving like a mug! They can’t strream Atmos. Thank you . . . next.

Arnaldo: So you missed my point.

Chris: And you missed mine. They can run 4K. Awesome.

Steve: Points are dangerous. They hurt.

Chris: But running 4K and Atmos is exclusively the domain of . . . CINEMAS!

Arnaldo: No, I see your point; it was valid if it meant that Netflix only cared about streaming formats. They don’t.

Chris: They caved because (Roma director Alfonso) Curon made them cave.

Arnaldo: They care about getting more eyes on their film, so why not make it available in a different format? Not caving–just smart business.

Chris: That was Curon. He demanded the cinema release and the large format prints. They obliged. Yeah, it’s smart.

Arnaldo: Netflix now has bigger competition in streaming. And more competition to come. So get out in front and explore different avenues. Smart move.

Chris: Really . . . it’s my original point. No Oscar love until they respect the process.

Arnaldo: Meh. Oscars are overrated IMO.

Chris: They worked with a director who demanded they play ball with the process. Please don’t get it twisted. Netflix darn sure wants one.

Arnaldo: I’m sure they do. They all want one. Still overrated.

Chris: Heck . . . film itself is overrated to you, right? Comics first!

Arnaldo: Nope. I haven’t kept up on comics, they’ve gotten weak in writing lately.

Chris: If Roma gets screened as part of AMC’s Best Picture Showcase, I’ll see it. If it ain’t, I won’t.

Arnaldo: I’m a “let them all in” guy. If streaming is putting out better content than what’s being released in theaters then they should be recognized for it. Last I checked, Oscars were meant to celebrate the best in “Cinema” yet they don’t allow the best in.

Chris: I say give STREAMING CINEMA their own dang awards. Like I always say, you don’t see HBO TV movies in Oscar categories.

Arnaldo: They won’t, because then Oscars would lose more viewership. LOL.

Chris: Why give Netflix a pass?

Arnaldo: It’s not about just Netflix anymore. Oscars need to adapt. If Netflix, HBO, Hulu, Amazon etc. are putting out better quality Cinema, then should recognize it.

Chris: It’s not about movie theatres anymore. I need to adapt . . .

Arnaldo: Actors, directors, writers are flocking to them . . .

Steve: Like Canadian geese.

Chris: (nope nope nope)

Arnaldo: (GIF of Kylo Ren turning to camera, looking sinister) Let the past die.

Chris: The past ain’t the past. When the Avengers reboot premieres exclusively on Disney+ in 10 years, then I’ll adapt. Till then . . . (picture of theater) Till death do us part? 4 LIFE!

Steve: I feel like this is a conversation we’ve had before . . .  LOL – I think Chris should do a 2019 challenge where he watches 5 Netflix shows and Arnaldo should do something where he watches 5 movies of Chris’ choosing.

Chris: I watched more than that last year. Stand up comedies. I already gave you the challenge, but Jacob (Sahms) vetoed it: a Google Hangout viewing of Mad Max Fury Road.

Join the conversation! Agree or disagree with our band of ScreenFishers? Ready to challenge their POV? Feel free to share in the comments!

The Fishing Hole: Aquaman and the Next Superman

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Welcome to the Fishing Hole, the ScreenFish Staff’s daily roundup of late breaking cinema/TV/pop culture news. Here’s what we’re talking about today . . .

Chris U.: $105 million for Aquaman as of Christmas Day. Momoa stays. Wonder if WB/DC will flip Justice League 2 on its head by making Momoa and Gadot the leads. Frankly, I’d use JL2 to introduce the new Batman and Superman.

Arnaldo R.: Or, scrap JL altogether and continue developing these characters solo and not force it like they have been. (GIF of Hannibal Lecter saying, “All good things come to those who wait.”)

Chris: “But…but…Marvel is pwning us! We have to respond!!!”

Arnaldo: (GIF of a ship sailing away with the caption, “Ship has sailed!”) LOL

Chris: Seriously, I’m all for it. Especially if they can erase BvS. I heard Flashpoint is supposed to handle that.

Arnaldo: I think that’s why it’s important to narrow the focus. These two work, focus on them for a while and slowly build. Plan for Marvel fatigue rather than speeding to catch it.

Chris: I DO need a proper Superman to ditch Routh’s stalkerness and Cavill’s moodiness.

Arnaldo: (thumbs-up)

Chris: Reeve was a friggin Boy Scout. Give us THAT! None of this whiny conflicted hero crap.

Steve N.: (GIF of Russell from “Up” waving) That’s who you want as Superman.

Chris: Supes need to confidently stop a nuke, save kids from a burning bus and save a cat! And SMILE the whole damn time. (GIF of a smile) And THAT will set you up for a proper Bats conflict: The Boy Scout vs The Rich Kid Rebel.

Steve: Bah. So simplistic. Dark Knight Returns (animated) did it great, without the simplicity.

Chris: Supes propensity to keep the law V Bats propensity to bend and break it.

Arnaldo: Supes doesn’t need to smile all the time. Making him more “human” is fine. He just doesn’t need to be “Batman.”

Chris: Simplistic. Bah that!

Steve: Bah.

Chris: All of y’all and your moody *** heroes. Sucking all the fun out of cinema. Which is why they hated on Aquadude. It had the utter audacity to be…FUN!

Steve: LOL. Superheroes reflect the voice of the nation. Supes is a Christ figure but that doesn’t mean grinning all the time.

Arnaldo: Moody isn’t about it for me. I want an in between. I don’t want someone rehashing Christopher Reeves or trying to be like him.

Chris: But you need his charm and charisma.

Steve: I agree with charm, yes. Cavill can do it. But he needs a script.

Arnaldo: Think Chris Evans Cap. Not an exact copy but basically that’s what Supes needs to be in DCEU.

Chris: I just don’t want the BS “I don’t wanna be a hero; the people hate me” crap. 100%, Arnaldo! Heck..CAP’s a dang Boy Scout. Went Rogue for his bestie. Would love to see Supes go rogue for Lois like Superman 2.

Arnaldo: That’s what Supes needs to be. Strong willed, but “clean.”

Chris: And not afraid of who he is. Snyder’s downfall was in Pa Kent shaming Clark for who he was. Suppressing it out of the fear of man’s reaction. Opposite of Glenn Ford. My son’s a natural at the trombone. I spent the entire Fall trying to get the kid to EMBRACE that. He was ashamed.

He eventually embraced it and got promoted to the highest level band in middle school. Supes 4.0 needs Pa Kent embracing his gift. So when it’s time to save the day, he does it with no shame.

Steve: I agree with the Cap analogy. But he’s realistic at heart. Pure at heart but bears the weight of the world. Reeves wasn’t like that. Cavill could go there with a good script.

Join the conversation! Agree or disagree with our band of ScreenFishers? Ready to challenge their POV? Feel free to share in the comments!

The Fishing Hole: Aquaman, Spidey, and Justice League

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Welcome to the Fishing Hole, the ScreenFish Staff’s daily roundup of late breaking cinema/TV/pop culture news.  Here’s what we’re talking about today . . .

Arnaldo R.: Soooo, I know we don’t put much stock in Rotten Tomatoes, but Bumblebee is 94%, Aquabro 68%, Poppins 77%.

Steve N.: I’m shocked that Poppins is so low considering the Top 10 lists it’s on.

Chris U.: Film criticism is about to take a turn. The disconnect between writer/audience is growing deeper with every release. Critics had us prepped for a horrifying experience w/Venom. $200 million U.S. So go figure.

Jacob S.: Venom was terrible. Just because people went to see it doesn’t mean it was any good. The critics were right.

Chris: Will Sony believe you? Or that $200 million they’re still counting? THAT’s the point.
(PS – Venom was GREAT!)

Arnaldo: I have not seen Venom…so can’t say on film itself.

Jacob: IMO it was so bad I couldn’t finish it. So, for perspective, what made it great for you? I reserve great for … much more than what I saw, so I’m curious.

Alan S: So are we really influencers?

Arnaldo: As for Sony, it depends what they internally thought it would make vs what it made.

Chris: We used to be [influencers]. Millennials are making up their own minds about such things.

Arnaldo: It’s kind of the Justice League viewpoint….did it make money…yes. should it based on characters and genre made more….also yes.

Jacob: Based on the amount of money that publicists are paying for even small options like us to go to film, talk to talent, and get review copy, the studios still think we are.

Chris: Justice League made over $200 million too.

Jacob: So will Aquaman.

Chris: But it’s recognized as a major disappointment when you consider the comps.

Arnaldo: But it should have way more is my point. And it made less than the studio hoped it would.

Jacob: I’m going to go see it, regardless of what critics say, and even though I think it looks terrible.

Chris: This was DC’s answer to Avengers. And in that regard, they took a FAT L

Jacob: But Venom – to this fanboy – couldn’t compete even though I like Hardy, because that was a story devoid of Spiderman … which is dumb.

Arnaldo: There aren’t that many villains that can carry a standalone film without their rival. Again, I haven’t seen Venom so just speaking hot air. LOL Once Venom is available to rent on Amazon I’ll watch it

Jacob: I’m reading Miles Morales comics because Spiderverse was so good. If I had gone from the movie to the comic and Morales was a white rich woman, I would’ve been frustrated.

Chris: Jacob just explained it.

Jacob: Works the same way being a fan of the comic and going to see a film that doesn’t actually carry its water.

Arnaldo: I’ve been a fan of Miles since he was released

Jacob: Sure, Harry Potter movies made a lot of money – but they’re not as good as the books

Chris: The stuff we are fans of we judge more harshly

Jacob: I had gotten to the point where I was over Spidey. Needed a new twist. Miles does that.

Arnaldo: (agrees)

Chris: About Aquadude

Jacob: Given that I follow sci-fi, comics, crime fiction, thriller fiction, tv, etc., everything that doesn’t measure up gets blasted. 🙂

Chris: He doesn’t come with high fanboy pressure to nail it

Arnaldo: I have plans to see Spidey, and an idea of an article after I see it, but I have to see it first or my article doesn’t work.

Jacob: The world didn’t need another white action figure, so I get Momoa. But they’re going to have to nail it or the underwater stuff is going to look like it was shot by us with a GoPro.

Chris: I think it’ll be fine.

Jacob: At this point, DC can’t settle for “fine”

Chris: They already have. Aquaman and WW is all they’re rolling with

Arnaldo: Aquaman has fanboys believe it or not

Chris: Supes is getting course corrected

Arnaldo: Aquabro I’m not sure of

Chris: Batty is getting course corrected. Justice League 2 is off the table for now

Jacob: I own a fair share of Aquaman comics

Arnaldo: They have to blow the Fanboys away for him to accepted, which is sad

Chris: They’re folded on the current JL path

Jacob: I was a swimmer through college… appreciate the swimming aspect

Chris: Back on their “see what sticks” hustle . . . Gal and Momoa are the only things sticking

Jacob: Momoa has carried a bunch of stuff Chris will never see . . . so they’re willing to take a risk.

Chris: Jacob . . . You know they fired Cavil from Supes, right?

Jacob: Fine with me

Arnaldo: WB is throwing darts hoping to hit bullseye or at least get close.

Chris: I know Momoa, dude.

Jacob: I didn’t mind him as much as Affleck. I meant he has all those Netflix shows

Arnaldo: You don’t green light that many different joker movies if you had an actual clue

Jacob: Small screen < big screen

Chris: Case closed. Thanks, Arnaldo. Multiple Joker movies . . . Birds of Prey BEFORE Suicide Squad sequel . . . “Throw it at the wall all over again”

Jacob: #noclue

Chris: Whatever sticks graduates to JL 2.0. Whatever doesn’t will get axed like Affleck and Cavil.

Arnaldo: I’m as tired of the Marvel comparison as the DC Fanboys are but…Marvel made a talking raccoon work. DC couldn’t make Batman and Superman work.

Chris: Because they planned for it 6 years before we saw it. Feige wouldn’t have done it if he wasn’t convinced it would work. Key word: PLANNING. What, again, IS the DC plan?

Arnaldo: Who knows. Same can be asked about Sony. Are they going to stick to Spidey villains without Spidey?

Chris: 1. Pray Aquaude eeks out $250 mil
2. Hope R-rated Birds Of Prey works
3. Keep Flash on hold while we wait for JK Rowling to finish the last 2 chapters of Fantastic Beasts
4. Hope they can eke out another $100 million or so off Shazam
Did I miss anything?

Jacob: If Venom had been R-rated, I might’ve bought in.

Chris: As far as Sony, I think they’re waiting for Endgame to play out first. If Disney doesn’t lock in Spidey for another team up, he’ll be a free agent to appear in their flicks.

Jacob: Most of the Netflix Marvel stuff is better than the DC feature

Chris: It was. Reshoots. Sony chickened out at the thought of an R rated movie connected to Spidey and ordered reshoots to tone Venom down. But everyone knows, including the lying director, that R was the original plan.

Jacob: Homecoming was darker than Venom.

Arnaldo: Sony knows what Marvel’s plans are for Spidey. They don’t sign that deal without being allowed to know some small details.

Chris: Hmmmmm

Arnaldo: AKA Marvel keeps him and Sony doesn’t

Chris: That’s breaking the law. Sony owns the rights which is why Venom is here. To keep the rights spinning. If Sony abandons Spideyverse movies for a certain period of time, rights roll back. That’s why we have the Silver and Black plan. The Mobius plan.

Arnaldo: You misunderstood. I’m not talking who owns the rights. I’m saying that Sony while still holding some/most of the rights basically conceded live action Spidey to Marvel.

Chris: Not the rights. I explained it years ago.

Arnaldo: They allow Marvel to use Spidey, aka they gave the keys to the car away while still holding the title. Sony is race car owner basically. Marvel is the driver. Sony has no plans to get behind the wheel as long as Marvel continues to kill it at the box office. Sony is happy to sit back and count the money.

Chris: So why make Venom, Mobius, Into The Spiderverse if they can just sit back and eat off of Marvel?

Arnaldo: Because they want their cake and eat it too, and Marvel has no plans with those characters.

Chris: All I’m saying . . . Don’t be shocked at Tom Holland cameos after Endgame.

Arnaldo: Yet his next Solo film is after Endgame…😏 If you mean in Morbius and Venom type of films….maybe but I highly doubt it. Feige isn’t going to let Sony control part of the MCU. Sony already set it up with Miles.

Chris: It’s coming.

Arnaldo: Different universes.

Chris: Miles is animated. This is live action. We will see how it all turns out. GO AQUADUDE!

Join the conversation!  Agree or disagree with our band of ScreenFishers?  Ready to challenge their POV?  Feel free to share in the comments!